After hearing the Mingus Big Band at Ronnie's on Wednesday, I hope I can be forgiven for feeling that nothing could follow that until this coming Sunday when the American ensemble brings the MJW to a close.
However, it is fair to say that the Manchester-based outfit, Beats & Pieces who opened the weekend, produced a scintillating performance that set the benchmark for all the bands who follow.
There were only two visible music stands, one for baritone saxist Burkhardt – a relative newcomer – indicating that they’ve either played them so many times that they could play them in their sleep or, and I think this is more likely, a lot of them are head arrangements fashioned over time from Cottrell's initial scores by the intuitive playing of the sections.
Most likely, a bit of both. Whatever, the end result is effective.
I'm not going to single out individual musicians as each contributed to the overall picture both as soloists and section members. Although one of the many highlights that can't go without mention was the unaccompanied trombone trio blast with all three sliders playing a wild, contrapuntal, no holds barred, battle royal where there were no losers.

What did hurt for some of us sitting at the front was the piercing lighting effects (see pic. by Russell) that detracted rather than enhanced the music and one of our worthy constituents, not Russell, did complain. I guess it's because I belong to an age where the music spoke for itself which, with B & P, certainly applies.
Despite that small reservation, it was a knockout evening that should have had half the population of Middlesborough crammed into the magnificently renovated building.
As it was, they didn't, perhaps they'd all gone to Sheffield to see The Boro beat Wednesday on a Friday.
Lance.
Setlist
1) Jazzwalk
2) Three
3) Toan (the first ever number the band played at its first rehearsal)
4) Let's Dance (David Bowie)
5) Pop
6) Nois
7) Rain
8) Broken
9) Banger
Encore
10) Fairytale
11) Hendo
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