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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 31, 2018

Jam Session @ the Black Swan - October 30.

Mark Williams (guitar); Paul Grainger (bass); Russ Morgan (drums) + Pete Tanton (trumpet/vocal); Nick Gould (tenor); Jeremy McMurray (keys); Michael Lamb (trumpet); Steve Summers (tenor); Kate O'Neill (vocal); Jamie Toms (tenor); David 'Showtime' Gray (trombone); Ian White (tenor).
(Review by Lance).
A brand new dawn - if 8pm can be classed as dawn - for the former Jazz Café Jam which has upped sticks and moved to the nearby Black Swan Bar and Arts Venue. The move is a masterstroke and, at last, we have a jazz joint that isn't 'a joint'.
The Jazz Café served its purpose but, somehow, despite or perhaps because of the sanitisation, it lacked the charisma of the old Crombie days. Maybe I'm an old sentimentalist but the past is past and the future lies at 59 Westgate Rd.

Previously, we've had singers unlimited, an alto summit and, on occasion, more drummers than the band of the Royal Scots Guards. However, tonight it was a case of "Anyone for tenors?" with four of the finest jousting for the crown.
It didn't begin with a slugfest - that came later - sedately and sensitively, the house trio, who were in brilliant form all evening, christened the room with easy, tasteful versions of Bill Evans' Peri's Scope and Without a Song. We weren't without a song for long. Pete Tanton, an American in Newcastle and a SSBB trumpet player, after a spirited Straight No Chaser, exercised his vocal chops on But Not For Me - trumpet and vocal à la Chet.

Pete was joined on stage by the first of the tenors - all the way down from Edinburgh - Nick Gould. The Scot, always a welcome visitor, and the American had a blast on Sonny Rollins' Oleo. This was turning into an international affair with two Englishmen, an Irishman, an American and a Scotsman strutting down Green Dolphin St. and, somehow or other, ending up on St. Thomas!

Michael Lamb and Steve Summers, two more escapees from SSBB, kept the trumpet /tenor format alive but with the addition of Jeremy McMurray on keys for Too Close For Comfort and Sam Rivers' Beatrice. Too close for comfort? Nah, this was so good we couldn't get close enough!

The rhythm section needed a break so we were treated to a couple of duo numbers from Jeremy and the emotive voice of Kate O'Neill. Kate never gives less than 110%, Jeremy neither and God Bless the Child was storming into the home straight when proceedings came to an abrupt halt with a malfunctioning keyboard pedal. However, troupers that they are, the offending item was quickly cured and they were off again with the minimum of delay. 'S Wonderful followed before les tout ensemble returned to give us Fever.

Enter tenor number three. Jamie Toms (another SSBB blower) hooked up with the self-effacing (not!) slider David Gray. Showtime was on form stunning the audience with a display of triple-tongued-tromboning. Bravo! Not to be outdone, Jamie Toms laid his cards on the table for the imminent battle royal with some cool sounds whilst Jeremy was in walnut cracking mode. Chick Corea's 500 Miles High had us, the listeners, even higher or was it the Old Peculier ale?

Tenor number four was thrown in at the deep end. Nick Gould (it's his birthday today - MHR), Steve Summers and Jamie Toms had all blown previously but Ian White was in the same position as Androcles when thrown to the lions. However, like the legendary figure, he emerged with his head held high after all four tenors and Showtime had worked out on It Don't Mean a Thing if it Ain't Got That Swing - It meant plenty to all concerned.

As I left, Ian White was blowing a tasty version of You Don't Know What Love is, this had been an impressive first night at an impressive new venue.
Lance.

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