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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Thu 18 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00.
Thu 18: Theo Croker @ The Glasshouse, Gateshead. 8:00pm.
Thu 18: Brad Linde’s Continentals @ The Globe, Newcastle. 8:00pm.
Thu 18: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 18: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:00pm. Rhythm & blues.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band: Darlington Big Band.

Fri 19: Luis Verde with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Luis Verde with the Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 19: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Sunday, April 21, 2019

CD Review: Nat King Cole - For Sentimental Reasons.

Nat King Cole (piano/vocals); Irving Ashby/Oscar Moore (guitar); Johnny Miller/Joe Comfort (bass); Jack Costanzo (bongos) + Billy May/Stan Kenton Orchestras - 1 track each).
(Review by Lance).

A master class, not only in singing but in jazz piano. This is what begat Oscar Peterson and provided the groundwork for the Shearing Quintet. Apart from that, the smoothest voice you'll ever hear. Strangely, Sinatra moved from fairly straight ballad singing to the most swinging cat on the block whereas Cole moved in the opposite direction.

Fortunately, the 21 tracks here, dating from 1943 to 1951, are predominantly jazz orientated with Cole's vocals and bop piano licks as delectable now as they were 70 plus years ago. The instrumentals - Cole Capers and Bop Kick - rubber stamp his piano credentials. Brief snatches of guitar from Moore and Ashby add to the mix. Peterson later used the piano, guitar and bass format for many years and, if memory serves me right, I think Ashby also had a spell with Oscar prior to Kessel and Ellis. The Canadian also recorded some vocal tracks and guess who he sounded like? Got it in one!

Walking My Baby Back Home and Orange Colored Sky both charted. The former with Billy May and those slurping saxes, the latter with Kenton's brass-heavy ensemble which did no harm at all. Nor did Pete Rugulo's arrangement of That's my Girl deserve the ignominy of being the B side to one of Cole's biggest hits - Too Young. I remember buying the 78 as a kid and playing the B side more than Too Young. After all, it was an Ellington tune. It was only when I received this album that I discovered that the Ellington in question was not Duke but the Britisher Ray Ellington!

If you like classic singing, swinging piano and, in Oscar Moore and Irving Ashby, two of the most underrated of the post-Charlie Christian guitarists then this is an absolute must.

Like the rest of the series, the re-mastering is simply magnificent.
Another one of the essential BMG Dreyfus Jazz releases due out on May 10.
Lance.
This is my Night to Dream; (I Love You) For Sentimental Reasons; I've Got a Way With Women; I'll String Along With You; Walking My Baby Home; Portrait of Jennie; If You Can't Smile and Say Yes; I Used to Love You; If I Had You; I'm in the Mood For Love; 'Deed I Do; Don't Blame Me; Orange Colored Sky; On the Sunny Side of the Street; Bop Kick; I'm an Errand Boy For Rhythm; That's My Girl; You're the cream in my Coffee; It's Only a Paper Moon.

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