Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, October 12, 2012

CD Review: Two for The Road Tianna Hall and The Mexico City Jazz Trio


Tianna Hall (vocals); Augustin Bernal (bass); Miguel Villicana (piano); Gabriel Puentes (drums)
Also David Caceres (vocals/saxophone); Mike Wheeler (guitar); Lisa Vosdoganes (cello) on some tracks.
(Review by Ann Alex.)
Tracks; Till There Was You/ What is This Thing Called Love?/ When October Goes/ They Can't Take That Away from Me/ Creep/ You'd be so Nice to Come Home to/ Black Hole Sun/ I've Never Been in Love Before/ Good Morning Heartache/ I’m not in Love/I'm Gonna Sit Right Down and Write Myself a Letter/ So In Love/ Moon River/ Two for the Road. 
Tianna Hall, from Houston, Texas, is a Grammy recognised vocalist who has been singing jazz since 2004.  She has previously sung in musical theatre and opera and this is her fourth recording.  And all this past experience certainly shows in this superb CD.  What I especially liked is that she seemed to understand all these songs, and how to interpret them.  The song comes first, to be sung without too much drama, no scat and great skill.
The musicians were well up to the job and beyond, with short solos, nothing overdone, and nifty, neat, skilled arrangements.  For instance track 2 had wonderfully shifty drums and an understated vocal; Track 3 was a heartfelt song about loss with only voice and piano; this lead to the gently cheerful saxophone of They can’t Take That away from Me.  For Creep, a song about a woman who felt out of her depth in a relationship, there was a twirling uneasy bass which fitted well.  I loved Good Morning Heartache, where Ms Hall managed to build the tension slowly, with slight stumbles on the words, and the musicians hinted at Cry Me A River. Track 11 was tastefully accompanied by bass only, and on tracks 12 and 13, the vocalist used her voice in a more musical theatre style, to great effect.  I’m glad I got this CD to review as I’ll play it a lot in future, as a lesson in how to sing jazz well.
Two for The Road  Tianna Hall and The Mexico City Jazz Trio was issued in the States in September on the Mighty Pretty Records label.  
Ann Alex

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