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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 01, 2019

CD Review: Dominic Miller - Absinthe

Dominic Miller (Guitar); Santiago Arias (Bandoneon); Mike Lindup; (Keyboard); Nicolas Fiszman (Bass); Manu Katché (Drums). 
(Review by Chris)

This is the second ECM recording by Miller, the versatile and much travelled guitarist originating from Buenos Aires, but now resident in the south of France where this was translucently recorded in the usual ECM style. His French home infuses the music with a light, airy folk feel, but although tempting to think of the bandoneon sounding like a French accordion, the instrument and harmonies here are definitively Argentinian, home of young folk/jazz star Santiago Arias, who takes the majority of melodic lead role. I’d say Miller achieves his sleeve-note aim of an Impressionist musical statement, in the tradition of the painter masters of Provence of old.  Miller has links to the North East musical history, as he has toured and recorded with Sting since 1991, but this album marks a rather different direction to his day job.


The album consists of ten short and varied songs, carefully crafted, with a laid back, ethereal vibe, reaching high energy levels only occasionally.  The title track opens with solo acoustic guitar, but it’s soon obvious that this is an ensemble effort, showcasing sumptuous and delicate playing by the rest of the band.   Manu Katché makes his familiar artful contribution, with the sparkling recording allowing every shimmer, clatter and resonation of his kit to be heard.

Track 6, Etude, stands out with repeated, interlocking contrapuntal phrases between guitar, bass and the rest of the band, riding hypnotically on Katché’s infectious beats.  Tracks 7 and 8 raise the energy levels and tempo: Bicycle hits a more animated groove, with synth replacing piano on top, while Ombu cuts loose, with a free section, and Katché finally unleashing full power.  The album closes with the slower and more abstract Ténèbres, and the final track, St Vincent, sharing another haunting melody around and over a busy, skittering drum part.

Overall, a delightful, accessible and engaging work, with ghostly and oblique melodies to charm the ears, and enough guitar and percussion mastery to satisfy the technical minded.  Could be enjoyably consumed on its own, or letting it wash over you, perhaps relaxing with a bottle of Argentine Malbec.
Chris Kilsby
Release date: 01.03.2019 ECM 2614

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance