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Bebop Spoken There

Fergus McCreadie: "I think a lot of the best music is very political, and there are so many things going on in the world that I'm constantly angry at. But for me making music is not the space for that" (Jazzwise July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14336 (and counting) posts since we started blogging 14 years ago. 555 of them this year alone and, so far, 55 this month (June 19).

From This Moment On ...

June

Sun 26 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Outdoor (indoor if inclement weather).
Sun 26: Mississippi Dreamboats @ Springwell Village Community Venue, Gateshead. 2:30pm. A ‘1940s’ Weekend’ event (from 1:00pm).
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 26: Los Chichanos @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Friday, October 05, 2018

CD Review: Felipe Salles Interconnections Ensemble – The Lullaby Project.

(Review by Dave Brownlow).
I begin by quoting from the CD notes of this album which clearly states its objectives far better than any re-write of my own:
“The LULLABY PROJECT is an extended work in five movements for jazz orchestra. This is the debut recording of the Felipe Salles Interconnections Ensemble, an 18 piece jazz orchestra that combines Brazilian, Latin-American, and classical influences. It is a suite of pieces which are all ‘through-composed’ and feature jazz solos from different member of the various sections.”
The music ranges from lyrical to highly-charged, from simplicity to complexity and from peace to anarchy. The other three tracks are tango-inspired pieces which point to the leader’s deep connection with the Argentinian style of music and the influence of famous composer Astor Piazzolla. The music, Salles explains, draws inspiration from traditional Brazilian lullabies and the impact they have had on generations. The style of writing is uniquely Salles’ own but it’s very clear that it follows in the lineage of Gil Evans/Bob Brookmeyer/Maria Schneider at the highest level in jazz today. The tracks are all extended, ranging from 7mins 34 sec to 11mins 13sec and provide ample room for first-rate soloists to contribute, where it’s possible for traditional and contemporary musical elements to meet and co-exist.

Lullaby 1: A dramatic start introduced by a three-note motif developed throughout the piece by sudden interjections from unexpected sections of the band. Short tenor and trumpet solos build up tension and maintain focus leading to a satisfying conclusion.

Lullaby 2: The longest track (11:13) opens with a single piano note developed first in the bass clef, then chordally. Gradually, instruments interject with beautiful, gentle woodwind, then brass, segments. A loud ‘Kentonesque’ section incorporating a frantic trombone solo cushioned by brass leads to a quiet “classical” flutes/clarinet interlude and a powerful guitar sequence spurred on by manic drums and building into a climax similar to some of Brookmeyer’s orchestral output.

Lullaby 3: A ‘stately’ theme from the soprano sax with an ‘Eastern’ flavour (sounds more like an oboe). Floating, shimmering vibes over lively rhythm section lead into exceptionally difficult-to-play orchestral manoeuvres which are built then dismantled, ending with a charming and unexpected conclusion.

Lullaby 4: An incessant, driving, piano-led, 4-note ostinato as its foundation and a gorgeous melody. Over the 9mins 43sec various sections emerge and disappear energetically and where Tyler Burchfield on baritone and Eric Smith on trumpet solo in ‘contemporary style’ lead to a full-throated orchestral finale Gil Evans would have enjoyed.

Lullaby 5: A tense start with a ‘Spanish’ feel featuring Michelin on melodica then on piano (very Tyner-ish) and Jonathan Ball on alto (slightly ‘Cannonball’ in style then very ‘free’.) This brings us to shouty, climactic, brass figures leading to a quiet, atmospheric, concluding passage from melodica and vibes.

Odd Tango: The first of the three tango-inspired pieces and possibly named because of its unusual time-signature (sounds like seven-four to me). A strong tenor solo from Caudill and an astonishing, tightly-muted and close mic trombone solo from Hendrix bring us to the tempo increasing finale.

Astor Square: A dedication to Astor Piazzolla who revolutionised the tango to include elements of both jazz and classical music. Garcia features on soprano sax, then the faster section builds and fades.

Carla’s Tango: Typically Argentinian. A graceful piece, full of musically dramatic moments that inspire the dancers (contestants?) to entwine themselves throughout. Sinuous lines of exotic minor key melodies are intertwined. Muted brass supports Salles himself in his only solo on soprano sax. He also uses unusual combinations of instruments - ie flutes, muted trumpets, soprano sax, clarinets as Gil Evans did. This constantly alerts the listener for the next surprise!

Felipe Salles is currently Associate Professor of Jazz and Afro-American Music Studies at the University of Massachusetts Amhurst. He can be justifiably proud this album which requires repeated listenings even to begin to follow and enjoy all the detailed work which has gone into the project and the care with which his musicians have brought the charts to life. A CD well worth hearing for all lovers of large contemporary jazz orchestras and those with open minds and ears for music which blends classical, African, Argentinian and jazz influences.
Dave B.
The Lullaby Project  76028-2 is available now from :  www.sallesjazz.com   

 Richard Garcia, Jonathan Ball, Mike Caudill, Jacob Shulman, Tyler Burchfield (reeds); Jeff Holmes, Yuta Yamaguchi, Eric Smith, Doug Olsen (trumpets); Joel Yennior, Clayton DeWalt, Dan Hendrix, Randy Pingrey, Angel Subero (trombones); Nando Michelin (piano/melodica); Kevin Grudecki (guitar); Ryan Fedak (vibes); Keala Kaumeheiwa (bass); Bertram Lehmann (drums).

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