Total Pageviews

Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
-----
Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010.

10:00pm. Free.

-----
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 20, 2016

CD Review: Opaluna - Susana Pineda & Luis Salcedo.

OPALUNA
Susana Pineda – vocals; Luis Salcedo – guitar; Jeff Denson – bass, percussion, backing vocals; John Santos – percussion.
(Review by Debra)
Opaluna is the eponymous first album from this young California-based vocal & guitar duo.  Their distinctive collaboration brings together jazz, Latin and a range of other traditional and contemporary music. The project was overseen by Ridgeway Arts founder & bassist Jeff Denson, who is also featured  in Instinto Ornitologico, an atmospheric jazz funk piece, and in  Does it Rain on the Moon?,  a melancholic ballad.  

Comprising predominantly original songs, sung in Spanish & English, Bridges opens the CD with a brief coastal soundscape as a prelude to a breezy acoustic samba funk.  Wayne Shorter’s Mahjong and the original Petalos showcase the fluidity & versatility of Pineda’s voice, often used instrumentally to supplement rhythmic passages, or as an additional melodic line.  Throughout the album there is a strong sense of rhythm, most evident in Baile de Opuestos (Inchworm), featuring John Santos on percussion.  Salcedo’s guitar playing encompasses traditional Latin acoustic, jazz, funk, rock &  folk.  This variety, supplemented by the selective use of electronic sounds and vocal harmonies, provides dynamic depth and adds texture to the intimate vocal-guitar combination.  An original and impressive debut. 
Available on Ridgeway Records.
Debra.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!