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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Thursday, September 15, 2016

CD Review: Jimmy O'Connell Sixtet – Arrhythmia

Jimmy O'Connell – trombone; Andrew Gould - alto and soprano sax; Tim Basom – guitar; Tuomo Uusitalo – piano; Peter Slavov – bass; Jimmy MacBride (drums).
(Review by Hugh)
Jimmy O'Connell moved to New York City from his native Detroit in 2009.  Since that time he has become firmly established as an in-demand trombonist on the scene, sharing the stage with the likes of Dave Liebman, Joe Lovano, Paquito D'Rivera and Randy Brecker.  O'Connell has assembled the “Sixtet” from among those who have made a big impact on him, both as a musician and a person.
Arrhythmia, O’Connell’s debut recording, brings together the many influences experienced during his sojourn in NYC.  The opening track, O'Connell's take on trombonist JJ Johnson's Lament, contains lyrical solos from each of the musicians, gently supported by their colleagues.  This approach is maintained throughout the album, O'Connell allowing sufficient space for each constituent musician to solo, but in the context of the musical development of each track.  

Although a studio recording, it has a distinct “live” feel - as I listened, I heard imaginary audience applause after each solo. 
Gray Matter, the first of O'Connell's own compositions, commences with a bass ostinato, setting a framework for each of the soloists to improvise over.  Cedar Walton's Bolivia follows on, maintaining the pace set by the two previous tracks.
The title track, Arrythmia (apparently so named after O'Connell's lifelong heart condition), starts with a bass solo from Peter Slavov, the other instruments joining in sequentially – the bass line forming the “heartbeat” of the piece.  Arrhythmia is slightly less frenetic than the preceding tracks and a bit more laid back.  The class musicianship of this sextet, particularly evident here, is present throughout the album.  This is the longest track coming in at just over nine and one half minutes.
In the Wee Small Hours (David Mann) is the only other “standard” on the album, all the other items being original O'Connell compositions.  This ballad gives musicians and listener a well-earned rest before the pace hots up again with the playfully swinging Millie (named after O'Connell's dog). 
Crayons (the only writing implement available to O'Connell when he finally had the tune he wanted!) follows next. 
Solidarity was originally composed as a closer for the live set, a groove over which O'Connell would speak to the audience, but he liked playing it so much he stuck it at the end of the album too - no talking on this one – but my review copy gave up half way through this track and all I heard was a set of clicks from then on... (a quick clean sorted that).

When presented with CDs to review by BSH, I find they generally fall into one of three categories:  thoroughly enjoy on first listening; unsure on first listening, but the music grows on you, not over-impressed on first or subsequent listening – Arrythmia resoundingly falls in to the first of these categories.  This album is a cracking debut and a pleasure to listen too.  All the members of the sextet achieve a beautiful tone on their individual instruments (yes even the drums – drum solos are muted, but exquisite!).

Arrythmia is out now, released by Outside in Music as a digital download or limited edition (300) CD. 
http://outsideinmusic.bandcamp.com/album/arrhythmia

Hugh.

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