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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 22, 2016

CD Review: Joshua Breakstone - The Cello Quartet: 88

Joshua Breakstone (gtr); Lisle Atkinson (bs); Andy Watson (dms); Mike Richmond (cello).
(Review by Lance).
As the review copies arrive in ever increasing numbers I'm enveloped in guilt. My postman is already bent and withered, and he's only a young man. The cat trembles at the sound of the combination of CDs  and Tandoori takeaway/pizza menus that land on the doormat.
I classify the discs - vocals for Ann or Debra; familiar contemporary. names for Russell; slightly outré for Hugh; ultra outré for Steve H and a combination of the lot for Steve T - particularly if there is a guitar in the mix. The rest are pigeon - holed for whichever charity shop I like least. Then there are the ones I know will hit my car stereo.
This is just such a one.
Breakstone is my kind of guitarist - like he swings! Not only that, Mike Richmond on cello also swings and cellos aren't noted for their  jazz pendulum qualities!
Superb playing on compositions by some of the best of the first and second generation of bebop masters. Harold Mabern's The Chief; Sonny Clark's' News For Lulu; Cedar Walton's Black; Soul Eyes from the pen of Mal Waldron; An original by Breakstone; Eighty-Eight; Elmo Hope's Moe Is On; Lolita by Barry Harris; Tadd Dameron's sumptuous If You Could See me Now and Lennie's Pennies - a piece composed by Lennie Tristano and guitarist Billy Bauer, probably back in the early 1950s.
Breakstone does the composers proud. Fluent hornlike soloing interspersed with rich chordal passages mark down Breakstone as a born again Christian [Charlie].
Richman, as I've remarked in previous reviews, occupies the area 'twixt guitar and bass and I'd have loved, by way of contrast, to have heard some bowed cello solos. The rich tonal qualities of the instrument are less obvious in pizzicato mode. Nevertheless, all that aside, this is still a very listenable disc and I know it will be played again and again even though I've now got Jazz FM on the car stereo - in fact, particularly because I've now got Jazz FM on the car stereo!
Available October 21 on Capri Records.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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