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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, October 23, 2018

Guitar Lessons: James Birkett & Bradley Johnston @ Blaydon Jazz Club – Oct. 21

Bradley Johnson, James Birkett (guitars); Irene (vocal)
(Review by Jerry)

My last gig chipped away at my general ignorance of jazz trumpet: this time out it was jazz guitar and who better to enlighten me than Messrs. JB & BJ? James Birkett promised us a selection of guitar tunes from different decades and, with a set-list from Eddie Lang to Pat Metheny, every decade from the 20’s to the present was covered. As Lang pretty much invented jazz guitar (the banjo was the instrument of choice before him) I guess you could say that’s the entire history? The selection included one which was, according to Birkett, “a little corker” and another which was “a gas to play”. For the listeners they were all “corkers” and “a gas” to listen to: as history lessons go, it sure was lively!

The evening started and finished on Django favourites, Swing 39 and Dark Eyes. I’d not heard the former played live before and the latter, far from being “a moment of madness” is always a great finale. Also from Django’s canon were: I’m Confessin’ that I Love You; Nuages and Artillerie Lourde. This last was very dramatically performed with variations of pace and volume which I don’t recall from the version recorded on my Djangologie CD. All were beautifully played and it was a particular pleasure to see Bradley Johnston whizzing through Dark Eyes with much aplomb. I first saw him at the age of about 17 with Jambone, and Roly reminded us of his first Blaydon gig at about 14: how far he has come in those few short years!

Eddie Lang was also well represented with Perfect, Blue Room and Stringing the Blues, on which Bradley got to play Joe Venuti’s part. Blue Room was probably my favourite tune of the evening (my weakness for blues again!) as this (1929?) collaboration with Lonnie Johnson sounded purely Delta! I’m not sure why Salvatore Massaro had to become Eddie Lang for professional purposes but his billing as Blind Willie Dunn on collaborations with Johnson speaks volumes about 1920’s America.

“When you get two guitarists in the room there’s always a bossa nova” and so we had the quiet, gentle, Benny Carter tune, Only Trust Your Heart which kept reminding me, simultaneously and perhaps obscurely of I’ve Got You Under My Skin and the Beatles’ And I love Her. Sorry if that’s heretical! I recognised (and enjoyed – especially the snap ending) Chicken-A-La-Swing but could not, before, have named Carl Kress and Dick McDonough.

I also enjoyed the next unannounced tune but could not, for the life of me, figure out (as Birkett suggested we should) that it was All the Things You Are: “jazz standard re-worked by Bach” was as near as I got to a working hypothesis! Clearly, there is still much to learn!
We then had a “surprise guest”, Irene, adding vocals to the evening on Louis Jordan’s 1944 hit, Is You Is or Is You Ain’t My Baby? Loved that, too! The first set closed with Ray Noble’s Cherokee, a slow-burner which starts quietly and oddly dissonant then builds to a strummed frenzy contrasted with moments of lullaby calm. Intriguing!

In the second set, and as yet unmentioned, we had an unannounced opener and the beautiful ballad, Polka Dots and Moonbeams (no lyrics here so no kissing “the pug-nosed dream”!). The “little corker” mentioned earlier was by Luiz Bonfa but a debate over the correct pronunciation of his forename meant that I missed the title of the tune! It was, however, lyrical and lovely and was very well received by the audience. Which leaves Always and Forever, by Pat Metheny, one of the few living practitioners from tonight’s Hall of Fame. Versions on YouTube came up with cloying graphics and mawkish (in my opinion) lyrics, but the tune itself is spellbinding. Pure gold! Bradley Johnston took the lead throughout showing that he can do slow and sensitive every bit as well as fast and furious stuff like Dark Eyes.
Thanks to both musicians (and Irene) and to Roly Veitch for a fine evening.

Jerry

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