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Bebop Spoken There

Vadim Neselovskyi, Professor of Jazz Piano, Berklee College of Music: “Every pianist has to deal with a very complex left-hand part at some point. This is the essential pianistic experience – to split your brain into two halves and execute two very different tasks at the same time.” – (Down Beat September 2017).

Roscoe Mitchell: “To me, improvisation is trying to improve your skills so you can make these on-point compositional decisions. That takes practice.” – (Down Beat September 2017)

Archives

Today Monday September 25

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. New mainstream gig w. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Alastair Lord (trumpet) & Kris Thomsett (organ) - St. Nicholas Cathedral, St. Nicholas Square, Newcastle NE1 1PF. 1:05. Free (retiring collection).
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Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 14, 2016

More Quotes From Simon Spillett

"There are techniques involved in the making of the music of which the average critic is often unaware."
Rahsaan Roland Kirk, sleeve notes to Ben Webster: 'Webster's Dictionary' (Philips 1970).

"Unfortunately, the fan of yesterday's jazz often becomes an opponent of today's."
Graham Collier, 'Inside Jazz' (Quartet Books, 1973)

"Hardly any of them would know a good jazz chorus if it fell on them. They have learned, parrot-fashion, the litany of American star names and that is that."
Benny Green on British record producers, 'Scene' magazine, October 5th 1962

"Putting live modern jazz across in this country has been like trying to sell balloons in a cemetery."
Peter Clayton, 'Sunday Telegraph', August 30th 1964
"I'm always suspicious of a man in a clean trench coat. Watch for it - nine times out of ten, he's a square."
Cannonball Adderley, sleeve notes to 'Cannonball Adderley Quintet in Chicago' (Mercury, 1960)

"The avant-garde cannot expect basic stylistic changes to develop among mature players through artificial stimuli; for the hysterical cry for change tends to give sanctuary to charlatans."
Cannonball Adderley, sleeve notes to 'The Young Lions' (VeeJay) 1960

"He is the most unimaginative tenorist I have heard this year. His improvisations seem to be solely based on unusual noises (one can hardly describe them as sounds) placed in the most awkward places."
John Martin, review of Wayne Shorter on Wynton Kelly's Kelly Great LP, 
Jazz News May 24th 1961


"He was interested in non-chordal playing, and I had cut my teeth on that stuff. He later sent me a letter which included 30 dollars for each lesson, and thanked me."
Ornette Coleman on John Coltrane studying with him during 1960, quoted in sleeve notes to CD reissue of John Coltrane/Don Cherry: 'The Avant-Garde' (issued in 2000)

"Please take that off - discontinue that. I have one word for that - tragedy."
Eddie 'Lockjaw' Davis, listening to Archie Shepp's recording of 'In A Sentimental Mood', Blindfold Test, DownBeat, 1967

"Great jazz playing is that which is still listenable after the style has ceased to be modern."
Ronnie Scott, Daily Dispatch Jazz Book, 1954

1 comment :

  1. Excellent quotes, must check out Archie Shepp Sentimental Mood

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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