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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, September 12, 2016

New York Saxophone Star teams up with top UK Jazz Musicians for rare Newcastle club date










Hailed as being at the forefront of the global creative improvised music scene for the past 30 years, New York saxophonist Ellery Eskelin is preparing to perform a number of gigs in the North of England in October 2016. They will close their tour with a performance at the Globe in Newcastle on October 14th.
Eskelin is the second featured artist to take part in the Orpheus Project, an ambitious programme set up by jazz venues across the North of England in partnership with Apollo Jazz Network to bring internationally renowned artists to intimate venues in the region and expose audiences to extraordinary live jazz. Joining Eskelin will be guitarist Chris Sharkey and pianist Matt Bourne.
We couldn't be more excited about Ellery's tour. It provides a rare chance to see a world renowned musician in small, intimate venues and really experience this music close up.
What better way to close the tour than with a gig in our guitarist Chris Sharkey's home town and a jazz scene brimming with exciting musicians and hardworking promotersKim Macari, Director

Eskelin appears at Marsden Jazz Festival on October 8 at 6pm followed by performances in London (October 10th), Birmingham (October 11th), Sheffield (October 12th), Leeds
(October 13th) and Newcastle (October 14th).
More about the artists
Based in New York City, Eskelin has traveled widely performing, recording and amassing a very personal and iconoclastic body of work. And yet he has always remained deeply committed to the traditions of jazz and American music. Eskelin embodies this seeming contradiction with ease. He does not see jazz as a style or idiom but as a process. Further, a process of creative development that has great relevancy to our time. In this pursuit Eskelin consistently delivers to the listening public unadulterated, passionate music with no excuses and no apologies.

Chris Sharkey is known across Europe as being at the cutting edge of creative music. He has been a member of numerous groundbreaking groups in the UK –including TrioVD, Acoustic Ladyland and Bilbao Syndrome. Internationally, he has collaborated with musicians in France (Christian Sebille), Norway (Nils Henrik Aarsheim) , Lithuania (Liudas Mockūnas) and Spain (Asociación Musica Libre).

Matt Bourne first came to national attention as a winner of the Perrier Jazz Award in 2001, which was followed by an award for innovation at the BBC Radio Jazz Awards in 2002, and the International Jazz Festivals Organisation’s International Jazz Award in 2005.
Renowned for his intensely personal and sometimes confrontational solo work, Bourne’s uncanny ability to balance delicacy and virtuosity, while establishing a close affinity with his audience, have become hallmarks of his concert performances.

"Eskelin could get away with murder. That tone is all the alibi he'd need...incarnating the horn's romantic tradition while inking fresh initials on it's tattooed heart.” (Jazziz)

"...Eskelin continues to be the most inventive American tenor player in creative music..." (Down Beat)

"Ellery Eskelin, a rugged tenor saxophonist with a romantic streak that runs parallel to his experimental leanings…" (The New Yorker 2013)


“Eskelin’s warm sound and flowing melodic invention may be the first things to catch a listener’s attention. He has one of the great tenor sounds...” (The New York City Jazz Record – December 2013)

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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