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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (£1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Friday, October 05, 2018

CD Review: Felipe Salles Interconnections Ensemble – The Lullaby Project.

(Review by Dave Brownlow).
I begin by quoting from the CD notes of this album which clearly states its objectives far better than any re-write of my own:
“The LULLABY PROJECT is an extended work in five movements for jazz orchestra. This is the debut recording of the Felipe Salles Interconnections Ensemble, an 18 piece jazz orchestra that combines Brazilian, Latin-American, and classical influences. It is a suite of pieces which are all ‘through-composed’ and feature jazz solos from different member of the various sections.”
The music ranges from lyrical to highly-charged, from simplicity to complexity and from peace to anarchy. The other three tracks are tango-inspired pieces which point to the leader’s deep connection with the Argentinian style of music and the influence of famous composer Astor Piazzolla. The music, Salles explains, draws inspiration from traditional Brazilian lullabies and the impact they have had on generations. The style of writing is uniquely Salles’ own but it’s very clear that it follows in the lineage of Gil Evans/Bob Brookmeyer/Maria Schneider at the highest level in jazz today. The tracks are all extended, ranging from 7mins 34 sec to 11mins 13sec and provide ample room for first-rate soloists to contribute, where it’s possible for traditional and contemporary musical elements to meet and co-exist.

Lullaby 1: A dramatic start introduced by a three-note motif developed throughout the piece by sudden interjections from unexpected sections of the band. Short tenor and trumpet solos build up tension and maintain focus leading to a satisfying conclusion.

Lullaby 2: The longest track (11:13) opens with a single piano note developed first in the bass clef, then chordally. Gradually, instruments interject with beautiful, gentle woodwind, then brass, segments. A loud ‘Kentonesque’ section incorporating a frantic trombone solo cushioned by brass leads to a quiet “classical” flutes/clarinet interlude and a powerful guitar sequence spurred on by manic drums and building into a climax similar to some of Brookmeyer’s orchestral output.

Lullaby 3: A ‘stately’ theme from the soprano sax with an ‘Eastern’ flavour (sounds more like an oboe). Floating, shimmering vibes over lively rhythm section lead into exceptionally difficult-to-play orchestral manoeuvres which are built then dismantled, ending with a charming and unexpected conclusion.

Lullaby 4: An incessant, driving, piano-led, 4-note ostinato as its foundation and a gorgeous melody. Over the 9mins 43sec various sections emerge and disappear energetically and where Tyler Burchfield on baritone and Eric Smith on trumpet solo in ‘contemporary style’ lead to a full-throated orchestral finale Gil Evans would have enjoyed.

Lullaby 5: A tense start with a ‘Spanish’ feel featuring Michelin on melodica then on piano (very Tyner-ish) and Jonathan Ball on alto (slightly ‘Cannonball’ in style then very ‘free’.) This brings us to shouty, climactic, brass figures leading to a quiet, atmospheric, concluding passage from melodica and vibes.

Odd Tango: The first of the three tango-inspired pieces and possibly named because of its unusual time-signature (sounds like seven-four to me). A strong tenor solo from Caudill and an astonishing, tightly-muted and close mic trombone solo from Hendrix bring us to the tempo increasing finale.

Astor Square: A dedication to Astor Piazzolla who revolutionised the tango to include elements of both jazz and classical music. Garcia features on soprano sax, then the faster section builds and fades.

Carla’s Tango: Typically Argentinian. A graceful piece, full of musically dramatic moments that inspire the dancers (contestants?) to entwine themselves throughout. Sinuous lines of exotic minor key melodies are intertwined. Muted brass supports Salles himself in his only solo on soprano sax. He also uses unusual combinations of instruments - ie flutes, muted trumpets, soprano sax, clarinets as Gil Evans did. This constantly alerts the listener for the next surprise!

Felipe Salles is currently Associate Professor of Jazz and Afro-American Music Studies at the University of Massachusetts Amhurst. He can be justifiably proud this album which requires repeated listenings even to begin to follow and enjoy all the detailed work which has gone into the project and the care with which his musicians have brought the charts to life. A CD well worth hearing for all lovers of large contemporary jazz orchestras and those with open minds and ears for music which blends classical, African, Argentinian and jazz influences.
Dave B.
The Lullaby Project  76028-2 is available now from :  www.sallesjazz.com   

 Richard Garcia, Jonathan Ball, Mike Caudill, Jacob Shulman, Tyler Burchfield (reeds); Jeff Holmes, Yuta Yamaguchi, Eric Smith, Doug Olsen (trumpets); Joel Yennior, Clayton DeWalt, Dan Hendrix, Randy Pingrey, Angel Subero (trombones); Nando Michelin (piano/melodica); Kevin Grudecki (guitar); Ryan Fedak (vibes); Keala Kaumeheiwa (bass); Bertram Lehmann (drums).

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