Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 07: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); John Bradford (drums).
Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 08: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Abbie Finn Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 09: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Saturday, September 17, 2016

Jazz Co-op @ The Globe: Not Now Charlie: Sept 15

Jamie Toms (tenor sax); Pawel Jedizejewskl (guitar); Richard Campbell (piano); Liam Gaughan (bass guitar); Dave McKeague (drums).
(Review by Ann Alex/photo from BSH archive).
I went to hear this band after liking their sound on a YouTube link on BSH and I certainly wasn’t disappointed. 
Their website, www.notnowcharlie.com  quotes influences from jazz, rock, pop etc: add to that what I detected, which was folk and classical, the latter mostly from the piano and the former from the second tune of the gig, with the delightful Di Dum sharp snapping sound beloved of bagpipers – I think it’s called a ‘Scotch Snap’.
The gig was to launch their CD Nostalgia Revisited so most of the tunes played were from the CD, all written by Jamie Toms and very ably arranged by the band. Titles were such as MCT; It’s Not Me, It’s You; Potters Wheel. There may have been a tune called Floating Hills and another titled Telling Tales, but I missed most of the titles as they were announced without a microphone in the large downstairs bar, so I couldn’t quite make speech out – my only complaint.
How to describe the music? Very tuneful and adventurous, some tunes reminded me of the extended complex almost-anthems of 1970’s prog rock. Other tunes were episodic to my ears, batches of music in the same item which changed rhythm and theme, yet still held together as one. A typical offering had a very tuneful sax lead to start, then the sax and guitars playing interweaving lines, with lightly brushed drums, then quite suddenly it all ends, just when you expect it to continue a little longer. It’s Not Me It’s You is an amusing title as it’s the opposite of what people are supposed to say when they are ending a relationship diplomatically, and the tune was quite quarrelsome, if a tune can convey such, beginning with general busyness from all the instruments, then a lone bass with rattles on the drums, louder drums, a drum solo over the bass, and big angry chords to finish. Plenty of room for improvisation in solo spots, although such solos were not so formally ‘placed’ as they would be during a swing number.
I don’t know if I’ve described the music as well as it deserves, so why not buy the CD and hear it all for yourself, a snip at only £8? I just wish they could have had a larger audience, which they certainly deserved.
Ann Alex
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