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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17904 (and counting) posts since we started blogging 17 years ago. 225 of them this year alone and, so far, 72 this month (March 24).

From This Moment On ...

MARCH 2025.

Fri 28: Giles Strong Quartet @ The Gala, Durham. 1:00pm. £8.00 SOLD OUT!.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Pete Tanton’s Chet Set @ Old Cinema Laundrette, Durham. 7:45pm.
Fri 28: Sue Ferris Quintet @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 28: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 28: Juliana Day & Manon McCoy @ Cumberland Arms, Byker, Newcastle. 8:00pm. £12.00.; £10.00. advance. JNE.

Sat 29: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 29: Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Sat 29: Squabble! @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 30: Jan Spencelayh & Dave Archbold @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 30: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ Queen’s Hall, Hexham. 3:00pm.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 30: Jamil Sheriff Trio w. Nadim Teimoori @ The Globe, Newcastle. 8:00pm.

Mon 31: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

APRIL 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:30pm. Free.

Wed 02: Lauren Bush: The Jazz Singer’s Toolkit @ The Pele, Corbridge. 1:00-4:00pm. Vocalist Lauren Bush with pianist Jamil Sheriff presents a jazz singing workshop. £40.00. (inc. evening concert, see below). Registration required for workshop: www.laurenbushjazz.com. All ability levels welcome.
Wed 02: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 02: Jason Isaacs @ St. James’ STACK, Newcastle. 2:30-4:30pm. Free. Vocalist Isaacs working with backing tapes.
Wed 02: Lauren Bush & Jamil Sheriff @ The Pele, Corbridge. 7:00-9:00pm. £10.00. Concert performance. Tickets: www.laurenbushjazz.com.
Wed 02: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 02: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. POSSIBLE CANCELLATION. See website for updates: www.theglobenewcastle.bar.

Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 13, 2012

You can’t play that music tonight, that music belongs to the morning!

(By Ann Alex).
And that restriction, jazzers, is one of the rules about playing Indian ragas, as I learned when attending the lecture about South Asian music, at the Sage on Tuesday this week, given by Prof. David Clarke of Newcastle University.  This was an interesting and fascinating illustrated talk.  I'll try to convey the information given, though I'm no expert.  Jazz musicians will identify with some of the ideas behind this form of music.
Prof. Clarke was discussing Northern Indian classical music, known as Hindustani music.  Rather than our formal written classical music, this is ‘mood’ music with a certain ‘feel’, hence the rule that certain pieces or ‘Ragas’ can only be played at certain times of the day.  The music is improvised within a set structure and most musicians are able to play about 100 ragas, although there are 1000s in existence.  The music isn't normally written down except for teaching purposes.  No two performances of the same raga will be identical.
First, the drone is set up, played on a 4 stringed instrument. We were told that this is played by stroking each string as you'd stroke a lover!  The drone plays throughout the piece and can be produced electronically.  Then comes the main instrument, often a sitar or the voice, and the raga is established by playing the relevant notes for that raga from the scale.  The note names are Sa Re Ga Ma Pa Dha Ni.  After some time, possibly 5 or so minutes of playing, the two tabla drums begin repeating their pattern of 12 or 16 notes, called Thekas, as appropriate for the raga.  There is improvisation by the sitar and drums, although the drums have to be subtle.  The raga proceeds through the various sections, often ending with very fast tabla playing.  How do the musicians know when to begin a new section?  Prof Clarke said ‘They just know!’  This must sound familiar to jazz musicians.
If someone is singing the raga, the words are either religious or romantic, or sometimes both combined.  I recently heard a raga performance and the music reminded me of Western minimalist classical music, say that of Philip Glass, but more complex.  Apparently the ethos of ragas is in the background of lots of Indian music, including popular music.  I was fascinated by this talk which has demystified an unfamiliar type of music.  There is more information about performances at
Ann Alex.

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