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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 13, 2016

Corrie Dick - ‘Impossible Things’ @ The Bridge, Newcastle. September 11

Corrie Dick (drums); Joe Wright (saxophones); Laura Jurd (trumpet); Joe Webb (organ); Matt Robinson (keyboards); Conor Chaplin (bass); Alice Zawadzki (violin & voice); Felix Higginbottom (percussion)
(Review by Steve H/Photo courtesy of Ken Drew).
This was a joy from start to finish as Corrie Dick’s Impossible Things tour landed in Newcastle on Sunday night. The genre is impossible to categorise containing elements of modern jazz, Irish folk, calypso, African and even big top circus music. Several of the tunes, for example, Annamarrakech & Farewell Modhachaidh contained a combination of these styles.  This inventive blend certainly contributed to the uniqueness and entertainment of the evening.
An evening that began with Soar, an upbeat number with spoken poetry from Zawadzki. I wasn’t sure if the next song was meant to make one laugh or cry as What Became of Albert was a lament about the death of a pet tortoise. All the tunes, bar one, Mosaic were from the Impossible Things album. This was also the only non-vocal track of the evening (because the lyrics had yet to be written) and was actually my favourite of the first set.
The octet really seemed to be enjoying themselves on stage. Particularly appealing were the occasions when the entire band broke into backing vocals. The double keyboard engine room of Joe Webb and Matt Robinson set a great vibe and Conor Chaplin’s bass playing is always a treat. Laura Jurd was as ever superb as was Joe Wright, who produced a mesmeric solo towards the end of the night on Lock Your Heart. The title track of the album 6 impossible things is taken from Lewis Carroll’s Alice through the Looking Glass and the band’s very own Alice took the opportunity to showcase her incredible voice in this very evocative rendition of the literary classic.  The varied percussion of Felix Higginbottom added depth to all proceedings. Band leader, composer, master drummer and MC Corrie Dick was a star throughout, his self-effacing dead pan sense of humour enabling him to engage with audience from the off.
A great evening of original contemporary jazz by a thoroughly charming band.
Steve H.

1 comment :

Steven T said...

We knew Corrie to be an original voice in Jazz drumming from his Sage gig with Laura Jurd but he's a seriously unique writer too.
The final piece before the encore was like the Maggie Smith cliché of eight people playing different songs but the whole thing hung together brilliantly, mostly due to his drumming.
I tentatively suggested to ZGC the singer/reciter/wailer is a kindred spirit but she agreed enthusiastically, confirming they know each other.
Sat next to her, Graeme Wilson seemed spellbound by Laura Jurds' trumpet, which he'd specifically hung around to hear, forcefully leading rare applause on the night for one of her solos.
She gets better each time I hear her and is maturing into a really cool young lady too. This was the third time I've seen her in other peoples bands and suggested to one of them he had a real live superstar, but I don't think he knew what I was on about. I don't think any of them, including her, realise just how important she could become.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance