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Bebop Spoken There

Abdullah Ibrahim: "For me jazz is the highest form of music." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday August 25

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Alice Grace & Nick Pride @ Great North Feast, Bents Park, Sea Road, South Shields NE33 2LD. Time 12 noon-1:00pm. Free. A 'Proper Food & Drink Festivals' event - 10:00am-5:00pm.

Zoë Gilby Family All Stars - Ushaw College, Ushaw DH7 9RH. 1:00pm. £6.00. Ushaw Jazz Festival.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

John Pope Quintet - Ushaw College, Ushaw DH7 9RH. 4:00pm. £8.00. Ushaw Jazz Festival.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Somethin' Blue - Vesuvio, Houndgate, Darlngton DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Blues/Funk/Soul

The Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 2:00pm. Free.

The Palaminos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 5:00pm. Free.

Evening

Jazz

Buck Clayton Legacy Band - Ushaw College, Ushaw DH7 9RH. 7:00pm. £14.00. & £12.00. Line-up: Menno Daams, Ian Smith (trumpets), Robert Fowler (alto sax), Matthias Seuffert (tenor sax), Adrian Fry (trombone), Martin Litton (piano), Alyn Shipton (double bass), Clark Tracey (drums). Ushaw Jazz Festival.

Joseph Carville Trio - Devonport Hotel, 16-18 The Front, Middleton One Row, Darlington DL2 AS. Tel: 01325 332255. 7:30pm.

Francis Tulip Quintet - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 232 6400. 8:00pm. £8.00. & £6.00. Quintet feat Xhosa Cole (BBC Young Jazz Musician of the Year 2018).

The Comet is Coming - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AT. Tel: 01642 606525. 8:00pm. £14.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 26, 2016

Scarborough Jazz Festival 2016 - Saturday September 24: Barnes/O’Higgins & the Sax Section

(Review by Russell).
As the Spa festival stage crew prepared the platform for the Alan Barnes/Dave O’Higgins saxophone summit a piano tuner quietly went about his business at the Bösendorfer     grand. This an example of the attention to detail, central to the smooth running of a major jazz festival. The Grand Hall audience took five, the room sweltering on a late September Scarborough afternoon.
Alan Barnes and Dave O’Higgins worked together regularly at the Pizza Express in Soho in the 1980s: ‘every Monday evening for about twelve years’ recalled Barnes. O’Higgins nodded, perhaps pondering the intervening years, one suspects gone in a trice! Here at the 2016 Scarborough Jazz Festival the Barnes/O’Higgins’ Sax Section took to the stage with a casual air, virtuosi ready to go to work. The main men, flanked on their left by Sammy Mayne, described by Barnes as his favourite alto sax player, and on baritone, a favourite of Humphrey Lyttleton, Karen Sharp. To their right, playing tenor sax, Judith O’Higgins.

Behind the front line but well up to the mark, the first rate rhythm section of the depping Gareth Williams (fellow pianist Robin Aspland stranded in motorway traffic!), swinging drummer Sebastiaan de Krom and the impressive double bass player Adam King. Names: Dexter, Wardell, Lockjaw; tunes: The Chase, Chelsea Bridge, Oh, Gee!  Yes, a gig to die for! Band soloists ranged right across the front line and the engine room boys. Ms Sharp found her way around the baritone as if playing a quicksilver alto. Audiences like Karen Sharp! Sammy Mayne, blushing at Barnes’ high praise, played killer alto, yet never took to grandstanding. This wasn’t a ‘blazer and slacks’ gig, at least sartorially, rather in style, musically speaking. The two-tenor O’Higgins’ partnership heard Dave in robust form, a more refined Judith stating her case. Alan Barnes is Alan Barnes, isn’t he? Consistency a byword, Barnes introduced the numbers – End of a Love Affair (a feature for Sharp), the Dexter Gordon/Wardell Gray version of The Chase (arr Dave O’Higgins) and a Barnes’ arrangement of Benny Carter’s Just a Mood.

The Grand Hall audience laboured in the heat, Barnes quipped they were ready for their cocoa! That perked them up, just in time for Lockjaw Davis’ rousing Oh, Gee! The Sax Section is a festival winner – familiar names, likewise tunes, jazz at its best. Adam King impressed. A first in-concert hearing for your reviewer of the young London-based bass player, add the name to the list of ‘first call’ musicians. Lean, at a distance not dissimilar to Andy Cleyndert, then the realisation that King has a similar approach; time, his sound subservient (in the best sense) to the tune. A fine set from the Barnes/O’Higgins’ combo.    

Russell.
Alan Barnes (alto & soprano saxophones, clarinet), Sammy Mayne (alto saxophone), Dave O’Higgins (tenor saxophone), Judith O’Higgins (tenor saxophone), Karen Sharp (baritone saxophone), Gareth Williams (piano), Adam King (double bass) & Sebastiaan de Krom (drums)

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance