Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, April 04, 2019

CD Review: Ushaw Ensemble - Ushaw Ensemble Volume 1

Paul Edis (composer, piano, musical director); Graeme Wilson (tenor sax, bass clarinet, flute); Graham Hardy (trumpet, flugelhorn); Andy May (Northumbrian pipes); Rob Walker (drums, percussion); Paul Susans (double bass); Emma Fisk (violin)
(Review by Russell)

Ushaw Ensemble Volume 1 is the latest chapter in the evolving story of a commissioned suite of music which met with universal critical acclaim following performances at festivals and jazz club engagements. Composer Paul Edis assembled a septet comprising notable figures on the national jazz stage alongside respected Northumbrian piper Andy May to interpret his music celebrating the life and story of St Cuthbert. The CD serves as a document of the story so far..


Volume 1 is in two parts; the greater part (St. Cuthbert Suite) comprising eleven tracks, and a stand-alone composition (Sound of Achill) closing some fifty minutes or so of absorbing music. St. Cuthbert's Theme is stated by violinist Emma Fisk, a theme which recurs periodically throughout the suite. Andy May's haunting pipes (A Shepherd from Melrose) evoke an ancient, bleak, seventh-century Northumbrian landscape in which Cuthbert lived and worked. Abbeys, monasteries and religious retreats punctuate Edis' narrative yet faith, belief, call it what you will, isn't a prerequisite when listening to the music of the Ushaw Ensemble. 

Edis' writing succeeds in fusing folk, jazz and classical elements; Fisk and May etching Cuthbert's simple, at times solitary, existence, similarly double bassist Paul Susans (Solitude), Graham Hardy (trumpet and flugelhorn) making a connection between ancient and modern horn instruments, Graeme Wilson (tenor sax, bass clarinet and flute) given license to roam across the piece, in the process unleashing a ferocious, freely improvised tenor saxophone contribution in tandem with drummer Rob Walker (The Vikings, track 8), and the architect of the Ushaw Ensemble project, Paul Edis, incorporating myriad styles and influences including, as the composer acknowledges, Debussy, Ravel, Ellington and Messiaen. 

Ushaw Ensemble Volume 1 tells a story, the music is majestic, and, as the title suggests, there is Volume 2 to look forward to.   

Ushaw Ensemble Volume 1 should be considered an essential purchase. For further details visit: www.pauledis.co.uk  

The Ushaw Ensemble will perform the music of Volume 1 at a CD launch concert at Ushaw College, April 4 (tonight), 7:30pm.         

Russell

No comments :

Blog Archive