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Bebop Spoken There

Camila Meza: "Some tonalities or chords are colors to me: G major is blue, D major is orange and B minor is totally yellow." - (DownBeat July 2019)

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Today Sunday June 16

Birthday wishes to Steve H.

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Blues/Funk/Soul

The Panthers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Sour Mash Trio - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Customs House Big Band - Customs House, Mill Dam, South Shields NE33 1ES. Tel: 0191 454 1234. 6:00pm. £13.00. ‘Swing on a Summer’s Evening’. The band’s 20th anniversary concert.

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Gerry Richardson Quartet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. ( (£3.00. student).

DU Jazz Soc jam session - Fabio’s Bar, Saddler St, Durham DH13NP. Tel: 0191 383 9290. 7:30pm. Free.

Francis Tulip Quartet - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Line-up: Francis Tulip (guitar); Ben Lawrence (piano); John Pope (bass); Matt MacKellar (drums)

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 10, 2018

Newcastle Festival of Jazz and Improvised Music: Full Blast w. Peter Brötzmann @ the Lit & Phil - Oct. 6

Peter Brötzmann (reeds); Mario Pliakas (electric bass); Michael Wertümller (drums).
(Review by Steve T/Photos courtesy of Ken Drew)
Brötzmann is a big deal in European free jazz, maybe in jazz, and I suspect and hope he was, the reason this night was a sell-out.

Full blast it was, right from the off. Had Trane survived to use a bass guitar, he'd probably have done something like this. The bass player thumping his instrument percussively, relentlessly; the drummer clattering away like the proverbial bull; Brötzmann - like the guitarist and pianist before him - using his instrument to create sound; a noisy, raw, unbridled cacophony of unashamed power. 
There was no real melody to speak of; more a succession of crescendos, the dynamic created by the switching interplay of the three participants.  After fifteen minutes, it came to an end. A chance to catch our collective breath, to regroup before we were off again with more wailing sax in a bombardment of the senses which pinned you to the wall. 

Another break at thirty minutes while the bass player announced a third short piece; more of the same. Ideally, I'd have had more of this and either of the support acts doing half an hour, but most here seemed to think the whole night was some sort of second coming, and I'm left wondering what they considered the first. 
Photos.
Steve T


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