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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15087 (and counting) posts since we started blogging 15 years ago. 106 of them this year alone and, so far, 4 this month (Feb. 1).

From This Moment On ...

February

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Thursday, September 15, 2016

CD Review: Jimmy O'Connell Sixtet – Arrhythmia

Jimmy O'Connell – trombone; Andrew Gould - alto and soprano sax; Tim Basom – guitar; Tuomo Uusitalo – piano; Peter Slavov – bass; Jimmy MacBride (drums).
(Review by Hugh)
Jimmy O'Connell moved to New York City from his native Detroit in 2009.  Since that time he has become firmly established as an in-demand trombonist on the scene, sharing the stage with the likes of Dave Liebman, Joe Lovano, Paquito D'Rivera and Randy Brecker.  O'Connell has assembled the “Sixtet” from among those who have made a big impact on him, both as a musician and a person.
Arrhythmia, O’Connell’s debut recording, brings together the many influences experienced during his sojourn in NYC.  The opening track, O'Connell's take on trombonist JJ Johnson's Lament, contains lyrical solos from each of the musicians, gently supported by their colleagues.  This approach is maintained throughout the album, O'Connell allowing sufficient space for each constituent musician to solo, but in the context of the musical development of each track.  

Although a studio recording, it has a distinct “live” feel - as I listened, I heard imaginary audience applause after each solo. 
Gray Matter, the first of O'Connell's own compositions, commences with a bass ostinato, setting a framework for each of the soloists to improvise over.  Cedar Walton's Bolivia follows on, maintaining the pace set by the two previous tracks.
The title track, Arrythmia (apparently so named after O'Connell's lifelong heart condition), starts with a bass solo from Peter Slavov, the other instruments joining in sequentially – the bass line forming the “heartbeat” of the piece.  Arrhythmia is slightly less frenetic than the preceding tracks and a bit more laid back.  The class musicianship of this sextet, particularly evident here, is present throughout the album.  This is the longest track coming in at just over nine and one half minutes.
In the Wee Small Hours (David Mann) is the only other “standard” on the album, all the other items being original O'Connell compositions.  This ballad gives musicians and listener a well-earned rest before the pace hots up again with the playfully swinging Millie (named after O'Connell's dog). 
Crayons (the only writing implement available to O'Connell when he finally had the tune he wanted!) follows next. 
Solidarity was originally composed as a closer for the live set, a groove over which O'Connell would speak to the audience, but he liked playing it so much he stuck it at the end of the album too - no talking on this one – but my review copy gave up half way through this track and all I heard was a set of clicks from then on... (a quick clean sorted that).

When presented with CDs to review by BSH, I find they generally fall into one of three categories:  thoroughly enjoy on first listening; unsure on first listening, but the music grows on you, not over-impressed on first or subsequent listening – Arrythmia resoundingly falls in to the first of these categories.  This album is a cracking debut and a pleasure to listen too.  All the members of the sextet achieve a beautiful tone on their individual instruments (yes even the drums – drum solos are muted, but exquisite!).

Arrythmia is out now, released by Outside in Music as a digital download or limited edition (300) CD. 
http://outsideinmusic.bandcamp.com/album/arrhythmia

Hugh.

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