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Bebop Spoken There

Davina Lozier: "So many people never settle into who they really are. They just do what they want to do because they want to be Oscar Peterson or Muddy Waters or Britney Spears. But I am what I am: a chubby, 40-year-old woman who's still doing it." - (DownBeat, December 2019).

Archive

Today Tuesday November 12

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 1:15pm. Stanley Nelson's 2019 documentary film.

Evening

Jazz

Not Now Charlie - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues

Sugaray Rayford - Cluny, Lime St., Newcastle NE1 2PQ. Tel 0191 230 4474. 8:00pm. £15.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, October 12, 2012

CD Review: Two for The Road Tianna Hall and The Mexico City Jazz Trio


Tianna Hall (vocals); Augustin Bernal (bass); Miguel Villicana (piano); Gabriel Puentes (drums)
Also David Caceres (vocals/saxophone); Mike Wheeler (guitar); Lisa Vosdoganes (cello) on some tracks.
(Review by Ann Alex.)
Tracks; Till There Was You/ What is This Thing Called Love?/ When October Goes/ They Can't Take That Away from Me/ Creep/ You'd be so Nice to Come Home to/ Black Hole Sun/ I've Never Been in Love Before/ Good Morning Heartache/ I’m not in Love/I'm Gonna Sit Right Down and Write Myself a Letter/ So In Love/ Moon River/ Two for the Road. 
Tianna Hall, from Houston, Texas, is a Grammy recognised vocalist who has been singing jazz since 2004.  She has previously sung in musical theatre and opera and this is her fourth recording.  And all this past experience certainly shows in this superb CD.  What I especially liked is that she seemed to understand all these songs, and how to interpret them.  The song comes first, to be sung without too much drama, no scat and great skill.
The musicians were well up to the job and beyond, with short solos, nothing overdone, and nifty, neat, skilled arrangements.  For instance track 2 had wonderfully shifty drums and an understated vocal; Track 3 was a heartfelt song about loss with only voice and piano; this lead to the gently cheerful saxophone of They can’t Take That away from Me.  For Creep, a song about a woman who felt out of her depth in a relationship, there was a twirling uneasy bass which fitted well.  I loved Good Morning Heartache, where Ms Hall managed to build the tension slowly, with slight stumbles on the words, and the musicians hinted at Cry Me A River. Track 11 was tastefully accompanied by bass only, and on tracks 12 and 13, the vocalist used her voice in a more musical theatre style, to great effect.  I’m glad I got this CD to review as I’ll play it a lot in future, as a lesson in how to sing jazz well.
Two for The Road  Tianna Hall and The Mexico City Jazz Trio was issued in the States in September on the Mighty Pretty Records label.  
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance