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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

APRIL 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Wed 02: Lauren Bush: The Jazz Singer’s Toolkit @ The Pele, Corbridge. 1:00-4:00pm. Vocalist Lauren Bush with pianist Jamil Sheriff presents a jazz singing workshop. £40.00. (inc. evening concert, see below). Registration required for workshop: www.laurenbushjazz.com. All ability levels welcome.
Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Jason Isaacs @ St. James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 02: Lauren Bush & Jamil Sheriff @ The Pele, Corbridge. 7:00-9:00pm. £10.00. Concert performance. Tickets: www.laurenbushjazz.com.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. POSSIBLE CANCELLATION. See website for updates: www.theglobenewcastle.bar.

Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, October 05, 2018

CD Review: Felipe Salles Interconnections Ensemble – The Lullaby Project.

(Review by Dave Brownlow).
I begin by quoting from the CD notes of this album which clearly states its objectives far better than any re-write of my own:
“The LULLABY PROJECT is an extended work in five movements for jazz orchestra. This is the debut recording of the Felipe Salles Interconnections Ensemble, an 18 piece jazz orchestra that combines Brazilian, Latin-American, and classical influences. It is a suite of pieces which are all ‘through-composed’ and feature jazz solos from different member of the various sections.”
The music ranges from lyrical to highly-charged, from simplicity to complexity and from peace to anarchy. The other three tracks are tango-inspired pieces which point to the leader’s deep connection with the Argentinian style of music and the influence of famous composer Astor Piazzolla. The music, Salles explains, draws inspiration from traditional Brazilian lullabies and the impact they have had on generations. The style of writing is uniquely Salles’ own but it’s very clear that it follows in the lineage of Gil Evans/Bob Brookmeyer/Maria Schneider at the highest level in jazz today. The tracks are all extended, ranging from 7mins 34 sec to 11mins 13sec and provide ample room for first-rate soloists to contribute, where it’s possible for traditional and contemporary musical elements to meet and co-exist.

Lullaby 1: A dramatic start introduced by a three-note motif developed throughout the piece by sudden interjections from unexpected sections of the band. Short tenor and trumpet solos build up tension and maintain focus leading to a satisfying conclusion.

Lullaby 2: The longest track (11:13) opens with a single piano note developed first in the bass clef, then chordally. Gradually, instruments interject with beautiful, gentle woodwind, then brass, segments. A loud ‘Kentonesque’ section incorporating a frantic trombone solo cushioned by brass leads to a quiet “classical” flutes/clarinet interlude and a powerful guitar sequence spurred on by manic drums and building into a climax similar to some of Brookmeyer’s orchestral output.

Lullaby 3: A ‘stately’ theme from the soprano sax with an ‘Eastern’ flavour (sounds more like an oboe). Floating, shimmering vibes over lively rhythm section lead into exceptionally difficult-to-play orchestral manoeuvres which are built then dismantled, ending with a charming and unexpected conclusion.

Lullaby 4: An incessant, driving, piano-led, 4-note ostinato as its foundation and a gorgeous melody. Over the 9mins 43sec various sections emerge and disappear energetically and where Tyler Burchfield on baritone and Eric Smith on trumpet solo in ‘contemporary style’ lead to a full-throated orchestral finale Gil Evans would have enjoyed.

Lullaby 5: A tense start with a ‘Spanish’ feel featuring Michelin on melodica then on piano (very Tyner-ish) and Jonathan Ball on alto (slightly ‘Cannonball’ in style then very ‘free’.) This brings us to shouty, climactic, brass figures leading to a quiet, atmospheric, concluding passage from melodica and vibes.

Odd Tango: The first of the three tango-inspired pieces and possibly named because of its unusual time-signature (sounds like seven-four to me). A strong tenor solo from Caudill and an astonishing, tightly-muted and close mic trombone solo from Hendrix bring us to the tempo increasing finale.

Astor Square: A dedication to Astor Piazzolla who revolutionised the tango to include elements of both jazz and classical music. Garcia features on soprano sax, then the faster section builds and fades.

Carla’s Tango: Typically Argentinian. A graceful piece, full of musically dramatic moments that inspire the dancers (contestants?) to entwine themselves throughout. Sinuous lines of exotic minor key melodies are intertwined. Muted brass supports Salles himself in his only solo on soprano sax. He also uses unusual combinations of instruments - ie flutes, muted trumpets, soprano sax, clarinets as Gil Evans did. This constantly alerts the listener for the next surprise!

Felipe Salles is currently Associate Professor of Jazz and Afro-American Music Studies at the University of Massachusetts Amhurst. He can be justifiably proud this album which requires repeated listenings even to begin to follow and enjoy all the detailed work which has gone into the project and the care with which his musicians have brought the charts to life. A CD well worth hearing for all lovers of large contemporary jazz orchestras and those with open minds and ears for music which blends classical, African, Argentinian and jazz influences.
Dave B.
The Lullaby Project  76028-2 is available now from :  www.sallesjazz.com   

 Richard Garcia, Jonathan Ball, Mike Caudill, Jacob Shulman, Tyler Burchfield (reeds); Jeff Holmes, Yuta Yamaguchi, Eric Smith, Doug Olsen (trumpets); Joel Yennior, Clayton DeWalt, Dan Hendrix, Randy Pingrey, Angel Subero (trombones); Nando Michelin (piano/melodica); Kevin Grudecki (guitar); Ryan Fedak (vibes); Keala Kaumeheiwa (bass); Bertram Lehmann (drums).

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