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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, February 02, 2021

Album review: Janinah Burnett - Love the Color of Your Butterfly

Janinah Burnett (vocals); Terreon 'Tank' Gully (drums, producer, co-arranger) and on various tracks: Christian Sands, Sullivan Fortner, Keith Brown (piano); Luques Curtis, Ben Williams (bass); Casey Benjamin (vocoder)

Well I certainly get some strange albums to review and this must surely be one of the oddest! Good in parts and rather peculiar in others. Nothing to do with the instrumentalists, who are long established jazzmen. Ms Burnett is a woman who possesses two voices, one an operatic soprano and the other a sultry alto jazz voice. The intention on this recording was to produce what our singer terms 'clazz' – a meeting of the American indigenous genres of spirituals, blues, jazz and soul with the classical idioms that she is used to performing in opera.

This very brave attempt to marry these forms is, I think, only partially successful. Creole Girl has effective jazz accompaniment but the voice switches between full soprano and jazz voice, which I found disconcerting and occasionally laugh-out-loud funny. What Is This Thing Called Love? was cleverly linked with Bizet's Habanera from Carmen (both songs have pretty much the same meaning) but the two voice problem spoilt the track, as was the case on several tracks.  

On the other hand. the more successful songs, were well worth listening to. In a Sentimental Mood was done as straight jazz with a piano solo. TGTT (Ellington) was sung wordlessly in a soprano voice, and somehow worked. Someday We'll All Be Free is a spiritual where the soprano voice and effective drum beats sounded good.  I Loves You Porgy is meant to be opera so that worked well. Lament paired with Strange Fruit actually worked because of the contrast of voices which brought out the meaning of Strange Fruit well. Perhaps the way forward for 'Clazz' is shown in the final track, Honeysuckle Rose, which was sung as a swinger, and in a rather higher register jazz voice.

It seems to me that Ms Burnett, a world-renowned soprano who has performed in New York City both on Broadway and at The Met., is on to something interesting on this debut album but it's not yet fully developed. I daresay that she could record an album of jazz songs as her sultry jazz voice is very pleasing. Adding a classical dimension to the jazz would take a bit more thought.

The CD is available from February 12 on the Clazz Records label, via the usual suspects.

See www.janinahburnett.com

Ann Alex

Creole Girl; What Is This Thing Called Love?/Habanera; E Lucevan Le Stelle; Keep Your Eyes On the Prize; My Love; In a Sentimental Mood; TGTT; Someday We'll All Be Free; Kiss of Life; Lament/Strange Fruit; I Loves You Porgy; Honeysuckle Rose Retro Intro; Honeysuckle Rose

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