Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wednesday, October 24, 2018

Preview: “Remembering Blossom Dearie” - Eyemouth

(Press release)
Singer Zoe Francis and guitarist Jim Mullen bring their Remembering Blossom Dearie tribute show to Eyemouth Hippodrome on Wednesday, November 7.
Blossom Dearie, who died in 2009, was an American singer and pianist who gained popularity in Paris and London during the 1950s and 1960s for her singing of songs including Peel Me a Grape and I’m Hip. She was also known for her deadpan, often spontaneous wit.
Ronnie Scott, who booked Dearie into his Soho club many times, often said that if she’d chosen to be a comedienne instead of a musician she would have been a great success.
“I got to see Blossom when I was living in New York,” says Francis, a former dancer and actress who began singing jazz after she went to New York for a holiday and ended up staying for nine years. “She was playing in Danny’s Skylight Room, one of her favourite venues, and she made everyone laugh.”
However, It was Dearie’s singing and her choice of songs that particularly appealed to Francis. 

“I loved Blossom’s phrasing and the way she made songs tell a story,” she says. “A lot of what she did sounds simple on first listening but that’s because she made everything sound effortless. Nowadays, it seems that people are looking for technical acrobatics from singers, but Blossom never over-egged anything and she was always ahead of her time in terms of choosing songs.”
For Francis, Dearie’s song selection was akin to her paving the way for the next generation of the Great American Songbook.
“Audiences apparently used to think that she’d written the songs she sang herself because they hadn’t previously heard what turned out to be classic songs,” she says. “But she just knew a good songwriter when she heard one and she virtually launched the careers of writers like Dave Frishberg, who wrote Peel Me a Grape and others like My Attorney Bernie.”
Francis returned from New York in 2004 and after working as a yoga teacher for a spell, she resumed her singing career in the late noughties. She recorded her first album, Looking for a Boy, when she was living in Bristol, where she met Jim Mullen, whose trio accompanies her at Eyemouth Hippodrome.

“Jim encouraged me to do a whole programme of songs associated with Blossom after I’d decided I wanted to sing a few of her songs,” says Francis. “We’re not trying to copy her – we do The Riviera quite differently to her version – but she’s quite underrated now and we’d like people to appreciate her more.”

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