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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 31, 2018

CD Review: Wolfgang Muthspiel – Where The River Goes

Wolfgang Muthspiel (guitar); Ambrose Akinmusire (trumpet); Brad Mehldau (piano); Larry Grenadier (double bass); Eric Harland (drums).
(Review by Hugh C).                                                         
Where The River Goes is a natural progression from Wolfgang Muthspiel’s Rising Grace recording of 2016 (reviewed on BSH), reuniting the Austrian guitarist with Brad Mehldau, Ambrose Akinmusire and Larry Grenadier, and bringing in Eric Harland on drums;  these musicians all heavy hitters in their own right.  The compositions, with two exceptions, are all by Muthspiel.
The title track, Where The River Goes opens with Muthspiel’s solo guitar.  Brad Meldhau picks up the fluvial theme then Larry Grenadier joins as the stream widens, finally Eric Harland and Ambrose Akinmusire complete the quintet on their journey downstream.  Atmospheric (almost flugel-like) trumpet from Akinmusire and intricate guitar work from Muthspiel are the highlights in this piece.  

For Django is a fitting tribute to the great man (no, not Mr Bates!).  Descendants is themed around a sequence of tumbling note series, initially played on trumpet and then taken up by piano and guitar in turn.  A steady tempo is maintained by the rhythm section.  Clearing (an improvised composition by all five musicians) evokes the feeling of an encircling forest from which percussive drumbeats and soulful calls emanate, suggesting the presence of a surrounding, hidden people.

Buenos Aires features Muthspiel’s solo guitar, but in an almost classical, Spanish, style.  One Day My Prince Was Gone (unsurprisingly) gives the distinct impression of being a reverse-engineered construction from a disassembled Morey and Churchill hit from the movie Snow White and the Seven Dwarfs – a sort of contrafact, perhaps?  Blueshead (a Brad Mehldau composition) sets off (and continues) at a brisk pace and incorporates a bass solo from Larry Grenadier.   Muthspiel and Mehldau also take solos.  The final track is Panorama, another Muthspiel composition.

Where The River Goes captures five top-flight musicians at their very best, but playing as an ensemble with its own distinct identity.  At just over 48 minutes, this relatively compact disc is also issued on vinyl.
Hugh C.
Catalogue: ECM  2610

Wolfgang Muthspiel plays music from Where The River Goes on tour this autumn with concerts at major venues in Germany, Belgium, Austria, Switzerland, Estonia and elsewhere. The tour commences in Tallin on 30 October 2018 and finishes on 12 January - before Brexit can affect travel to mainland Europe!
Full tour details here

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance