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Bebop Spoken There

Ambrose Akinmusire: “I love teaching, and I love the exchange. And I’m starting to accept my role as a mentor. That sounds weird to say. But I can’t avoid the fact that there are younger musicians who are watching me.” – (Down Beat September 2017).

Mike Gibbs: “Rehearsals are a chance for players to learn my degree of vagueness.” – (Jazzwise September 2017).

Archives

Thursday September 21

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:oopm. Free.
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Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. 1:30pm. Free. 01325 463262.

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Evening.
Maine Street Jazzmen - Potter's Wheel, Sunniside NE16 5EE. 8:30pm. Free.
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Courtney Pine: Black Notes from the Deep - Sage Gateshead NE8 2JR. 7:30pm. £25.60. 0191 4434661.
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Katie Mac (w. 6 piece band) - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. Free.
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Emma Fisk & James Birkett - St. Cuthbert's Church, Shadforth DH6 1LF. 7:30pm.
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Pocket Jazz Orchestra: Jazz & Tapas - No. 60, Arc, Dovecote St., Stockton TS18 1LL. 7pm. £10.
Tees Hot Club w. Alan Marshall (saxes); Kevin Eland (trumpet); Ted Pearce (keys) - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 9pm. Free.
New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 20, 2016

CD Review: Monocled Man – We Drift Meridian

Rory Simmons (trumpet, flugelhorn, keyboards, guitar), Chris Montague (guitar) & Jon Scott (drums) + Emilia Mårtensson (vocals) & Ed Begley (drums)
(Review by Russell)
Simmons layers-up haunting electronic and acoustic landscapes…associated with these far-flung [islands and atolls]. So says the publicity blurb about the new CD by Monocled Man. Multi-instrumentalist Rory Simmons’ distant, troubled trumpet sound stretches out across an expanse of ocean joining modular synths, sequencers and chopped audio
This second album from Simmons and regular collaborators Chris Montague, guitar, and Jon Scott, drums, develops improvisations from predetermined, home-studio-produced sonic environments. Leftfield? Cutting-edge? Or, simply, something other than jazz? Monocled men, as they call themselves, work in contemporary jazz, recording and touring in others’ bands.
Chris Montague is a fine guitarist, Jon Scott an accomplished drummer. This new CD We Drift Meridian drafts in Emilia Mårtensson and Ed Begley to contribute vocals on tracks two, four and six of ten. Multi-layered, densely textured, this Whirlwind Recordings’ CD will find little resonance with a jazz audience. Its (target?) audience is likely to be found in the industrial, post-prog club scene.                   
We Drift Meridian by Monocled Man is released this Friday, 23 September on Michael Janisch’s Whirlwind Recordings (WR 4692). Servants Jazz Quarters, London hosts the album launch on Tuesday 4 October with a support set from Chris Sharkey.   
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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