Total Pageviews

Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

-----

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

-----

Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, October 05, 2018

CD Review: Tony Bennett & Diana Krall - Our Love is Here to Stay

Tony Bennett & Diana Krall (vocals); Bill Charlap (piano); Peter Washington (bass); Kenny Washington (drums).
(Review by Lance).
The opening track says it all - 'S Wonderful!
How could it not be? Bennett may be 92 but, to my ears, he's jazzier now than he was when he was 32! Gone is the bel canto of his early years, now it's more of a Rod Stewart croak which, incidentally, is probably the greatest compliment I'll ever pay Rod Stewart. The 2018 voice has a quality that comes across as being more emotionally involved with the lyrics than it once was. Back then, it always sounded to me as if he wasn't so much singing to the audience but, rather, counting them.

Just as Sinatra's voice lost much of its magic in the September of his years, Bennett's has created its own mystical formula in the, dare I say it?, November of his years.
As for Krall, then surely she is in her vocal prime. The pair of them duetting seamlessly on 10 of the 14 tracks (they each have a couple of solo outings) make age differences irrelevant.
Diana doesn't play piano on the album, that's left in the more than capable hands of Bill Charlap who, along with the unrelated Washingtons - first callers both - lays down the perfect backdrop as well as coining some fine solos.
All the songs are by the Gershwins - end of story!
I'm unlikely to hear a better vocal album by a duo this year.
Lance.
'S Wonderful; My One and Only;But Not For Me (DK); Nice Work if You Can Get it; Love is Here to Stay; I Got Rhythm; Somebody Loves Me; Do it Again; I've Got a Crush on You; Fascinating Rhythm; They Can't Take That Away From Me; Who Cares? (TB); How Long Has This Been Going on? (DK); Oh Lady be Good (TB).

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance