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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

March
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Wind Ensemble + Big Band + Jazz Combo + R&B Band @ Boiler House, Newcastle University. 5:30pm. Free.
Fri 01: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 01-Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. From 8:00pm Friday. Weekend ticket: £20.00.
Fri 01: TBC @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blind Pig Blues Club.
Fri 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. £10.00. Day 1/3. Musicians Unlimited + Festival Band.

Wednesday, October 31, 2018

CD Review: Don Byron & Aruan Ortiz - Random Dances And (A)Tonalities

Don Byron (clarinet & tenor sax); Aruan Ortiz (piano)
(Review by Dave Brownlow)

This is a most intriguing and unusual album – the intellectual meeting of minds of the two ‘protagonists’ who are highly skilled musicians in both jazz and classical genres and whose music ranges from the blues to Ellington to free and J.S Bach to Schoenberg with everything in between. Don Byron has an ice-cold tone on clarinet reminiscent of that of John La Porta, whereas on tenor, his sound is warm and utterly his own. Aruan Ortiz on piano has the technique of a Conservatory-trained musician who has moved seamlessly within the worlds of chamber music, Jewish, soul, rock and jazz and through studies with George Russell and the influence of Tete Montoliu.

Tete’s Blues - honouring the Catalan pianist - is an atonal exploration of the time-honoured format with a completely unconventional but logical, note and chord selection aurally to challenge the listener. The ice-cool clarinet searchings are well supported by Cecil Taylor-like piano promptings.

 Black and Tan Fantasy lopes along with Byron on tenor and both Duke and Monk firmly in the minds of the duo. The two giants would have chuckled at this version and appreciated it!

 Musica Callada: Book 1, V([MM ] crochet=54) introduces us to little-known Spanish composer Federico Mompou. A thoroughly engrossing, limpid, haunting, clarinet/piano performance incorporates a beautiful melody and compelling improvisations. Is it jazz? Who knows…?

Byron’s composition Joe Btfsplk has a passing trace of Parker’s Donna Lee here and there. It’s an avant-garde musical conversation between tenor and piano throughout, swinging along in its own inimitable way. (Bird would have listened to this with interest because he loved ‘modern music’ i.e. Bartok, Hindemith etc)

Ortiz’s Numbers is more ‘Impressionist’ in conception flowing along with many ‘Debussian’ flourishes in a graceful style especially within the pianist’s playing

A piece from the late Geri Allen Dolphy’s Dance has no boundaries but bounces along challenging the players and listeners in every way.

Byron plays J.S.Bach’s Violin Partita No 1 in B minor as a captivating unaccompanied clarinet solo in a liquid manner showing he’s equally at home in this genre. No jazz here of course even though Johann Sebastian himself was a great improviser…..!

Byron’s Delphian Nuptials moves as gracefully as a stately dance with a lovely five-note figure played throughout on the clarinet as the basic structure. Tender variations and commentary figures from the piano makes this a duo delight.

Ortiz’s next original piece Arabesques of a Geometrical Rose (Spring) begins with doomy ‘Oliver Messiaen-like’ piano chords. Another atonal outing full of unusual voicings and melodic intervals where constant counter-melodies overlap and interweave makes for a thought-provoking listen.

The final track Impressions on a Golden Theme is loosely based on Benny Golson’s Along Came Betty. Discordant from the start, the duo continues its unconventional rapport together and apart, soloing and accompanying themselves sometimes simultaneously where stark musical figures and ideas emerge and subside with first Ortiz then Byron taking the lead.

This music is as far from ‘Smooth Jazz’ or ‘Easy Listening’ as you can get, not for the faint-hearted, but well worth the time, effort and patience required over many listenings to begin to get into the musical world of this extraordinary duo.
Dave B. 
Available now on Intakt CD 309/2018 from Aruan-ortiz.com



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