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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 23, 2018

Middlesbrough Jazz Weekender 2018: The Ushaw Ensemble - St. Cuthbert's Suite. Oct. 21

Ushaw Ensemble: Paul Edis (MD/piano); Graham Hardy (trumpet/flugel); Graeme Wilson (tenor/bass clarinet/flute); John Garner (violin); Andy May (Northumbrian pipes); Rob Walker (drums/percussion); Paul Susans (bass).
(Review by Lance).
The St. Cuthbert's Suite, composed by Paul Edis and commissioned by Ushaw College, paints a musical soundscape of the life and death of Cuthbert (633-687AD). It's a fascinating story that is beyond the remit of BSH but can be found on Wikipedia.
Musically, the various segments are portrayed by all the players with improvisations that are sometimes soft and mellow and sometimes wildly atmospheric. The writing for the ensemble, at times, verges on the near classical sometimes with Ellington overtones.
Although it has been performed at several venues in the area, because of the strength of the writing and the power of the soloists, it loses nothing by repetition and it is to be hoped that Edis, who is achieving national notice because of his piano brilliance, will be given as much, or even more, recognition as a composer and arranger.
A cultural highlight of the festival.
Lance.
PS: John Garner, depping for violinist Emma Fisk, slotted in seamlessly - bravo.
PPS: Link to World Premiere (see comment).

1 comment :

Hugh said...

I draw the honourable member's attention to the review of the World Premier of this piece. (https://lance-bebopspokenhere.blogspot.com/2016/03/ushaw-ensemble-st-cuthberts-suite-ushaw.html ).

Thanks for all your Middlesborough Jazz Weekender reviews, Lance. I would have liked to be there - especially for The Ushaw Ensemble and Printmakers - but was otherwise engaged.

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance