Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: George Shearing Jazz Moments.

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 21, 2019

CD Review: Nat King Cole - For Sentimental Reasons.

Nat King Cole (piano/vocals); Irving Ashby/Oscar Moore (guitar); Johnny Miller/Joe Comfort (bass); Jack Costanzo (bongos) + Billy May/Stan Kenton Orchestras - 1 track each).
(Review by Lance).

A master class, not only in singing but in jazz piano. This is what begat Oscar Peterson and provided the groundwork for the Shearing Quintet. Apart from that, the smoothest voice you'll ever hear. Strangely, Sinatra moved from fairly straight ballad singing to the most swinging cat on the block whereas Cole moved in the opposite direction.

Fortunately, the 21 tracks here, dating from 1943 to 1951, are predominantly jazz orientated with Cole's vocals and bop piano licks as delectable now as they were 70 plus years ago. The instrumentals - Cole Capers and Bop Kick - rubber stamp his piano credentials. Brief snatches of guitar from Moore and Ashby add to the mix. Peterson later used the piano, guitar and bass format for many years and, if memory serves me right, I think Ashby also had a spell with Oscar prior to Kessel and Ellis. The Canadian also recorded some vocal tracks and guess who he sounded like? Got it in one!

Walking My Baby Back Home and Orange Colored Sky both charted. The former with Billy May and those slurping saxes, the latter with Kenton's brass-heavy ensemble which did no harm at all. Nor did Pete Rugulo's arrangement of That's my Girl deserve the ignominy of being the B side to one of Cole's biggest hits - Too Young. I remember buying the 78 as a kid and playing the B side more than Too Young. After all, it was an Ellington tune. It was only when I received this album that I discovered that the Ellington in question was not Duke but the Britisher Ray Ellington!

If you like classic singing, swinging piano and, in Oscar Moore and Irving Ashby, two of the most underrated of the post-Charlie Christian guitarists then this is an absolute must.

Like the rest of the series, the re-mastering is simply magnificent.
Another one of the essential BMG Dreyfus Jazz releases due out on May 10.
Lance.
This is my Night to Dream; (I Love You) For Sentimental Reasons; I've Got a Way With Women; I'll String Along With You; Walking My Baby Home; Portrait of Jennie; If You Can't Smile and Say Yes; I Used to Love You; If I Had You; I'm in the Mood For Love; 'Deed I Do; Don't Blame Me; Orange Colored Sky; On the Sunny Side of the Street; Bop Kick; I'm an Errand Boy For Rhythm; That's My Girl; You're the cream in my Coffee; It's Only a Paper Moon.

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