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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Monday, April 01, 2019

CD Review: Dominic Miller - Absinthe

Dominic Miller (Guitar); Santiago Arias (Bandoneon); Mike Lindup; (Keyboard); Nicolas Fiszman (Bass); Manu Katché (Drums). 
(Review by Chris)

This is the second ECM recording by Miller, the versatile and much travelled guitarist originating from Buenos Aires, but now resident in the south of France where this was translucently recorded in the usual ECM style. His French home infuses the music with a light, airy folk feel, but although tempting to think of the bandoneon sounding like a French accordion, the instrument and harmonies here are definitively Argentinian, home of young folk/jazz star Santiago Arias, who takes the majority of melodic lead role. I’d say Miller achieves his sleeve-note aim of an Impressionist musical statement, in the tradition of the painter masters of Provence of old.  Miller has links to the North East musical history, as he has toured and recorded with Sting since 1991, but this album marks a rather different direction to his day job.


The album consists of ten short and varied songs, carefully crafted, with a laid back, ethereal vibe, reaching high energy levels only occasionally.  The title track opens with solo acoustic guitar, but it’s soon obvious that this is an ensemble effort, showcasing sumptuous and delicate playing by the rest of the band.   Manu Katché makes his familiar artful contribution, with the sparkling recording allowing every shimmer, clatter and resonation of his kit to be heard.

Track 6, Etude, stands out with repeated, interlocking contrapuntal phrases between guitar, bass and the rest of the band, riding hypnotically on Katché’s infectious beats.  Tracks 7 and 8 raise the energy levels and tempo: Bicycle hits a more animated groove, with synth replacing piano on top, while Ombu cuts loose, with a free section, and Katché finally unleashing full power.  The album closes with the slower and more abstract Ténèbres, and the final track, St Vincent, sharing another haunting melody around and over a busy, skittering drum part.

Overall, a delightful, accessible and engaging work, with ghostly and oblique melodies to charm the ears, and enough guitar and percussion mastery to satisfy the technical minded.  Could be enjoyably consumed on its own, or letting it wash over you, perhaps relaxing with a bottle of Argentine Malbec.
Chris Kilsby
Release date: 01.03.2019 ECM 2614

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