Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 20, 2018

Middlesbrough Jazz Weekender 2018: Beats & Pieces @ Middlesbrough Town Hall - October 19

(Review by Lance).
After hearing the Mingus Big Band at Ronnie's on Wednesday, I hope I can be forgiven for feeling that nothing could follow that until this coming Sunday when the American ensemble brings the MJW to a close.
However, it is fair to say that the Manchester-based outfit, Beats & Pieces who opened the weekend, produced a scintillating performance that set the benchmark for all the bands who follow.

Ben Cottrell has, over the years, whipped up a crew that holds a candle to no one. His arrangements and compositions are as imaginative as those by any of his contemporaries. 


There were only two visible music stands, one for baritone saxist Burkhardt – a relative newcomer – indicating that they’ve either played them so many times that they could play them in their sleep or, and I think this is more likely, a lot of them are head arrangements fashioned over time from Cottrell's initial scores by the intuitive playing of the sections.
Most likely, a bit of both. Whatever, the end result is effective.

The moods change, not just from piece to piece but within the composition itself so you can be hearing a funereal chorus that, almost imperceptibly, morphs into a frantic free-for-all then, with the tension at a post-orgasmic high it stops. For a second or two, nobody applauds until it dawns upon them that the piece has ended. A kind of musical coitus interruptus.

I'm not going to single out individual musicians as each contributed to the overall picture both as soloists and section members. Although one of the many highlights that can't go without mention was the unaccompanied trombone trio blast with all three sliders playing a wild, contrapuntal, no holds barred, battle royal where there were no losers.

As befits a relatively young band various effects were incorporated, delays, sustains, reverbs and what-have-yous that produced an occasional surreal effect that didn't hurt at all.
What did hurt for some of us sitting at the front was the piercing lighting effects (see pic. by Russell) that detracted rather than enhanced the music and one of our worthy constituents, not Russell, did complain. I guess it's because I belong to an age where the music spoke for itself which, with B & P, certainly applies.
Despite that small reservation, it was a knockout evening that should have had half the population of Middlesborough crammed into the magnificently renovated building.
As it was, they didn't, perhaps they'd all gone to Sheffield to see The Boro beat Wednesday on a Friday.
Lance.
Setlist
1) Jazzwalk
2) Three
3) Toan (the first ever number the band played at its first rehearsal)
4) Let's Dance (David Bowie)
5) Pop
6) Nois 
7) Rain
8) Broken
9) Banger
Encore
10) Fairytale
11) Hendo
Ben Cottrell (MD & guitar); Anthony Brown (tenor/soprano); Ollie Dover (alto/  soprano); Emily Burkhardt (baritone); Nick Walters, Owen Bryce, Graham South  (trumpets); Richard Foote, Simon Lodge (trombones); Richard McVeigh (bass  trombone); Anton Hunter (guitar); Richard Jones (piano/Nord); Stewart Wilson (bass); Finlay Panter (drums).

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