Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, October 28, 2018

CD Review: Evelyn Laurie - A Little Bit of Me.

Evelyn Laurie (vocals); Euan Stevenson (piano); Tom Gordon (perc.); Frank Bolam (guitar); Konrad Wiszniewski (tenor); Mario Caribe (bass).
(Review by Lance).
Yet another female singer - am I allowed to say that now that 'man-sized tissues' have been declared non-pc? There are moments on this emotive disc where tissues of any dimension and gender would be useful to have at hand.

Laurie gets into the lyrics and brings out whatever poignancy is contained within. When she sings Sandy Denny's Who Knows Where the Time Goes? you pose the same question to yourself and, in I Fall in Love Too Love Easily you will believe her just as much as I did when Chet [Baker] sang it all those years ago. 

Not that this is an album of tearjerkers, far from it, the gentle swingers are equally delightful. The paradoxically titled I Love the Way You're Breaking My Heart romps along merrily as does Lullaby of Birdland where Laurie indulges in some restrained scatting.

I Love Your Smile, a Laurie original, is another bouncy ballad helped along by some great piano from Stevenson who is on the money throughout.

In the Dark has more original words from the Scottish singer who proves emotion can be conveyed without histrionics. Konrad W blows tenor both solo and in accompaniment on this one and reminds us just how good a player he is.

Wichita Lineman, surprisingly, offers an acceptable alternative to the Glen Campbell chart version recorded back in the days when the MM/NME charts meant something. Bolam's guitar solo does mean something - it means he's a mighty fine geetar man as they might say in Wichita.

The tissues are out again for I'm a Fool to Want You. Voice and bass blend perfectly on this number that has Sinatra's name on the credits. I think Ol' Blue Eyes would have approved!
The final number is a strange choice. Fly Away has Laurie lyrics added to Carl Orff's In Truitina from his Carmina Burana. I suppose it's okay, Konrad blows atmospheric tenor but, as I've never been enamoured of Carmina, I'll pass judgment on this track.

Highly recommended,  9 tracks out of 10 isn't bad and the opener - Close Your Eyes - is a good starting point to listen to the debut album of a singer I hope we'll hear more of without having to take the high road or the low road.
Lance

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