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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Friday October 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - Jesmond Royal British Legion Club, West Jesmond Avenue, Jesmond, Newcastle NE2 3EX. Tel: 0191 281 0736. 1:00pm. Free.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Evening.

Ella Fitzgerald: Just One of Those Things - Forum Cinema, Market Place, Hexham NE46 1XF. Tel: 01434 601144. 7:00pm. £8.30. - £5.80. Film (2019, 89 mins) directed by Leslie Woodhead. Swing Bridge Trio in Café Bar following screening.

Dave O’Higgins & Colin Oxley - Great Broughton Village Hall, Ingleby Road, Great Broughton TS9 7ER. 7:30pm. £20.00. ‘O’Higgins & Oxley Play Monk & ‘Trane’. Oxley replaces Rob Luft.

Paul Taylor - Ushaw College, Durham DH7 7DW. Tel: 0191 334 5119. 7:30pm. Free (donations). An Ushaw Piano Festival event.

Jazz Lads - Saltburn Cricket Club, Marske Mill Lane, Saltburn TS12 1HJ. Tel: 01287 622761. 8:00pm. £5.00.

Guisborough Big Band - Saltburn Golf Club, Guisborough Road, Saltburn TS12 1NJ. Tel: 01287 622812. Time TBC.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. Time 8:30pm. Screening of Stanley Nelson's documentary film (2019, cert. 15, 1hr 55mins).

Blues/Soul etc.

Ray Stubbs R & B All Stars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 27, 2019

The Ronnie Scott's Story: 60th Anniversary Concert @ Sage Gateshead - April 26

James Pearson (piano); Alex Garnett (tenor sax/vocals); Sam Burgess (bass); Chris Draper (drums); Natalie Williams (vocals).
(Review by Lance).

I'd seen the show a couple of times previously but this didn't detract from an enjoyable evening. When all the old jokes were rolled out I groaned but, they were seemingly new to many of the audience in the three-tiers full Sage Two so I laughed along with them and, truth to tell, I never tire of hearing them again. 

Pearson (pictured left) and Garnett did most of the narration helped by the projected backdrop and some words from the late, great, man himself. I never made it to the Club 11 or the first Ronnie Scott's in Gerrard St. although there was a period when I was a regular at the Flamingo Club, also in Soho, where Ronnie Scott often appeared whilst this coming Wednesday (May 1) I shall be at the Frith St. club where Alan Barnes is playing. Paradoxically, many would say that Barnes has inherited the role of Jazz Court Jester that once was Ronnie's.


I digress as, of course, tonight it was the live music that made the gig something special and the surprise inclusion of Natalie Williams who sang beautifully as she always does

The tall singer looked good and sounded good. Prior to this evening, I'd heard her in a previous edition of the show as well as at  Hoochie, Cadogan Hall and on CD. After the concert, her albums were replacing hot cakes in the bestseller lists and deservedly so.

A Night in Tunisia; How High the Moon; Moody's Mood for Love; Love For Sale; James (Pat Metheny); Spain; I Loves You Porgy; Sister Sadie and the encore It Don't Mean a Thing -  which was synced with a projection of Ella Do-wa-do-wa-do-waing it on screen - all of which were knockout performances.

The band were well featured with some 'Scott-ish' tenor from Garnett who also produced some Roland Kirk-like harmonics, sang a duet with Williams on Moody's Mood and the pair's vocalese/tenor blast on Sister Sadie was truly memorable!

As well as helping out with the anecdotes and 'vamping till ready' Pearson paid tribute to Oscar Peterson with a dazzling Place St. Henri from his [Peterson's] Canadiana Suite, Burgess was featured on Walkin' and Draper played one of the more imaginative drum solos on Love For Sale.

Instrumentals included a blistering Airmail Special; Through the Night Roared the Overland Express and Alfie's Theme.

A thoroughly enjoyable history lesson.
Lance

1 comment :

Andy Hudson said...

"...Anyone in from Middlesbrough... There's a little known fact Ladies and
Gentlemen that towards the end of the war the Americans accidentally dropped
an atom bomb whilst flying over the town......Did £4 of damage."

"Just after the war, we were all very poor and had to walk around dressed in
war surplus clothing...I can tell you it was no fun for a nice jewish boy to
be going around the East End dressed as a Japanese Admiral...."

Hey Ho That was Ronnie.

I do miss him and the other two,

Ronnie's was BPR Ltd Brian Pete and Ronnie

Brian (Theobald) was the agent, Pete (King) was the club manager and
incidentally also a racing driver trainer at Brands Hatch. and of course
Ronnie Scott(Musician and Host)

When I left the North East in 1979; for the first year, my office was on the
1st floor of Ronnies - A gift from the 3 of them to get me going in London.
The first Alexandra Palace jazz Festival was organised from there. It was a
fun-filled period.

"You from Hebburn Sir ? ...... I spent a fortnight there....Last Thursday!"

RIP Ronnie Scott

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance