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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 10, 2016

The After Hours Set

(Review by Russell)
The Tyneside Cinema’s retro chic café bar on Pilgrim Street stands opposite a neglected, decaying cinema of yesteryear. Once upon a time the Odeon Cinema opened its doors to the great touring bands from America: the Count Basie Orchestra graced the stage in the late fifties – the occasion captured on a vinyl release some years ago. Blues bands came through too: Chris Farlowe, Paul Butterfield and Eric Burdon.
All these years later Eric Burdon sat quietly in the ‘Tyneside’ listening to the jazz scene’s current practitioners. Perhaps Mr B had long since forgotten his appearance over the road way back when, he was here to remember Newcastle’s ‘Jazz Man’, Keith Crombie. Many of the musicians from the old place on Pink Lane paid musical tribute to the man (see the editor’s earlier review). The evening wore on, the band played on. James Harrison got up to play, allowing Pete Gilligan to stretch his legs. JH accompanied Lyndsay Hannon – an all too familiar role. And that was the theme of the night. The Findens joined Don Forbes, Stuart on bass (for the remainder of the night), and Fiona singing a fine version of I Fall in Love Too Easily.

Minnie Fraser sang a couple of tunes with PG at the keyboard once more. Listening to the Railway Street vocalist (the Jazz Co-op – Pink Lane connection continued) singing Four was a highlight among many. At around half past midnight an optimistic Ray Burns sang about being On the Sunny Side of the Street. To close, Gilligan and Hannon appropriately said goodnight to the hardy souls nursing a ‘last orders’ beer. Stepping out onto the street nigh on one in the morning, no one was handing out flyers. The changing jazz times.
The After Hours Set: Peter Gilligan (piano), James Harrison (piano), Don Forbes (trumpet), Stuart Finden (double bass), Lyndsay Hannon(vocals), Fiona Finden (vocals), Minnie Fraser (vocals) & Ray Burns (vocals & harmonica)
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance