Total Pageviews

Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Saturday July 22

Afternoon
SummerTyne Americana Festival 2017 - Sage Gateshead. Day two of three. Details. From 12 noon all day.
-----
Evening
Steve Glendinning (solo guitar) - Cherry Tree, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge.
The Hookahs - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
-----
Big Chris Barber Band - Alnwick Playhouse. 7:30pm. £21.50/£20.50.
-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, September 07, 2016

Bonga, Champion & Mwamba - Bridge Hotel, Newcastle - September 4

Ntshuks Bonga (alto & soprano sax); Andy Champion (bass); Corey Mwamba (vibes) 
(Review/photo courtesy of Ken Drew).
This was the long awaited ‘follow-up gig’ to the original performance by the trio who first appeared at Jazz North East’s January 2014 Fundraiser Event.  Hitting the ground running, the trio worked through an edgy feeling introduction with brief solos to establish themselves and to each stake their claim.  Then a brief introduction to a piece with a more in-your-face exploration of improvisation and the sonics which emerge from all available sources. Andy providing deep bass sounds with interjections/sonic outbursts from Ntshuks and Corey - the interplay was always evident. 
Some quiet and reflective sections, then further outbursts – Ntshuks exploding on sax, Corey on fire attacking the vibes with mallets, then fingers, then fists, then swiftly wafting the air above the vibes to excite the sound.  Andy also on fire as strings were manually plucked, then percussively hit with a mallet (from Corey’s kit?) giving way to a section of rhythmic drumming on the bass woodwork. All coherently executed by the trio to an enthralled audience in an atmosphere where you could hear a pin drop.
Set 2 was straight in with a frantically percussive start focussing on a Bass – Vibes interplay.  Then more exploration from Andy of the instrument’s bass sounds including an extended bowed section, with Corey running along the blocks of the vibes with fingers and mallets and fists. Ntshuks adding to the mix with his own percussive sounds from the sax. All in all a very contemplative section, slowly giving way to a rhythmic section long enough to establish a recognisable groove.
At the end of the second set the enthralled audience showed their appreciation, and the trio were urged to give an encore. A more concise but very dynamic piece still full of the exuberance and energy of the earlier pieces. Enthralling and exhilarating!!
This gig launched the trio’s debut CD ‘The Paperstone Suite’.  Or rather the cover of their CD since the physical CDs are promised to follow due to a last minute delay. This wasn’t seen as a  deterrent for those wanting to hear the music again at close quarters, particularly as pre-purchasers were also to receive a download of tonight’s gig as a bonus.
Ken.

No comments :

Post a Comment

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!