Total Pageviews

Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, February 02, 2021

James Pearson's Rhapsody in Light Blue live streaming from Ronnie Scott's - Feb. 1

James Pearson (piano); Jeremy Brown (double bass); Matt Skelton (drums); Pete Long (alto sax, clarinet); Callum Au (trombone, euphonium); James 'JT' Turner (tuned percussion); Alicja Smietana (violin). 

(Screenshots by Ken Drew)

James Pearson presented a live stream celebration of Rhapsody in Blue. Ronnie Scott's MD introduced an all-star chamber jazz ensemble to perform a selection of compositions from George Gershwin's earliest days on Tin Pan Alley to Porgy and Bess to his An American in Paris Days and the focus of this Monday evening concert, Rhapsody in Blue

The house trio is an attraction in itself, the addition of two of Ronnie's regulars (Pete Long, reeds, Callum Au, brass) and a couple of specialists (James 'JT' Turner, tuned percussion, Alicja Smietana, violin) assisted Pearson in creating something akin to the full orchestral voices available to Gershwin (and Paul Whiteman) almost a century ago. 

Swanee from 1919, a vehicle for star singer Al Jolson, made composer G. Gershwin, not yet twenty one, a small fortune. MD Pearson has yet to pen a chart-topper but he sure can play them! Our pianist's easy going commentary helped join the dots of Gershwin's rise and rise. Social distancing measures obliged the trio to take to the stage (joined from time to time by classical violin virtuoso Smietana) with Long (playing some hot Goodman-style clarinet) and Au (a one-man brass section) on the floor of the room, percussionist Turner to one side. 

Porgy and Bess medley (inc. It Ain't Necessarily SoThere's a Boat Dat's Leavin' Soon for New York), a Tubby Hayes' arrangement of Love Walked In (what's the betting Tubbs played it, with a modern jazz line-up to die for, in this very room?) featured Smietana and Long. Is Pete Long underrated? Does he have the same high profile as some of his contemporaries?*

Pearson in Oscar P mode on The Man I Love from the Broadway version of An American in ParisBlue Lullaby (Prelude no.2) as a Pearson-Smietana duo feature, and on to the finale. Twenty minutes or thereabouts, Pearson directing the ensemble, the one we (some of us?) had been waiting for - Rhapsody in Blue, or as our MD preferred, Rhapsody in Light Blue.   

Pete Long will be working with the Strictly Smokin' Big Band on an Ellington concert programme at Sage Gateshead next year (February 26, 2022). Book now at: www.sagegateshead.com.                 
Russell

No comments :

Blog Archive