Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,000 (and counting) posts since we started blogging 18 years ago. 864 of them this year alone and, so far this month (Oct. 14) 43.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 14: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 4:45pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 14: A Night of Stevie Wonder @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 14: NW FRQNC @ Pilgrim, Newcastle. 7:30pm. £15.00. Selina Albright, Gianni Vancini.
Wed 14: Jacob Egglestone Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 15: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 15: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 15: Leah Kirk: A Strange Affair @ Newcastle Arts Centre. 7:30pm. Free (donations). Leah Kirk (vocals); Alan Law (keyboards); Paul Grainger (double bass).
Thu 15: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. PJO w. guest Graham Hardy (trumpet).

Fri 16: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 16: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 16: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 16: Ancient Infinity Orchestra @ Cobalt Studios, Newcastle. 7:00pm.
Fri 16: Lindsay Hannon: Tom Waits for No Man @ Sunderland Minster. 7:30pm. £13.01. adv.; £15.00. on the door. Old Black Cat Jazz Club.
Fri 16: Milne Glendinning Band @ Repas 7 by Night, West St., Berwick. 8:00pm. Free.

Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!

Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.

Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.

Saturday, September 03, 2016

Gee Baby, Ain’t I Good To You – A Love Song?

Love makes me treat you the way that I do
Gee baby, ain’t  I good to you
There’s nothin’ too good for a girl that’s so true
Gee baby, ain’t  I good to you
Bought you a fur coat for Christmas, a diamond ring
A Cadillac car, and everything
Love makes me treat you the way that I do
Gee baby, ain’t I good to you.
(lyrics Don Redman and Andy Razaf;  music Don Redman)

I’m prompted to write about this set of lyrics after having a conversation with a colleague from Indigo Jazz Voices, who said that she considered this to be a love song. I did too, until I examined the words. The giver of the gifts shows up his true motives in the self-congratulatory line ‘Gee baby, ain’t I good to you’. Is he a sugar Daddy, expecting utter praise and devotion in return? Or maybe just a very demanding younger lover?  The gifts listed, fur coat etc are over the top.  It is as if the lover was trying to ‘buy’ the girl. ‘and everything’ emphasises this, although this may have been a chance rhyme to go with ‘ring’, who knows? ‘Love makes me treat you the way that I do’ is highly ironic, as the lover’s motive is not love at all.
What happens if you substitute ‘boy’ instead of ‘girl’ in the line ‘There’s nothing too good for a boy that’s so true?’ Interesting, and feasible in these days when some women earn more than men. Is she trying to bully him into marriage with the diamond ring? Is the ring necessarily an engagement ring? Am I reading far too much into what appears, at first sight, to be a straightforward lyric?
The song is a fascinating challenge to sing, trying to get the ‘sleazy’ feel across.  I sometimes add bits at the end, such as ‘cos I say so’, but maybe that is a cop out, as the original words should speak for themselves. It’s a great song to sing, especially with a 12/8 bluesy feel.  I like to think of the Blues as sadness with attitude.
I’d love to read about how other people interpret this song on BSH.
Ann Alex

4 comments :

Hilary Say (on F/b) said...

I remember the lovely Pete Gascoigne singing this...x

Lance said...

I found a couple of Cherry B's and a packet of Cheese and Onion crisps to be more cost effective but, maybe I was operating in a different league!

Liz said...

Denys loved this number, I find it hard to fathom, is he questioning her love for him now that he has showered her with these goodies? Maybe she has given him the brush off...who knows? still a good song, and yes Lance, whatever it took in those far off days eh?

Steve Andrews said...

In the original words as sung by Don Redman, it's a "Packard Coupe" (pron. coop), not a Caddie........... I read somewhere that this song and others composed and recorded by Redman in 1929, such as "The Way I Feel Today", and "Miss Hannah" were the result of his unrequited love for the said Miss Hannah, so perhaps it WAS meant as a love song, rather than the song of a demanding sugar daddy?

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