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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).
Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 03, 2019

CD Review: Graeme Wilson Quartet - Abscondit

Graeme Wilson (tenor sax/flute/balafon); Paul Edis (piano/keys/flute); Andy Champion (bass/bass guitar/flute); Adam Sinclair (drums/perc)
(Review by Lance).

Back in the early sixties, jazz critics had a shock awakening when they first heard the Newcastle based hardbop quintet the Emcee Five. Back then, if a band wasn't doing the rounds of the London scene they were nowhere men. However, just as the Beatles from Liverpool and the Animals from Newcastle took the London pop world by storm, so did the Emcee Five strike a blow for the provinces in the less publicised world of jazz.

Since then, the standard of jazz has risen to such heights that on most nights in most major cities you can hear jazz of world-class quality. Which leads me to pose the question - are there four better players than these guys anywhere in the country or, maybe, outside of New York?


All eight tracks were composed by Graeme Wilson whose tenor playing you wouldn't want to meet on a dark night at a jam session - or maybe you would - just have a St. John's Ambulance crew standing by. Paul Edis - a legend - a man for the occasion. You wanna symphony composed for next week, a guy to play at your daughter's wedding or someone to play some of the greatest jazz piano this (or maybe the other) side of Keith Jarrett? look no further. When it comes to bass playing no one is more fortuitously named than Andy Champion. On drums, my worthy constituent Russell has Adam Sinclair down as his favourite drummer which is a better call than the one he made for Notts County to win promotion. Adam also engineered four of the tracks as well as handling the mastering and mixing. Now if he had been in charge of Notts County...

Several of the tracks were played and broadcast live on BBC Radio 3 at last Saturday's Free Thinking Festival held at Sage Gateshead. One of the numbers was After School that has Wilson, Edis and Champion forming a flute triumvirate. The compositions are complex, rhythms, time signatures, keys and moods change. It's all done seamlessly and only serves to enhance the music. The Bings is a masterclass in the art of ballad playing. The Bold Sammy features Sinclair beating out an infectious rhythm behind the tenor. Friction Motor, not surprisingly, is fast - apart from the unexpected silences. A blast by tenor, drums digging in and an amazing unison passage by horn and keys.

Jazz as we know it but also with a Scottish feel as befits the composer's heritage. Let's hope it gets picked by the BBC's dwindling jazz content or Jazz FM it deserves worldwide exposure.
Lance.

1 comment :

Roly said...

I think Graeme's Quartet is something quite unique and rather special. As you say Lance they are all great players and it's those compositions that underpin the group. It's music that makes you think, makes you smile, at times exciting, at times gentle and so charming. I would recommend anyone to go hear them if they are playing nearby.

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