Alyssa Allgood (voice); Chris Madsen (sax); Dan Chase (organ); Tim Fitzgerald (guitar); Matt Plaskota (drums)
(Review by Lance).
This is like hearing Annie Ross for the first time way back when she hung out with Jon Hendricks and Dave Lambert. Alyssa has that same scat/vocalese feel to the bebop lines that much of Out of the Blue is based on.
The opener, Watch me Walk Away picks up on Hank Mobley's Dig Dis and Allgood wordlessly weaves her vocal around Hank's solo - All good so far! Noticing the Moment, based on Coltrane's Moment's Notice from 'Trane's Blue Train Blue Note Album (which also just happens to be my favourite album by Coltrane) Madsen chips in without loss of face.
In fact, all the originals that Allgood got her inspiration from were Blue Note recordings. hence the album title.
It's You or No One, diggin' Dex on this one with some vocalese based on Gordon's solo. Alyssa trades fours with drummer Plascota.
Speak no Evil, Wayne Shorter's opus is followed by Sam Rivers' Beatrice - this girl loves her tenor players!
Horace Silver's Peace is suitably tranquil whilst Joe Henderson's If leaves no doubt that, like the composer, Madsen can blow! Dan Chase comes in at just the right time. After recent local gigs by Ross Stanley and Gerry Richardson, Chase makes one believe that all good things do come in threes!
Only a Memory, based on Lee Morgan's Ceora, has a relaxed sentimental feel with Allgood's lyric adding to the mood. Moanin' has fours with voice/tenor, guitar solo and unison blasts with voice and tenor.
Joe Chambers' Mirrors rounds off an album that brings an appealing new singer to our attention.
Available October 7 on JeruJazz Records.
Lance.
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