Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18621 (and counting) posts since we started blogging 18 years ago. 485 of them this year alone and, so far this month (June 14) 37

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 23: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 23: Jude Murphy & Dan Stanley @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 24: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 25: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 25: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Forgotten Ones & Any Quintets.
Thu 25: Edgar Ho Trio @ Newcastle Arts Centre. 7:30pm. Free. Brilliant alto sax, piano & double bass trio. Unmissable!
Thu 25: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 26: Finn-Keeble Group @ The Gala, Durham. 1:00pm. £9:00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Clark Tracey @ Live Theatre, Newcastle. 7:30pm. Newcastle Jazz Festival. £26.00. Day 1/2.

Sat 27: OUTRI @ Live Theatre, Newcastle. 1:00pm. £13.01. 1:00-1:45pm. Newcastle Jazz Festival. Day 2/2.
Sat 27: Tees Bay Swing Band @ Richardson & Westgarth Sport & Social Club, Hartlepool. 1:30pm. Free. Open rehearsal. Note change of venue.
Sat 27: House of the Black Gardenia + Magpies of Swing @ The Cumberland Arms, Newcastle. 2:00pm. Free.
Sat 27: Mark Toomey Quartet @ Live Theatre, Newcastle. 2:15-3:15pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Alexia Gardner Quintet @ Live Theatre, Newcastle. 3:45-4:45pm. £13.01. Newcastle Jazz Festival. Day 2/2.
Sat 27: Rory Ingham @ Live Theatre, Newcastle. 5:30-6:30pm. £19.51. Newcastle Jazz Festival. Day 2/2. Ingham w. Dean Stockdale, Ian Paterson, Dave McKeague.
Sat 27: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 27: Laura Jurd @ Live Theatre, Newcastle. 8:00pm. £26.00. Newcastle Jazz Festival. Day 2/2. Sat 27: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.

Sun 28: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 28: Tim Kliphuis Trio @ St Mary’s Church, Wooler. 3:00pm. £18.00., £6.00. A Wooler Arts Summer Concerts event. Tim Kliphuis (violin); Nigel Clark (guitar); Roy Percy (double bass).
Sun 28: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: An Evening of Jazz @ St James’ Church, Copper Chare, Morpeth. 7:30pm. Tickets: £10.00 from 01670 788869 or 01670 519923. Mid Northumberland Chorus (MD Robin Forbes, Emma Straughan, piano) w. jazz trio featuring Edgar Ho, Oscar Ho & Dave McKeague & special guest Emily Masser. Performance inc. Bob Chilcott’s A Little Jazz Mass + George Shearing’s Songs & Sonnets.
Sun 28: Led Bib @ The Globe, Newcastle. 8:00pm. £15.00., £12.00. JNE.

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, September 03, 2016

Gee Baby, Ain’t I Good To You – A Love Song?

Love makes me treat you the way that I do
Gee baby, ain’t  I good to you
There’s nothin’ too good for a girl that’s so true
Gee baby, ain’t  I good to you
Bought you a fur coat for Christmas, a diamond ring
A Cadillac car, and everything
Love makes me treat you the way that I do
Gee baby, ain’t I good to you.
(lyrics Don Redman and Andy Razaf;  music Don Redman)

I’m prompted to write about this set of lyrics after having a conversation with a colleague from Indigo Jazz Voices, who said that she considered this to be a love song. I did too, until I examined the words. The giver of the gifts shows up his true motives in the self-congratulatory line ‘Gee baby, ain’t I good to you’. Is he a sugar Daddy, expecting utter praise and devotion in return? Or maybe just a very demanding younger lover?  The gifts listed, fur coat etc are over the top.  It is as if the lover was trying to ‘buy’ the girl. ‘and everything’ emphasises this, although this may have been a chance rhyme to go with ‘ring’, who knows? ‘Love makes me treat you the way that I do’ is highly ironic, as the lover’s motive is not love at all.
What happens if you substitute ‘boy’ instead of ‘girl’ in the line ‘There’s nothing too good for a boy that’s so true?’ Interesting, and feasible in these days when some women earn more than men. Is she trying to bully him into marriage with the diamond ring? Is the ring necessarily an engagement ring? Am I reading far too much into what appears, at first sight, to be a straightforward lyric?
The song is a fascinating challenge to sing, trying to get the ‘sleazy’ feel across.  I sometimes add bits at the end, such as ‘cos I say so’, but maybe that is a cop out, as the original words should speak for themselves. It’s a great song to sing, especially with a 12/8 bluesy feel.  I like to think of the Blues as sadness with attitude.
I’d love to read about how other people interpret this song on BSH.
Ann Alex

4 comments :

Hilary Say (on F/b) said...

I remember the lovely Pete Gascoigne singing this...x

Lance said...

I found a couple of Cherry B's and a packet of Cheese and Onion crisps to be more cost effective but, maybe I was operating in a different league!

Liz said...

Denys loved this number, I find it hard to fathom, is he questioning her love for him now that he has showered her with these goodies? Maybe she has given him the brush off...who knows? still a good song, and yes Lance, whatever it took in those far off days eh?

Steve Andrews said...

In the original words as sung by Don Redman, it's a "Packard Coupe" (pron. coop), not a Caddie........... I read somewhere that this song and others composed and recorded by Redman in 1929, such as "The Way I Feel Today", and "Miss Hannah" were the result of his unrequited love for the said Miss Hannah, so perhaps it WAS meant as a love song, rather than the song of a demanding sugar daddy?

Blog Archive