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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, September 14, 2016

More Quotes From Simon Spillett

"There are techniques involved in the making of the music of which the average critic is often unaware."
Rahsaan Roland Kirk, sleeve notes to Ben Webster: 'Webster's Dictionary' (Philips 1970).

"Unfortunately, the fan of yesterday's jazz often becomes an opponent of today's."
Graham Collier, 'Inside Jazz' (Quartet Books, 1973)

"Hardly any of them would know a good jazz chorus if it fell on them. They have learned, parrot-fashion, the litany of American star names and that is that."
Benny Green on British record producers, 'Scene' magazine, October 5th 1962

"Putting live modern jazz across in this country has been like trying to sell balloons in a cemetery."
Peter Clayton, 'Sunday Telegraph', August 30th 1964
"I'm always suspicious of a man in a clean trench coat. Watch for it - nine times out of ten, he's a square."
Cannonball Adderley, sleeve notes to 'Cannonball Adderley Quintet in Chicago' (Mercury, 1960)

"The avant-garde cannot expect basic stylistic changes to develop among mature players through artificial stimuli; for the hysterical cry for change tends to give sanctuary to charlatans."
Cannonball Adderley, sleeve notes to 'The Young Lions' (VeeJay) 1960

"He is the most unimaginative tenorist I have heard this year. His improvisations seem to be solely based on unusual noises (one can hardly describe them as sounds) placed in the most awkward places."
John Martin, review of Wayne Shorter on Wynton Kelly's Kelly Great LP, 
Jazz News May 24th 1961


"He was interested in non-chordal playing, and I had cut my teeth on that stuff. He later sent me a letter which included 30 dollars for each lesson, and thanked me."
Ornette Coleman on John Coltrane studying with him during 1960, quoted in sleeve notes to CD reissue of John Coltrane/Don Cherry: 'The Avant-Garde' (issued in 2000)

"Please take that off - discontinue that. I have one word for that - tragedy."
Eddie 'Lockjaw' Davis, listening to Archie Shepp's recording of 'In A Sentimental Mood', Blindfold Test, DownBeat, 1967

"Great jazz playing is that which is still listenable after the style has ceased to be modern."
Ronnie Scott, Daily Dispatch Jazz Book, 1954

1 comment :

Unknown said...

Excellent quotes, must check out Archie Shepp Sentimental Mood

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