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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 23: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free. CANCELLED!
Mon 23: Edison Herbert Trio @ The Vault, Darlington. 4:00pm. Free.
Mon 23: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Mon 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, May 27, 2019

CD Review: The Last Taxi - New Destinations


Chiara Liuzzi (voice, electronics, sound objects), Giorgia Santoro (flute, bass flute, bansuri, xiao, piccolo, voice, effects), Adolfo La Volpe (guitar, live electronics), Giacomo Mongelli (drums), Chris Rathbun (bass), Pat Battstone (piano).
(Review by Steve T)

Ethnic sounding flute and female voice with something going on behind. I knew this was going to be a tricky review, with three out of six musicians playing electronics, sound objects, effects and live electronics, not to mention a couple of instruments I've never heard of. Anybody who would be interested in it will probably have already made up their minds.


Track two evolves into something resembling a jazz piano trio, then voice - and possibly some discernible lyrics - before some unusual guitar chords joined in, then flute.

Some breathing and sound-effects lead into another piano trio, plus more obscure, obtuse guitar chords, then joined by one of the flute family before it settles into a basic rock rhythm, giving the whole thing some welcome release.

Piano, heavy breathing, some effects, guitar but this time it's a long piece to sustain. And so it goes on though becoming increasingly difficult to maintain interest.

Until track ten of thirteen. Morning in a Japanese Garden   with some Far East Asian sounding instrumentation and vocalising, joined by some lovely, tasteful ivory tinkling bringing a contrasting Western flavour.

I'd love to say the album is better than my futile adjectives suggest but, if I'm honest, I suspect I'm making it sound better than it actually is. While there is a market for this type of thing, I doubt if anybody from the regular Bebop Spoken Here team are equipped to do it justice. Ann Alex claims she has been promoted to reviewing instrumental albums so perhaps I've been demoted to reviewing a vocal album, although I remain uncertain whether there are any recognisable words.

I don't dislike it and some of it's very good, and I'm not averse to interludes, provided they enhance the jouissance, here the best bits would work fine as interludes, but fall short as highlights.

I suspect it will be far more interesting live and I would certainly try to catch them if they played the North East, so perhaps that's where they could sell it.
Steve T 

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