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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday September 16

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 07, 2018

No Time for Jive @ Billy Bootleggers - October 6

Brian Lynham (harmonica, vocals); Pete Redhead (guitar, vocals); Keith Forsyth (double bass, vocals); Nat McLeave (drums) 
(Review by Russell)
Scotswood Slim (aka Brian Lynham) has been preaching the blues for longer than he would care to remember. No Time for Jive's current line-up stretches way back and one thing is for sure, the band's fan base keeps on coming back for more. 

Half an hour before Saturday night's first set Billy Bootleggers wasn't so busy, perhaps the Magpies’ loyal support was elsewhere drowning its sorrows following an early evening reverse at Old Trafford. As the band took to the stage the hordes duly arrived. West Coast, jump jive, a Windy City blast, No Time for Jive's tried and tested formula wasn't about to change. 

Who Do You Love? sang slap-bass man Keith Forsyth as Pete Redhead conjured a convincing Bo Diddley riff alongside front man Lynham sporting a natty pair of shades shaking shocking yellow maracas into the bargain (see photo)! More Forsyth vocals on Slim Harpo's Shake Your Hips, a Tex-Mex cha-cha-cha, then a classic Willie Dixon Chicago blues - I Want to be Loved - with Forsyth once more on the mic.   

Lieber and Stoller's One Bad Stud (think about it, better still, sing it to yourself) ensured the by-now-full dance floor remained that way 'til closing time (sometime around 2am) followed by Big Fat Mama (a hit for Roy Milton on Specialty) then a Lynham vocal on Big Joe Turner's chart success Flip, Flop and Fly

As Lynham and Forsyth basked in the limelight Pete Redhead's tasty guitar playing didn't go unnoticed, nor Nat McLeave's understated drumming. The band's sound is that of Little Willie John, Elias McDaniel, John Lee Hooker and a bar room full of boogie chillen'. Billy Bootleggers 2018, fast forward ten years to 2028...the odds are No Time for Jive will be found playing good time rhythm 'n' blues in Newcastle's self-proclaimed no.1 dive bar. Better put it in the diary.       

Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance