Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, April 11, 2019

EP/CD Review: Animal Society - Rise.

Joe Williamson (guitar); Alan Benzie, Craig McMahon (keyboards); Gus Stirrat (bass); Graham Costello (drums).
(Review by Steve T)

Animal Society is a new group led by Darlington born guitarist Joe Williamson. He has an impressive CV: a graduate of the Royal Conservatoire of Scotland, two critically acclaimed albums (including by me) with the band Square One, a Peter Whittington Jazz Award and was named Scotland's Young Jazz Musician of the Year in 2018.

The raison d'etre of this group is unleashed right off with a thundery drum roll and some heavy metal riffing. Prog rock, jazz rock, prog metal are all in there. Guitar influences would seem to include Steve Howe and John McLaughlin but nowadays it's often people who were influenced by these people or people who were influenced by people who were influenced by them.

There's plenty of light and shade with some fine keyboard work, including some good old-fashioned seventies synth sounds, and, I believe, a touch of acoustic guitar. Opener and single Rise does exactly that and the tracks generally build to a crescendo with Williamson taking the home-run. The EP features four cuts, two just short of the ten-minute mark and two a little over, making it roughly the length of an old-fashioned album. 

I'm a bit of a fan and I always like to hear jazz guitarists embracing their rock roots. If rock music was your route into jazz, this should be essential. If rock is your thing but not too heavy, it settles down after the initial burst, but if you really don't care for rock or don't like it fused with jazz, you should probably leave it alone.           

Steve T.
Try/buy (digital).
Physical copies are available but only at gigs.

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