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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Wednesday, October 10, 2018

Newcastle Festival of Jazz and Improvised Music: Pak Yan Lau and Chris Corsano and Candlesnuffer @ Lit and Phil - Oct 6.

(Review by Steve T)
I wasn't sure I'd like this, the two support acts to the main event (Full Blast), but I was sure that the current Mrs T wouldn't, so a seat at the back for discreet nodding off, diversional therapy or a fuss-free escape route seemed the best option. This also meant that half of the time we couldn't see what was going on, so we knew how the judges on The Voice must feel. I thought it would sell out and it did, with lots of faces I didn't recognise from the usual haunts.

Candlesnuffer (prepared guitar).
Dave Brown was playing guitar - that much I knew - but not in any traditional sense. I could see some sort of device he was using, which looked a little like a fan. The sounds were at times akin to a sci-fi film, some eastern percussion sounds, some electronica, bird noises…
Is it Jazz? Is it music? Does it matter? As somebody who hates melodies that go on, go on, go on, go on, go on the radio, isn't there something in between? And does that make me a liberal?
One piece lasting approx. half an hour gradually built up in waves, coming further in each time, then receding; two steps forward - one back. A number of things happening simultaneously sounding like a factory shop. Some scratched vinyl sounds we apparently all want now and allegedly always did.

I had to take a look so stood by the sound chap to see a lovely natural arch-top on its side like a slide guitar. I saw Fred Frith (of prog/jazz/rock band Henry Cow) do something similar a few years back with a whole bunch of props and gadgets, but it was interspersed with more traditional musical stuff which was enhanced - Zappa like - by the doodling. It's the juxtaposition of plaisir and jouissance that enhances both. This was all doodling - clever and interesting, but doodling.

Back to where it began, then some guitar stuff - quite beautiful, the guitar now upright. An interesting half hour, though I wouldn't have wanted more, which isn't necessarily a bad thing.
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Pak Yan Lau (prepared and toy pianos), Chris Corsano (drums, percussion, objects).
More of the same, this time from the Lit and Phil grand piano, giving a thicker sound, seemingly by pulling on its strings. Chris Corsano on drums was highly skilled, as much for moving various add-ons around a standard kit, as playing it. Noises coming from the vicinity of the piano periodically taking second place.

Around fifteen minutes in, a recognisable note from the piano before disappearing back into sound. Who was it that said all sound is music?
Some more than others.

Just as it appeared to end, some scraping noises followed by ferocious drumming reaching a climax. From then on it became like the Lord of the Rings trilogy which Jack Nicholson has said had too many endings, stretching the piece to another note at around fifty minutes: about twenty minutes too long. 

This type of thing requires an entirely new deconstruction from the listener, and is a once only, never to be repeated, one-off experience. But while it's never the same, for me it all just ends up sounding the same.
Steve T.

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