Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Thursday, September 24, 2026

Lewis Watson Quartet @ the Lit & Phil: A John Coltrane Centenary Concert - Sept. 23

Photo © John Lyons
Lewis Watson (tenor/soprano sax); Mark Williams (guitar); Andy Champion (bass); John Bradford (drums)

If you weren't at Blaydon Jazz Club on Monday or the Lit & Phil last night then you have my sympathy - you missed one/two of the great moments in the ongoing saga of jazz on Tyneside. This was a gig worthy of Newport (Rhode Island) on a summer's day.

The spirit of John Coltrane hovered all around and it was given substance by the Lewis Watson Quartet's tribute to the appropriately initialled saxophonist who would have been one hundred years old yesterday had he still been with us in the flesh.

Coltrane was deeply into religion so it wasn't surprising that the concert opened with Spiritual and closed with Dear Lord. These weren't the kind of hymns that you mime at funerals but varied from tenderness to thunderous sheets of sound delivered by an amazing tenor player who makes all the others start woodshedding 24/7.

Of course behind every great horn player there's a rhythm section although to think of Williams, Champion and Bradford as just a rhythm section sells them short, each one a soloist par excellence in their own right. Together it's "come on world - bring it on"!

A switch to soprano for The Promise - a Latin affair that indicated Lewis' (or Trane's) music covered many cultures. Back to tenor for Syeeda's Song Flute before the set closed with Naima, a tune dedicated to his first wife. Incidentally those last two tunes were the only duplications from the Blaydon gig.  

The second set was an uninterrupted continuous performance beginning with Welcome - it had a suggestion of Happy Birthday about it. Amazingly, throughout the whole gig despite the multi-note flurys I can't recall Lewis, or indeed Mark or Andy resorting to that much used crutch 'the quote'.

Photos © John Lyons
Before reaching the promised land of Dear Lord we heard Resolution, Crescent and Liberia. I didn't always catch the transitions - they were that seamless - however, it didn't matter I just let the whole experience allow me to have a butcher's of what's to come 'up there'.

Mark, Andy and John - such a creative team and worthy of the praise Lewis bestowed upon them. They did him proud as he did them.

The great man left behind such a vast legacy that Lewis was able to present the two shows with very little repetition and still have material left over. 

A third gig sometime in the future?

Who knows? Lance

1 comment :

Anonymous said...

On my list for ‘Gig of the Year’….definitely!

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