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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 21, 2012

CD Review:Julian Shore - Filaments.


Julian Shore – piano; Kurt Rosenwinkel – guitar; Jeff Miles – guitar; Alexa Barchini – vocal; Shelly Tzarafi – vocal; Phil Donkin – bass; Tommy Crane – drums; Noah Preminger – tenor sax; and others.
(Review by Debra M.)
Filaments is the second album by American pianist Julian Shore, recorded in Brooklyn following collaboration with a number of New York based jazz musicians, including vocalists Alexa Barchini & Shelly Tzarafi.  
The opening Grey Light, Green Lily provides a good insight into the nature of the ensemble, with the melodic line provided by vocals and guitar in unison, whilst the remainder of the group get established with lively interchanges. 
Alexa Barchini wrote lyrics for the second track, Made Very Small, as well as Whisper and Misdirection/Determined. She has a honeyed tone, which is a little breathy in the higher registers.  However, her vocals are distinctive and atmospheric, and her concise lyrics convey a depth of emotion, which is particularly effective in Whisper, a song of unrequited love. 
The album builds up nicely to the most dynamic track Give, which starts with an acapella harmonic chant joined by drums, keyboard and bass and Kurt Rosenwinkel on guitar. The drummer, Tommy Crane, drives the tempo, and plays a great solo against a repeating horn & keyboard groove, finishing it off unobtrusively with a stylish drum fade out. The subsequent 2 tracks provide contrast, first with an excellent piano trio I Will If You Will, featuring a solo from bassist Phil Donkin, and then with a piano vocal duo on Like A Shadow. The ensemble is then joined by tenor sax man Noah Preminger on Venus, who provides a gentle interpretation interspersed with rapid flurries of activity. Finally, there is a refrain of Whisper by Kurt Ozan on acoustic guitar and dobro, a not unwelcome afterthought to a rather good album of contemporary jazz. Next time you're in NYC be sure to look out for Julian Shore and his friends.
Debra M.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance