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Bebop Spoken There

Jim Keltner: “I was snatched right out of the jazz world. I shouldn't say snatched, I went willingly, I ran. From $85 a week to $250 a week, that gets your attention." - (JazzTimes, September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,726 (and counting) posts since we started blogging 13 years ago. 1143 of them this year alone and, so far, 87 this month (Sept. 24).

From This Moment On ...

September

Fri 24: Perdido Street Jazzmen (with Frank Brooker reeds, Eugene Farrar trombone, Brian Bennett banjo & Phil Rutherford sousaphone) @ Darlington Market Square, Darlington. 11:00am.
Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sat 25: Silent Music Seeing Sound + Spinningwork @ Newcastle Arts Centre. 6:30pm. Newcastle Festival of Jazz & Improvised Music (NFOJIM).
Sat 25: Knats @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. .
Sun 26: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. .
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 4:00pm.
Sun 26: Sax Appeal @ The Blue Bell, Hill Street, Corbridge NE45 5AA. 4:30pm. Free. .
Sun 26: David Gray Flextet @ The Globe, Newcastle. 8:00pm.
Sun 26: Nubiyan Twist @ The Cluny, Newcastle. 8:00pm.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 8:00pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: Mainly Two @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 30: '58 Jazz Collective @ Hops and Cheese, 9-11 Tower St., Hartlepool, TS24 7HH. Tel 0770 4160417. 7:30pm.
Thu 30: Shiver + Run Logan Run @ Gosforth Civic Theatre, Newcastle. 8:00pm. NFOJIM.
Thu 30: Jeremy McMurray & the Jazz Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.

Fri 01: Robert Mitchell @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 01: Warmer Than Blood + Kit Downes + Ceitidh Mac @ Lit & Phil, Newcastle. 7:30pm. NFOJIM.
Fri 1: Knats + Hand to Mouth @ Gosforth Civic Theatre, Newcastle. 7:30pm. Free but ticketed.

Sat 02: Paul Edis @ Lit & Phil, Newcastle. 1:00pm. NFOJIM.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Stuart Fowler: Learning Jazz Standards. £25.00. To enrol email: learning@jazz.coop.
Sat 02: Zoë Gilby & Andy Champion @ Newcastle Arts Centre. 2:00pm. NFOJIM.
Sat 02: John Pope Quintet @ Newcastle Arts Centre. 3:30pm.
Sat 02: Jamie Cullum @ Sage Gateshead. 7:30pm.
Sat 02: Green Tangerines @ The Globe, Newcastle. 8:00pm. NFOJIM.
Sat 02: Alina Bzhezhinska HipHarp Quartet + Pat Thomas. 8:00pm. NFOJIM.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm.

Thursday, July 30, 2020

Album review : Misha Mullov-Abbado - DREAM CIRCUS

Misha Mullov-Abbado (double bass), James Davison (trumpet, flugelhorn), Matthew Herd (alto),  Sam Rapley (tenor), Liam Dunachie (piano, Hammond organ), Scott Chapman (drums)

My album of the year so far. Cleverly written and played, but also beautiful, musical and although “classically” inflected in places, definitely jazz:  distinctly modern but with mainstream and lyrical roots.  This third outing by London based double bassist Misha Mullov-Abbado confirms a new and substantial British ensemble composing voice, joining the tradition of Kenny Wheeler, Mike Gibbs and Issie Barratt.  


Misha Mullov-Abbado  (shall I just call him MMA?!), son of music royalty Viktoria Mullova and Claudio Abbado, comes to us via training at Cambridge and the Royal Academy. He inevitably attracts oodles of media attention, and his parentage must bring pressure as well as a stellar musical head start. (I apologise to my sons that they don’t have parents like this!).  His interviews reveal an unpretentious and grounded individual, who “didn’t think of himself as a jazz musician because after all it is all just music”.  MMA is clearly a top bass player with a full range of chops, who drives the show powerfully though unobtrusively: but it is his compositional skills that are to the fore here.  

While the production line of UK conservatoires has generated astonishing technical power and musicianship in recent years,  full of innovation, new influences, artifice and impact, I am less convinced of the enduring nature of the output compositionally.   This is different! A serious statement yes, sophisticated and complex in places, but also with infectious enthusiasm and fun, with wholesome, catchy tunes and grooves abounding.

The sextet format is brilliantly exploited both for solo blowing as well as the best of ensemble playing. The writing and arrangements are reminiscent at times of Kenny Wheeler’s bands at their best, not as gloriously quirky perhaps, but fresh with unexpected twists and turns, and often hitting a purposeful and breathtaking stride. Even the inevitable time signature games keep a firm grip on groove.

Needless to say this is all executed with fabulous and characterful playing by the array of young superstars in the making. The superb twin saxes of Herd and Rapley slide from smooth to skronky, and Davison’s trumpet soars between powerful melodic lines (reminiscent of Andre Canniere’ recent Ghost Days) and Wheeler-esque forays into the stratosphere.  Chapman’s drumming is perfectly matched to the setting – not so much the skittering impressionism of some current UK players, but precise, confident and varied.

There are several stand out tracks, with the lively Infamous Grouse bewitching with repeats, changes in tempo and time, and reassuring with a rollicking groove in between.  Blue Deer evolves from a slow and stately intro, through a loose section, resolving to a glorious soaring melody swapped between horns, over a complex but driving pulse, recalling (bass player) Avishai Cohen’s band at their best.  

Equinox shows MMA’s more classical leaning, with polyphonic interlocking giving way to a range of solos,  lovingly handing the tune round.  Astronaut shows MMA’s fun side, as a cheeky stop/start waltz, with old time vibes.

A monster of a tenor solo is matched by a classy trumpet outing on the superb 11 minute long Seven Colours.  A sonorous repeated bass drone in 5, driven by mallets on drums, conjures a dreamy eastern trance for Bear, embellished by breathy horns. Little Vision showcases Dunachie on piano, with a fluent and agile solo to match delightful comping elsewhere.

All in all, highly recommended, with something for everybody in a classy and substantial outing, with compositions to match the superb playing, all superbly produced by Jasper Høiby, bassist with Phronesis.
Chris K

Released June 12, 2020.  Recorded at The Village Recording in Copenhagen, September 2019. Format: CD & DN   Buy here.

2 comments :

Roly Veitch said...

Based entirely on this articulate review (I confess I didn't know of the musicians) I took a chance and bought this album. I'm glad I did. It's brilliant. The music ranges from delicate and beautiful lyricism to powerful crescendos of excitement! Great music from great players each of whom, apart from their other qualities, has a really lovely tone on their respective instruments.
Roly

Chris Kilsby said...

Roly - glad (and relieved!) you liked it as much as I did. Makes reviewing worthwhile! Chris

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