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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 11: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 11: Baghdaddies @ Cumberland Arms, Newcastle. Time TBC.
Thu 11: Indigo Jazz Voices: Little Big Band Special @ The Globe, Newcastle. 7:45pm. POSTPONED!
Thu 11: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests Donna Hewitt (sax) Josh Bentham (sax) Garry Hadfield (keys).

Fri 12: Ben Gilbert Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 12: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sun 14: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 14: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 14: Vieux Carré Jazzmen @ West Park, South Shields. 2:00pm.
Sun 14: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 14: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm. Free.
Sun 14: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Sun 14: Sunday Night Am Jam Special @ The Globe, Newcastle. 7:30pm. Note start time.

Mon 15: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 15: Stu Collingwood Organ Trio @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 17: 4B @ The Exchange, North Shields. 7:00pm.
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Friday, October 12, 2012

CD Review: Two for The Road Tianna Hall and The Mexico City Jazz Trio


Tianna Hall (vocals); Augustin Bernal (bass); Miguel Villicana (piano); Gabriel Puentes (drums)
Also David Caceres (vocals/saxophone); Mike Wheeler (guitar); Lisa Vosdoganes (cello) on some tracks.
(Review by Ann Alex.)
Tracks; Till There Was You/ What is This Thing Called Love?/ When October Goes/ They Can't Take That Away from Me/ Creep/ You'd be so Nice to Come Home to/ Black Hole Sun/ I've Never Been in Love Before/ Good Morning Heartache/ I’m not in Love/I'm Gonna Sit Right Down and Write Myself a Letter/ So In Love/ Moon River/ Two for the Road. 
Tianna Hall, from Houston, Texas, is a Grammy recognised vocalist who has been singing jazz since 2004.  She has previously sung in musical theatre and opera and this is her fourth recording.  And all this past experience certainly shows in this superb CD.  What I especially liked is that she seemed to understand all these songs, and how to interpret them.  The song comes first, to be sung without too much drama, no scat and great skill.
The musicians were well up to the job and beyond, with short solos, nothing overdone, and nifty, neat, skilled arrangements.  For instance track 2 had wonderfully shifty drums and an understated vocal; Track 3 was a heartfelt song about loss with only voice and piano; this lead to the gently cheerful saxophone of They can’t Take That away from Me.  For Creep, a song about a woman who felt out of her depth in a relationship, there was a twirling uneasy bass which fitted well.  I loved Good Morning Heartache, where Ms Hall managed to build the tension slowly, with slight stumbles on the words, and the musicians hinted at Cry Me A River. Track 11 was tastefully accompanied by bass only, and on tracks 12 and 13, the vocalist used her voice in a more musical theatre style, to great effect.  I’m glad I got this CD to review as I’ll play it a lot in future, as a lesson in how to sing jazz well.
Two for The Road  Tianna Hall and The Mexico City Jazz Trio was issued in the States in September on the Mighty Pretty Records label.  
Ann Alex

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