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Bebop Spoken There

Van Morrison: ''Basically, I'm coming from jazz. Not pop, not rock, not what's commercial. That's where I started, and that's still where I am. I feel the same as I did when I was listening to Louis Armstrong, Lead Belly, Jelly Roll Morton''. (The Northern Echo, 12 June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18037 (and counting) posts since we started blogging 17 years ago. 458 of them this year alone and, so far, 36 this month (June 11).

From This Moment On ...

JUNE 2025

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:30pm. Free. Concert performance (open to the public)..
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Gareth John & the SOS Big Band @ The Forum Music Centre, Darlington. 7:00pm. £25.00. CANCELLED!

Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: David Gray's Flextet @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Strictly Smokin’ Big Band @ Alnwick Playhouse. 7:30pm. £21.50. ‘Time After Time’.
Fri 20: Alexia Gardner Quintet @ Sunderland Minster. 7:30pm.
Fri 20: King Bees @ Billy Bootleggers, Ouseburn, Newcastle. 8:00pm. Free. Superb Chicago blues band.

Sat 21: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 21: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 21: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 22: Phoenix 4 @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: Lapwing Trio @ Wallington, Northumberland. 1:00-2:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Jason Isaacs Trio @ Pilgrim, Newcastle. 4:00pm. £18.00. + £1.08 bf.
Sun 22: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 23: MSK Trio @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 23: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tues 24: ???

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, September 27, 2016

Interview with Tom Harrison

Bebop Spoken Here talked to saxophonist Tom Harrison about his forthcoming album and his visit to the Jazz Café this Friday (Sept. 30) as part of the David Lyttle Trio
BSH: Tom, although London based, you pop up here quite frequently. I think the first time I heard you was with DAGDA. Is it the semi-tropical weather, the beer or the friendly fan base you like about Newcastle? (Think carefully about your answer).
To be honest probably a combination of all the above! It’s true, I’m certainly partial to a pint of Radgie Gadgie in the rain with good people!

BSH: Is DAGDA still gigging or have you all moved in different directions?
Dagda was a great experience with a good bunch of friends, and I’m really proud of that project. It was a great learning experience for me too, on many levels and the first really big tour I’d done as a leader. It just felt right to end the project on a high after the tour. We’d been performing all over the country for over two years at the end of the album launch tour, and I just felt a change of direction was needed. That was when I started bringing ideas together for my forthcoming CD.
BSH: I recall one gig you did up here with Jean Toussaint. He must be an inspirational guy to work with?
That gig was a lot of fun! Jean has been an inspiration and mentor to many British jazz musicians for decades, so it’s a real honour to be part of that; to work with him, and learn from him too. It was great to have him on board for that tour. He gave me a lot of confidence to stay focused, keep searching for a sound (still searching!) and to be comfortable with the music I wanted to play. A lot of what the new album is about is due to Jean. It’s incredible to hear him play with his own bands, his sound, and the individuality he has achieved as an improviser is just incredible. Seeing his group Roots & Herbs play the music of his mentor Art Blakey was a total joy!
BSH: Your latest disc is an Ellington themed album with Cleveland Watkiss. I’ve been playing my pre-release copy and I’m impressed that you’ve managed to retain the Ellington feel without paying lip-service. It must have been a long process to get it just right.
Thanks for saying so! Before the tour and recording, I was working toward the album for almost 3 years - studying the music, learning the repertoire, and getting to grips with the work of the incredible artists who’d performed with Ellington. Those recordings are a treasure trove of incredible music. It was a joy to study the masters Paul Gonsalves, Ben Webster, and of course the great Johnny Hodges; not just as profound contributors to the Ellington legacy, but as bandleaders in their own rights too. Working with Cleveland, Robert, David and Daniel was fantastic too. They all have such individual approaches, and each guy brought his personality to the music too. It was very exciting! I’m really looking forward to getting out there and performing the music again this season.
BSH: David Lyttle is a frequent collaborator of yours – is he the Strayhorn to your Ellington?
I work with David a lot yes, but I definitely wouldn’t want to compare myself to Duke Ellington in any way whatsoever! I am very close with David and we do work together a lot on both music and business projects. I think we both like to discuss ideas and plan things out with people on the same wavelength, so it is a reciprocal thing.
BSH: In fact the David Lyttle Trio is in Newcastle this coming Friday at the Jazz Café. What can we expect?
We’ve been having a fantastic time on the road this week. We’ve been playing music from David’s MOBO-nominated album ‘Faces,’ as well as some more unusual jazz standards. Faces was a fantastic CD that incorporated elements of soul, hip-hop and other styles as well as jazz, so it’s been really interesting to play this music in a stripped-back jazz trio format. There’s lots of room for interaction in the saxophone trio line-up so we’re getting the opportunity to approach this music in a different way to how it was presented on the album. It’s a lot of fun!
BSH: Thanks Tom, look forward to seeing you on Friday and to reviewing your album Unfolding in Tempo.

Thanks, me too!

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