Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,066 (and counting) posts since we started blogging 18 years ago. 930 of them this year alone and, so far this month (Oct. 31) 109.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Wed 04: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: An Evening of Erykah Badu @ Holy GrAle, Durham. 7:30pm. £3.00.; £2.50. A Durham University Jazz Society event.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 05: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 05: Hejira - Celebrating Joni Mitchell @ Alnwick Playhouse. 7:30pm.
Thu 05: Cut Capers @ The Cluny, Newcastle. 7:00pm (doors).
Thu 05: Northern Reaches @ Newcastle Arts Centre. 7:30pm. Free (donations). Pete Tanton, Joe Steels, Laurence Blackadder, John Hirst.
Thu 05: Fergus McCreadie @ The Glasshouse, Gateshead. 8:00pm.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Free.

Fri 06: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 1/3.
Fri 06: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 06: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 06: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 06: Jazz Night: Bridget Metcalfe @ Saltburn House Hotel. From 6:00pm. Tickets: £40.00 (inc. a two-course meal & glass of Prosecco). Tel: 01287 658977.
Fri 06: The Exu + Kraabel/Harrison/Birchall @ Central Bar, Gateshead. 8:00pm. JNE.

Sat 07: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 2/3.
Sat 07: Ewan Bleach’s Cable Street Ragtime Band @ St Augustine’s Parish Centre, Darlington.
12:30pm. £10.00. Darlington New Orleans Jazz Club. Superb band.
Sat 07: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Find Your Pocket: Funk & Groove. Enrol at: learning@jazz.coop.
Sat 07: Red Kites Jazz @ Costa Café, St James’ Retail Park, Newcastle. 2:00pm. Free.
Sat 07: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 6:00pm.

Sun 08: Mike Durham’s International Classic Jazz Party @ Village Hotel, West Allotment. 12 noon. Day 3/3.
Sun 08: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 08: Kaberry Big Band @ Forest Hall Social Club. 3:00pm. £7.00 (inc. tea & cake). Charity event for the Poppy Appeal.
Sun 08: Greg Abate w. Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm.

Mon 09: Bechet-Spanier Quartet @ Yamaha Music School, Blyth. 1:00pm. £9.00.; £5.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This afternoon’s all-star quartet - from London, Lewis Taylor (cornet) & Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!
Mon 09: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 09: Bechet-Spanier Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00. Muggsy Spanier was born 125 years ago today (9 November 1901). This evening’s all-star quartet - from London, Lewis Taylor (cornet), from London, Michael McQuaid (reeds), from Paris, Félix Hunot (guitar), from London, Harry Evans (string bass) - salutes Muggsy!

Tue 10: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Becky Tuck (vocals).
Tue 10: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Saturday, September 03, 2016

Gee Baby, Ain’t I Good To You – A Love Song?

Love makes me treat you the way that I do
Gee baby, ain’t  I good to you
There’s nothin’ too good for a girl that’s so true
Gee baby, ain’t  I good to you
Bought you a fur coat for Christmas, a diamond ring
A Cadillac car, and everything
Love makes me treat you the way that I do
Gee baby, ain’t I good to you.
(lyrics Don Redman and Andy Razaf;  music Don Redman)

I’m prompted to write about this set of lyrics after having a conversation with a colleague from Indigo Jazz Voices, who said that she considered this to be a love song. I did too, until I examined the words. The giver of the gifts shows up his true motives in the self-congratulatory line ‘Gee baby, ain’t I good to you’. Is he a sugar Daddy, expecting utter praise and devotion in return? Or maybe just a very demanding younger lover?  The gifts listed, fur coat etc are over the top.  It is as if the lover was trying to ‘buy’ the girl. ‘and everything’ emphasises this, although this may have been a chance rhyme to go with ‘ring’, who knows? ‘Love makes me treat you the way that I do’ is highly ironic, as the lover’s motive is not love at all.
What happens if you substitute ‘boy’ instead of ‘girl’ in the line ‘There’s nothing too good for a boy that’s so true?’ Interesting, and feasible in these days when some women earn more than men. Is she trying to bully him into marriage with the diamond ring? Is the ring necessarily an engagement ring? Am I reading far too much into what appears, at first sight, to be a straightforward lyric?
The song is a fascinating challenge to sing, trying to get the ‘sleazy’ feel across.  I sometimes add bits at the end, such as ‘cos I say so’, but maybe that is a cop out, as the original words should speak for themselves. It’s a great song to sing, especially with a 12/8 bluesy feel.  I like to think of the Blues as sadness with attitude.
I’d love to read about how other people interpret this song on BSH.
Ann Alex

4 comments :

Hilary Say (on F/b) said...

I remember the lovely Pete Gascoigne singing this...x

Lance said...

I found a couple of Cherry B's and a packet of Cheese and Onion crisps to be more cost effective but, maybe I was operating in a different league!

Liz said...

Denys loved this number, I find it hard to fathom, is he questioning her love for him now that he has showered her with these goodies? Maybe she has given him the brush off...who knows? still a good song, and yes Lance, whatever it took in those far off days eh?

Steve Andrews said...

In the original words as sung by Don Redman, it's a "Packard Coupe" (pron. coop), not a Caddie........... I read somewhere that this song and others composed and recorded by Redman in 1929, such as "The Way I Feel Today", and "Miss Hannah" were the result of his unrequited love for the said Miss Hannah, so perhaps it WAS meant as a love song, rather than the song of a demanding sugar daddy?

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