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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 30: Charlotte Keeffe @ The Globe, Newcastle. 8:00pm. JNE.
Sun 30: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Saturday, October 27, 2018

Jazz at the Lescar, Sheffield: The Josh Schofield Quartet – Oct. 24

Josh Schofield (alto); Olly Chalk (piano); Sam Ingvarsen (bass); Billy Weir (drums).
(Review by Steve T)
The venue is a backroom in a bar, just like many backrooms in many bars across the country; In the summer, we went to another one just like it in Sheffield to see a Zappa tribute band.

But this backroom in this bar is the site of the 2018 Parliamentary Jazz Awards venue of the year, and we at Bebop Spoken Here know a thing or two about the Parliamentary Jazz Awards, or at least we know a man who does.

Jazz at the Lescar is the brainchild of Jez Matthews, who's all over this night and I've no doubt the charisma and enthusiasm he exudes wouldn't have gone unnoticed by our Right Honourable jazz friends who hand out the awards. His hospitality is of the above and beyond variety too.

It was two bands on a weekly Wednesday night playing to an enthusiastic crowd of just under forty: young and old, men and women. With myself down to a single arm, (and not my drinking or driving arm), a son at University in Sheffield with the inevitable freshers’ flu, and a long-suffering Mrs. T with a long drive home and work the next day, it was agreed beforehand we'd only do the first band.

The Josh Schofield Quartet are Birmingham Conservatoire alumni and I'd received a tip-off they're kick-ass hot, or something to that effect, in a twenty-year-old's jazz parlance. My informant proved a reliable source.

The band operates In The Year of Coltrane (AC), suits and no ties all around a great look for this type of stuff.  A bold opening that I'd never have guessed was Strayhorn, with sax then piano,  nothing much by way of recurring melody, expertly delivered fours closing things to rapturous applause and some serious whooping, not least from our host.  

A slow piano introduced an original in need of a name (sounds like a song title), before it became a pacey group piece, which presently crashed into a bass-led further change in tempo, and a tastefully understated solo before drums took it out.

A Trane piece was followed by one from Shorter - the man some called 'young John Coltrane' before he came out from under the shadow as a jazz giant in his own right - just in case anybody hadn't yet guessed where this band is coming from.

A drum intro went into another head. I've no idea if or when I've heard it before and I love it when that happens, the bass player getting funky with his upright, keeping things fresh and varied.
The pace was upped again for a barnstorming final piece, the piano, following his solo with some impressionistic playing behind the sax before it, in turn, morphed into something almost, but not quite Impressions. Either I'm missing something (which is perfectly possible) or this was something extremely clever and complex, delivered with subtlety, ambition and a perfectly judged level of reverence. Extraordinary.

With an exciting programme, anybody with a forthcoming mid-week excursion to the Sheffield area is sorted, and I'd love to see the Josh Schofield quartet again, somewhere in the North East perhaps. 
Steve T.

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