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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15848 (and counting) posts since we started blogging 15 years ago. 855 of them this year alone and, so far, 53 this month (Sept. 18).

From This Moment On ...

September

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: La Malbec Orchestra @ The Globe, Newcastle. 8:00pm.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 21: Linsday Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm. Free.
Thu 21: Ray Stubbs R & B All Stars @ The Schooner, Gateshead. 8:30pm. Free.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 22: Brief Encounter @ Bardon Mill Village Hall, Northumberland. 7:00pm. Tickets: £10.00. adv from 07885 303166; £12.00. on the door. Chris & Veronica Perrin improvising to a screening of the 1929 'Jazz Age' silent film Piccadilly (Dir. Ewald André Dupont).
Fri 22: Paul Edis & Graeme Wilson + Three Tsuru Origami @ Jesmond United Reformed Church, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Fri 22: Crooners @ Tyne Theatre, Newcastle. 7:30pm.
Fri 22: Abbie Finn's Finntet @ Traveller's Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 23: Tyne Valley Big Band @ Tanfield Railway, Gateshead. 2:00-4:00pm. Free. A '1940s Weekend' event.
Sat 23: Jason Isaacs @ Stack, Seaburn. 3:30-5:30pm. Free.
Sat 23: Andrew Porritt & Keith Barrett @ Cullercoats Watch House, Front St., Cullercoats NE30 4QB. 7:00pm.
Sat 23: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. Free. A 'Jar on the Bar' gig. Country blues.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 7:00pm.

Tue 26: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, October 12, 2012

CD Review: Two for The Road Tianna Hall and The Mexico City Jazz Trio


Tianna Hall (vocals); Augustin Bernal (bass); Miguel Villicana (piano); Gabriel Puentes (drums)
Also David Caceres (vocals/saxophone); Mike Wheeler (guitar); Lisa Vosdoganes (cello) on some tracks.
(Review by Ann Alex.)
Tracks; Till There Was You/ What is This Thing Called Love?/ When October Goes/ They Can't Take That Away from Me/ Creep/ You'd be so Nice to Come Home to/ Black Hole Sun/ I've Never Been in Love Before/ Good Morning Heartache/ I’m not in Love/I'm Gonna Sit Right Down and Write Myself a Letter/ So In Love/ Moon River/ Two for the Road. 
Tianna Hall, from Houston, Texas, is a Grammy recognised vocalist who has been singing jazz since 2004.  She has previously sung in musical theatre and opera and this is her fourth recording.  And all this past experience certainly shows in this superb CD.  What I especially liked is that she seemed to understand all these songs, and how to interpret them.  The song comes first, to be sung without too much drama, no scat and great skill.
The musicians were well up to the job and beyond, with short solos, nothing overdone, and nifty, neat, skilled arrangements.  For instance track 2 had wonderfully shifty drums and an understated vocal; Track 3 was a heartfelt song about loss with only voice and piano; this lead to the gently cheerful saxophone of They can’t Take That away from Me.  For Creep, a song about a woman who felt out of her depth in a relationship, there was a twirling uneasy bass which fitted well.  I loved Good Morning Heartache, where Ms Hall managed to build the tension slowly, with slight stumbles on the words, and the musicians hinted at Cry Me A River. Track 11 was tastefully accompanied by bass only, and on tracks 12 and 13, the vocalist used her voice in a more musical theatre style, to great effect.  I’m glad I got this CD to review as I’ll play it a lot in future, as a lesson in how to sing jazz well.
Two for The Road  Tianna Hall and The Mexico City Jazz Trio was issued in the States in September on the Mighty Pretty Records label.  
Ann Alex
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