Bebop Spoken There

Warne Marsh: "At some point, you have to be prepared to create—to perform. It's vital, man, if we're talking about jazz, the original jazz, the performing art. It fulfils its meaning only when you play it live in front of an audience." DownBeat January 1983.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18191 (and counting) posts since we started blogging 17 years ago. 45 of them this year alone and, so far this month (Jan. 14), 45

From This Moment On ...

JANUARY 2026

Fri 16: Giles Strong Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Darlington Big Band @ The Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 16: Leeds City Stompers @ Billy Bootleggers, Newcastle. 9:00pm. Free.

Sat 17: Homer’s Lane + John Garner & John Pope @ St John’s Church, Riding Mill. 2:00-4:00pm. Free. Gabriele Heller’s audio play + Garner & Pope.
Sat 17: Martyn Roper @ Billy Bootleggers, Newcastle. 5:00pm. Free. Roper’s ‘One Man Blues Band’.
Sat 17: Ray Stubbs R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.
Sat 17: Alexia Gardner Trio @ FIKA Art Gallery, Morpeth. 7:00pm (6:30pm doors). Gardner, Alan Law & Jude Murphy.

Sun 18: Louis Louis Louis @ The Cluny, Newcastle. 2:00pm (doors). £15.00. Swing, jump jive, rhythm & blues. Fundraiser for St Oswald’s Hospice.
Sun 18: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Rod Sinclair.
Sun 18: Glenn Miller Orchestra UK @ The Glasshouse, Gateshead. 3:00pm.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Herdman-Strong Quartet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Joe Deans.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: 2025 obituaries.
Thu 22: Ronnie Scott’s Soho Songbook @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Thu 22: Castillo Nuevo Orquesta. @ Pilgrim, Newcastle. 8:00pm (doors). £6.50 (inc. bf).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, September 03, 2016

Gee Baby, Ain’t I Good To You – A Love Song?

Love makes me treat you the way that I do
Gee baby, ain’t  I good to you
There’s nothin’ too good for a girl that’s so true
Gee baby, ain’t  I good to you
Bought you a fur coat for Christmas, a diamond ring
A Cadillac car, and everything
Love makes me treat you the way that I do
Gee baby, ain’t I good to you.
(lyrics Don Redman and Andy Razaf;  music Don Redman)

I’m prompted to write about this set of lyrics after having a conversation with a colleague from Indigo Jazz Voices, who said that she considered this to be a love song. I did too, until I examined the words. The giver of the gifts shows up his true motives in the self-congratulatory line ‘Gee baby, ain’t I good to you’. Is he a sugar Daddy, expecting utter praise and devotion in return? Or maybe just a very demanding younger lover?  The gifts listed, fur coat etc are over the top.  It is as if the lover was trying to ‘buy’ the girl. ‘and everything’ emphasises this, although this may have been a chance rhyme to go with ‘ring’, who knows? ‘Love makes me treat you the way that I do’ is highly ironic, as the lover’s motive is not love at all.
What happens if you substitute ‘boy’ instead of ‘girl’ in the line ‘There’s nothing too good for a boy that’s so true?’ Interesting, and feasible in these days when some women earn more than men. Is she trying to bully him into marriage with the diamond ring? Is the ring necessarily an engagement ring? Am I reading far too much into what appears, at first sight, to be a straightforward lyric?
The song is a fascinating challenge to sing, trying to get the ‘sleazy’ feel across.  I sometimes add bits at the end, such as ‘cos I say so’, but maybe that is a cop out, as the original words should speak for themselves. It’s a great song to sing, especially with a 12/8 bluesy feel.  I like to think of the Blues as sadness with attitude.
I’d love to read about how other people interpret this song on BSH.
Ann Alex

4 comments :

Hilary Say (on F/b) said...

I remember the lovely Pete Gascoigne singing this...x

Lance said...

I found a couple of Cherry B's and a packet of Cheese and Onion crisps to be more cost effective but, maybe I was operating in a different league!

Liz said...

Denys loved this number, I find it hard to fathom, is he questioning her love for him now that he has showered her with these goodies? Maybe she has given him the brush off...who knows? still a good song, and yes Lance, whatever it took in those far off days eh?

Steve Andrews said...

In the original words as sung by Don Redman, it's a "Packard Coupe" (pron. coop), not a Caddie........... I read somewhere that this song and others composed and recorded by Redman in 1929, such as "The Way I Feel Today", and "Miss Hannah" were the result of his unrequited love for the said Miss Hannah, so perhaps it WAS meant as a love song, rather than the song of a demanding sugar daddy?

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