Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,086 (and counting) posts since we started blogging 18 years ago. 950 of them this year alone and, so far this month (Nov. 7) 20.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Wed 11: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 11: Plague Doctors Cure All + Noonward @ Central Bar, Gateshead. 8:00pm. JNE.

Thu 12: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 12: JANE @ Brunswick Methodist Church, Newcastle. 2:00pm. £5.00.
Thu 12: MoonMot + Jack Banjo’s Snackwall @ Cobalt Studios, Newcastle. 7:00pm.
Thu 12: Ratio: Swingin’ Through the Decades @ The Forum, Darlington. 8:00pm (7:30pm doors). £10.00. A charity fundraiser.
Thu 12: Look Left @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Thu 12: Michael Woods @ The Black Swan, Newcastle. 7:30pm. Free (donations). Acoustic blues.

Fri 13: Giles Strong Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Giles Strong (guitar); Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 13: Lapwing Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00. Richard Herdman, Nick Bagnell, Paula Whitty.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. CANCELLED! Returns next week (Fri 20th).
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Northern Monkey Brass Band @ Hexham Lantern Parade, Bandstand, Sele, Hexham. 6:00pm. Free.
Fri 13: Sharp Collective @ Dry Water Arts, Amble. 7:00pm.
Fri 13: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 13: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. Tickets: £15.00 (inc. pie & peas

Sat 14: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 14: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 14: Pete Tanton’s Chet Set @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20 (inc. bf); £11.00 concs (inc. bf).
Sat 14: Red Kites Jazz @ Staiths Café, Gateshead. 7:00pm.
Sat 14: Tweed River Jazz Band @ Tweed Gallery, Berwick. 7:30pm. Free.

Sun 15: Lianne Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:30am-5:00pm. Day 2/2. SOLD OUT!
Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: James Birkett & Emma Fisk @ The Waiting Room, Eaglescliffe. 7:00pm. £48.18 (to include dinner); £17.43 (concert only).
Sun 15: Sarah Gillespie & Chris Montague @ Cluny 2, Newcastle. 7:30pm (doors). £18.00.
Sun 15: Liane Carroll @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Solo performance. SOLD OUT!

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Tuesday, October 09, 2012

CD Review Jacqui Sutton, Notes From The Frontier, A Musical Journey


Jacqui Sutton (vocals, producer and musical director); Paul Chester (banjo, guitars); Anthony Sapp (basses); Ilya Janos (percussion); Eddie Lewis (trumpet, flugelhorn, piccolo trumpet); Henry Darragh (keyboards, trombone, melodeon); Lyndon Hughes (drums, background vocals); Cindy Scott (background vocals) Aralee Dorough (flute); Bob Chadwick (Irish flute).
(Review by Ann Alex).

How is a new musical genre created?  I guess it evolves gradually from the work of many musicians over a period of time.  Then there comes a day when they realise that they have something different from what has gone before, so it gets a label such as ‘bluegrass’ or, say, ‘western swing’.  I ask because this CD claims to be something new called ‘frontier jazz’, which is said to be a mixture of jazz, bluegrass, classical, musical theatre and folk music.  The mixture didn't work for me, but others may like it.  I heard too many disparate sounds, with vocals which didn't always match the meaning of the song lyrics.  This was a pity because Ms Sutton has a lovely voice, and the musicians are skilled with effective solos on some of the tracks.  It’s not really a jazz CD, but rather nearer to a country music feel.  The songs themselves were well worth singing.
The more acceptable tracks were Dear Friend, a sad song from musical theatre about being stood up, with an ethereal effect from the synthesizer; Weary Angel, a jazzy spiritual with good banjo and trumpet work and all the musicians playing in a final jam; Hummingbird, which incorporates Brubeck's Blue Rondo a la Turk riff into the accompaniment is an interesting experiment that may or may not have come off; Blue Mountain, a straightforward country song;  and the final track, Better Than Anything, a witty song listing everything that is not better than falling in love, which included nifty jazz piano and guitar solos.  Many of the other eight tracks worked instrumentally but the singer sometimes lapsed into singing in a soprano voice which didn't, at least to my ears, sound quite right.
I believe the CD was released in early October in the United States, Catalogue number TBTP002.
Ann Alex.

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