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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 23, 2018

Middlesbrough Jazz Weekender 2018: Big Chris Barber Band @ Middlesbrough Town Hall - October 20

Big Chris Barber Band: Chris Barber (trombone, vocals); Bob Hunt (trombone, trumpet, arrangements); Mike Henry (trumpet, cornet); Pete Rudeforth (trumpet, vocals); Nick White (saxophones, clarinet); Ian Killoran (saxophones, clarinet); Bert Brandsma (saxophones); Joe Farler (banjo, guitar); John Day (double bass); John Watson (drums)
(Review by Russell) 


The man was there at 'Newport' Middlesbrough. That was back in 1978. Down the years the trombone-playing band leader has given concerts in the town but this 'Jazz Weekender' engagement acknowledged that historic occasion forty years ago and signalled the prospect, the possibility, of an annual Middlesbrough jazz festival for the twenty-first century. 

Chris Barber, eighty-eight years young, took to the stage with his ten-piece band to play the music he's been playing for something like seven decades. The line-up has changed, likewise the programme with a significant element of Ellington and small group swing numbers. One thing hasn't changed - Chris Barber's obvious love of the music. 


From the opening Bourbon Street Parade to the closing When the Saints Go Marching in, Barber was in his element, hunched over his instrument, blowing good, taking his cue for his in-between-numbers announcements from loyal sidekick Bob Hunt. Rent Party BluesJubilee Stomp, Ellingtonia vied with N'Awlins' favourites in a packed set list. 

A little like a Duracell battery powered toy, Barber would, given the chance, keep going all night. Precious Lord, take my hand sang the band leader, the phrasing that of the American jazz and blues singers Barber so reveres. Goin' Home sang Barber. Ah, not quite, Mr Barber, the boys in the band weren't heading home, they were going to play more Duke - East St Louis Toodle-oo and Merry-Go-Round - then head to the bar for an interval drink! 

A bottle of Black Sheep or some other backstage tipple then the Big Chris Barber Band returned to the stage. Black and Tan Fantasy featured Barber, C Jam Blues won huge applause, the band leader led a chorus of Cornbread, Peas and Black Molasses - a tasty selection. 

Barber's legendary mumbled announcements were reassuringly intact: Thank you, mmm, now, mmm, the Harlem Hamfats, yes, mmm, Kansas Joe, Papa Charlie, mmm, good, What You Gonna Do? Thankfully, Barber's band knew the running order and so it was - What You Gonna Do? Ah, the band...first class, that's the band. Fellow 'bone man Bob Hunt takes care of the arrangements and the seven-strong frontline - long-serving Mike Henry alongside Pete Rudeforth blew some great trumpet, and to their right the reedsmen, Dutchman Bert Brandsma, Scotsman Ian Killoran and on the end of the line, multi-reeds wizard Nick White - took it in turn to bask in the limelight. The rhythm section boys had their moments too - Joe Farler strumming banjo then guitar, string bass man John Day (ex Acker Bilk) and the immaculate (musically speaking) John Watson (drums). 

For those who hadn't heard the Big Chris Barber Band for a while, it perhaps came as a surprise to hear All Blues. One thing is for sure, Miles wouldn't have been other than complimentary. Rockin' in Rhythm brought the show to a close save for The Saints and an inevitable, and fully deserved, encore.     

Russell 

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance