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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17957 (and counting) posts since we started blogging 17 years ago. 278 of them this year alone and, so far, 34 this month (April 14).

From This Moment On ...

April 2025.

Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 24: Mary Coughlan @ The Glasshouse, Gateshead. 8:00pm. £33.80. Blues, jazz etc.
Thu 24: Darlington Big Band @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 25: Vasilis Xenopoulos & Paul Edis @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Duo performance.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Andrea Vicari Trio @ The Gala, Durham. 1:00pm. £8.00. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums).
Fri 25: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 25: Red Kites Jazz @ Land of Oak & Iron, Winlaton Mill. 6:00-9:00pm. Free.
Fri 25: Vasilis Xenopoulos & Paul Edis @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Fri 25: Struggle Buggy @ The White Room, Stanley. 7:45pm. Rhythm & blues.
Fri 25: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £20.30., £18.00. All-star big band.
Fri 25: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums). An Opus 4 Jazz Club event.

Sat 26: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 26: Vasilis Xenopoulos & Paul Edis @ Elvet Methodist Church, Durham. 7:30pm. Tickets: £12.00. + bf. Duo performance.
Sat 26: Neil Cowley Trio @ The Glasshouse, Gateshead. 8:00pm. £22.50.
Sat 26: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 27: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 27: Andrea Vicari Trio @ Central Bar, Gateshead. 2:00pm. Vicari (piano); Andy Champion (double bass); John Bradford (drums).
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ Queen’s Hall, Hexham. 3:00pm. Xenopoulos, Edis, Paul Susans, Russ Morgan.
Sun 27: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 27: JustKing Jones @ Cluny 2, Newcastle. 7:00pm (doors). £17.50. JustKing Jones (alto sax, soprano sax); Jordan Williams (piano); Jason Clotter (bass); Malcolm Charles (drums). Ace NYC outfit!
Sun 27: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 27: Swing Manouche @ Warkworth Memorial Hall. 7:30pm. £15.00. Tickets from 01665 711388.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ The Globe, Newcastle. 8:00pm. Xenopoulos, Edis, Ken Marley, Russ Morgan.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 29: ???

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 06, 2018

Newcastle Festival of Jazz and Improvised Music: Graeme Wilson Quartet CD launch @ Jazz Café - Oct. 5

Graeme Wilson (tenor/baritone/flute/ bs. clarinet/compositions); Paul Edis (keys/flute); Andy Champion (bass/ bs. guitar, flute); Adam Sinclair (drums).
(Review by Lance/photos courtesy of Malcolm Sinclair).
Graeme's a Scotsman. Even if he hadn't spoken a word, his music would have told you he wasn't born within the sound of Bow Bells or even south of the River Tweed. No, the intro to the opener well and truly marked his card.
Of course, most of us remembered Graeme for the near decade he spent in Newcastle playing at the Side Café, with the VOTNJO, and their offspring band Splinter and we knew that the skirl of the pipes would soon give way to the sheets of sound as purveyed by John, not Robbie, Coltrane.
A prodigious tenor player and an even more prodigious baritone saxophonist. We live in a world of gunslinging, fast on the draw, tenor players but there aren't many Billy the Kids who can shoot from the hip on baritone as fast as Graeme did last night. At one point, he produced a note on baritone that piccolo players could only dream of!
Most of the compositions were from his current CD - Abscondit - as was to be expected and interval trade on the album seemed to be good.
Deservedly so. They were more original than most 'originals' and benefited from well-rehearsed sections to moments of freedom where mayhem was released without injury.
Flute and bass clarinet was also part of his armoury and they were both used to great effect. On one number, After School, both Edis and Champion played flute alongside the leader - we were impressed. 
However, the times when these two really impressed were when they returned to the day job - in Paul's case by playing some dexterous keyboard capers and a simulated Hammond blast on Why Are You Staring at Me? which Graeme wrote around the time of the Scottish referendum. Meanwhile, Andy, a master of the double bass, proved he was equally adept on bass guitar (he switched between the two) and it was on this latter instrument that he brought the house down.
On drums, Sinclair drove like the devil. His outwardly calm demeanour in complete contrast to the rhythms and polyrhythms that were stirring the pot with each ambidextrous movement of foot and finger. At one point he produced marimba-like sounds from a piece of Roland wizardry that proved very effective.
The CD's now available. If you were at the gig you probably bought one. If you didn't get to the gig then put it on your jazz bucket list.
Photos.
Lance.
PS: As time and train wait for no one I had to leave before the end and I have the feeling I may have missed an extra special finale!

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