Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Thu 30: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: International Jazz Day & JANE AGM.
Thu 30: Duke Junction @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Nadim Teimoori (tenor sax); Jeff Hewer (guitar); Martin Longhawn (organ); Steve Hanley (drums). An International Jazz Day event & the 12th anniversary of Newcastle Jazz Co-op acquiring the Globe!

May

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 01: Bede Wind Band + East Coast Swing Band @ Cullercoats Methodist Church. 7:30pm. £10.00. Tickets from: www.ticketsource.com, members of Bede Wind Band & at the door. Memorial concert for Anne-Marie Purvis, who was a member of both ensembles. All proceeds to Tiny Lives Trust.
Fri 01: Louis Louis Louis @ Saltburn Community Hall. 7:30pm. £15.00.

Sat 02: Midnite Follies Orchestra @ St Augustine’s Parish Centre, Darlington. 12:30pm. £20.00. Darlington New Orleans Jazz Club. All-star line-up.
Sat 02: Knats Masterclass & Jam II @ The Glasshouse, Gateshead. 1:00-3:00pm. £15.00.
Sat 02: Shannon Pearl + John Pope & John Garner @ Langley Tracks, Langley on Tyne NE47 5LA. 5:30pm (doors). £15.00. + £1.50. bf. ‘Witch-pop’ + Pope & Garner.
Sat 02: Knats + Nauta @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Saturday, September 17, 2016

Jazz Co-op @ The Globe: Not Now Charlie: Sept 15

Jamie Toms (tenor sax); Pawel Jedizejewskl (guitar); Richard Campbell (piano); Liam Gaughan (bass guitar); Dave McKeague (drums).
(Review by Ann Alex/photo from BSH archive).
I went to hear this band after liking their sound on a YouTube link on BSH and I certainly wasn’t disappointed. 
Their website, www.notnowcharlie.com  quotes influences from jazz, rock, pop etc: add to that what I detected, which was folk and classical, the latter mostly from the piano and the former from the second tune of the gig, with the delightful Di Dum sharp snapping sound beloved of bagpipers – I think it’s called a ‘Scotch Snap’.
The gig was to launch their CD Nostalgia Revisited so most of the tunes played were from the CD, all written by Jamie Toms and very ably arranged by the band. Titles were such as MCT; It’s Not Me, It’s You; Potters Wheel. There may have been a tune called Floating Hills and another titled Telling Tales, but I missed most of the titles as they were announced without a microphone in the large downstairs bar, so I couldn’t quite make speech out – my only complaint.
How to describe the music? Very tuneful and adventurous, some tunes reminded me of the extended complex almost-anthems of 1970’s prog rock. Other tunes were episodic to my ears, batches of music in the same item which changed rhythm and theme, yet still held together as one. A typical offering had a very tuneful sax lead to start, then the sax and guitars playing interweaving lines, with lightly brushed drums, then quite suddenly it all ends, just when you expect it to continue a little longer. It’s Not Me It’s You is an amusing title as it’s the opposite of what people are supposed to say when they are ending a relationship diplomatically, and the tune was quite quarrelsome, if a tune can convey such, beginning with general busyness from all the instruments, then a lone bass with rattles on the drums, louder drums, a drum solo over the bass, and big angry chords to finish. Plenty of room for improvisation in solo spots, although such solos were not so formally ‘placed’ as they would be during a swing number.
I don’t know if I’ve described the music as well as it deserves, so why not buy the CD and hear it all for yourself, a snip at only £8? I just wish they could have had a larger audience, which they certainly deserved.
Ann Alex
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