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Bebop Spoken There

Joe Farnsworth: "I have to say that jazz in New York will never die. It may seem like all the music happened 3,000 years ago, but, Charlie Parker, Billy Higgins, Max Roach and all the others are still here. You can feel their presence."- (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13862 (and counting) posts since we started blogging 13 years ago. 81 of them this year alone and, so far, 81 this month (Jan. 25).

From This Moment On ...

January 2022

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public) .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). CANCELLED!
Wed 26: Four @ The Exchange, North Shields. 7:00pm .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 27: Knats’ Night: Knats + Swannek @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 28: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 28: Ian Millar & Dominic Spencer @ Bishop Middleham Village Hall, Ferryhill. 8:00pm. £10.00.
Fri 28: Struggle Buggy @ The Globe, Newcastle. 8:00pm. Blues band.

Sat 29: Lindsay Hannon & Martin Douglas @ Cobalt Studios, Newcastle. 2:00pm. Life Drawing & Live Music. Enrol at: www.cobaltstudios.co.uk.

Sun 30 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 30: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 30: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 30: Hot Club du Nord @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 31: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

February 2022

Tue 01: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public).

Wednesday, October 10, 2018

Newcastle Festival of Jazz and Improvised Music: Full Blast w. Peter Brötzmann @ the Lit & Phil - Oct. 6

Peter Brötzmann (reeds); Mario Pliakas (electric bass); Michael Wertümller (drums).
(Review by Steve T/Photos courtesy of Ken Drew)
Brötzmann is a big deal in European free jazz, maybe in jazz, and I suspect and hope he was, the reason this night was a sell-out.

Full blast it was, right from the off. Had Trane survived to use a bass guitar, he'd probably have done something like this. The bass player thumping his instrument percussively, relentlessly; the drummer clattering away like the proverbial bull; Brötzmann - like the guitarist and pianist before him - using his instrument to create sound; a noisy, raw, unbridled cacophony of unashamed power. 
There was no real melody to speak of; more a succession of crescendos, the dynamic created by the switching interplay of the three participants.  After fifteen minutes, it came to an end. A chance to catch our collective breath, to regroup before we were off again with more wailing sax in a bombardment of the senses which pinned you to the wall. 

Another break at thirty minutes while the bass player announced a third short piece; more of the same. Ideally, I'd have had more of this and either of the support acts doing half an hour, but most here seemed to think the whole night was some sort of second coming, and I'm left wondering what they considered the first. 
Photos.
Steve T


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