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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Wednesday, October 31, 2018

CD Review: Don Byron & Aruan Ortiz - Random Dances And (A)Tonalities

Don Byron (clarinet & tenor sax); Aruan Ortiz (piano)
(Review by Dave Brownlow)

This is a most intriguing and unusual album – the intellectual meeting of minds of the two ‘protagonists’ who are highly skilled musicians in both jazz and classical genres and whose music ranges from the blues to Ellington to free and J.S Bach to Schoenberg with everything in between. Don Byron has an ice-cold tone on clarinet reminiscent of that of John La Porta, whereas on tenor, his sound is warm and utterly his own. Aruan Ortiz on piano has the technique of a Conservatory-trained musician who has moved seamlessly within the worlds of chamber music, Jewish, soul, rock and jazz and through studies with George Russell and the influence of Tete Montoliu.

Tete’s Blues - honouring the Catalan pianist - is an atonal exploration of the time-honoured format with a completely unconventional but logical, note and chord selection aurally to challenge the listener. The ice-cool clarinet searchings are well supported by Cecil Taylor-like piano promptings.

 Black and Tan Fantasy lopes along with Byron on tenor and both Duke and Monk firmly in the minds of the duo. The two giants would have chuckled at this version and appreciated it!

 Musica Callada: Book 1, V([MM ] crochet=54) introduces us to little-known Spanish composer Federico Mompou. A thoroughly engrossing, limpid, haunting, clarinet/piano performance incorporates a beautiful melody and compelling improvisations. Is it jazz? Who knows…?

Byron’s composition Joe Btfsplk has a passing trace of Parker’s Donna Lee here and there. It’s an avant-garde musical conversation between tenor and piano throughout, swinging along in its own inimitable way. (Bird would have listened to this with interest because he loved ‘modern music’ i.e. Bartok, Hindemith etc)

Ortiz’s Numbers is more ‘Impressionist’ in conception flowing along with many ‘Debussian’ flourishes in a graceful style especially within the pianist’s playing

A piece from the late Geri Allen Dolphy’s Dance has no boundaries but bounces along challenging the players and listeners in every way.

Byron plays J.S.Bach’s Violin Partita No 1 in B minor as a captivating unaccompanied clarinet solo in a liquid manner showing he’s equally at home in this genre. No jazz here of course even though Johann Sebastian himself was a great improviser…..!

Byron’s Delphian Nuptials moves as gracefully as a stately dance with a lovely five-note figure played throughout on the clarinet as the basic structure. Tender variations and commentary figures from the piano makes this a duo delight.

Ortiz’s next original piece Arabesques of a Geometrical Rose (Spring) begins with doomy ‘Oliver Messiaen-like’ piano chords. Another atonal outing full of unusual voicings and melodic intervals where constant counter-melodies overlap and interweave makes for a thought-provoking listen.

The final track Impressions on a Golden Theme is loosely based on Benny Golson’s Along Came Betty. Discordant from the start, the duo continues its unconventional rapport together and apart, soloing and accompanying themselves sometimes simultaneously where stark musical figures and ideas emerge and subside with first Ortiz then Byron taking the lead.

This music is as far from ‘Smooth Jazz’ or ‘Easy Listening’ as you can get, not for the faint-hearted, but well worth the time, effort and patience required over many listenings to begin to get into the musical world of this extraordinary duo.
Dave B. 
Available now on Intakt CD 309/2018 from Aruan-ortiz.com



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