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Bebop Spoken There

Fergus McCreadie: "I think a lot of the best music is very political, and there are so many things going on in the world that I'm constantly angry at. But for me making music is not the space for that" (Jazzwise July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14336 (and counting) posts since we started blogging 14 years ago. 555 of them this year alone and, so far, 55 this month (June 19).

From This Moment On ...

June

Sun 26 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Outdoor (indoor if inclement weather).
Sun 26: Mississippi Dreamboats @ Springwell Village Community Venue, Gateshead. 2:30pm. A ‘1940s’ Weekend’ event (from 1:00pm).
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 26: Los Chichanos @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Wednesday, October 10, 2018

Newcastle Festival of Jazz and Improvised Music: Pak Yan Lau and Chris Corsano and Candlesnuffer @ Lit and Phil - Oct 6.

(Review by Steve T)
I wasn't sure I'd like this, the two support acts to the main event (Full Blast), but I was sure that the current Mrs T wouldn't, so a seat at the back for discreet nodding off, diversional therapy or a fuss-free escape route seemed the best option. This also meant that half of the time we couldn't see what was going on, so we knew how the judges on The Voice must feel. I thought it would sell out and it did, with lots of faces I didn't recognise from the usual haunts.

Candlesnuffer (prepared guitar).
Dave Brown was playing guitar - that much I knew - but not in any traditional sense. I could see some sort of device he was using, which looked a little like a fan. The sounds were at times akin to a sci-fi film, some eastern percussion sounds, some electronica, bird noises…
Is it Jazz? Is it music? Does it matter? As somebody who hates melodies that go on, go on, go on, go on, go on the radio, isn't there something in between? And does that make me a liberal?
One piece lasting approx. half an hour gradually built up in waves, coming further in each time, then receding; two steps forward - one back. A number of things happening simultaneously sounding like a factory shop. Some scratched vinyl sounds we apparently all want now and allegedly always did.

I had to take a look so stood by the sound chap to see a lovely natural arch-top on its side like a slide guitar. I saw Fred Frith (of prog/jazz/rock band Henry Cow) do something similar a few years back with a whole bunch of props and gadgets, but it was interspersed with more traditional musical stuff which was enhanced - Zappa like - by the doodling. It's the juxtaposition of plaisir and jouissance that enhances both. This was all doodling - clever and interesting, but doodling.

Back to where it began, then some guitar stuff - quite beautiful, the guitar now upright. An interesting half hour, though I wouldn't have wanted more, which isn't necessarily a bad thing.
-----   
Pak Yan Lau (prepared and toy pianos), Chris Corsano (drums, percussion, objects).
More of the same, this time from the Lit and Phil grand piano, giving a thicker sound, seemingly by pulling on its strings. Chris Corsano on drums was highly skilled, as much for moving various add-ons around a standard kit, as playing it. Noises coming from the vicinity of the piano periodically taking second place.

Around fifteen minutes in, a recognisable note from the piano before disappearing back into sound. Who was it that said all sound is music?
Some more than others.

Just as it appeared to end, some scraping noises followed by ferocious drumming reaching a climax. From then on it became like the Lord of the Rings trilogy which Jack Nicholson has said had too many endings, stretching the piece to another note at around fifty minutes: about twenty minutes too long. 

This type of thing requires an entirely new deconstruction from the listener, and is a once only, never to be repeated, one-off experience. But while it's never the same, for me it all just ends up sounding the same.
Steve T.

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