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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Thursday, October 25, 2012

CD REVIEW: All Upon A Lovely Summer’s Day: Burton Bradstock


Burton Bradstock aka Jimmy Cannon (vocals, arranger); Dorian Ford (piano); Iain Ballamy (saxophone); Julian Ferraretto (violin); Pete Berryman (guitar and co-arranger); Riaan Vosloo (bass); Tim Giles (drums); also various musicians playing strings
(Review by Ann Alex). 
This is an unusual CD of traditional folk songs played and sung in a jazz-like manner by very talented musicians who have excellent credentials and much experience.  My reaction, as a jazz-loving folkie, was mixed. 
I doubt if this would appeal to lovers of very traditional folk song, but jazz fans may like it better, as there is plenty of jazz involved.  As for folk, there are some very successful tracks, but some tracks veer too far towards classical music because the strings are overused, thus missing the gutsiness of real folk music.  The vocalist sings in a pleasantly slightly husky voice, which would have suited more gutsy, adventurous arrangements, moving away from the tune, maybe even with a bit of scat.  I think Iain Ballamy should have been used more – after all this instrument (saxophone) is starting to appear in folk clubs.
I did like The Foggy, Foggy Dew, one of the less complex arrangements, with a ragtime piano accompaniment and brushed drums percussion – very effective.  Then there was John Barleycorn (all about growing barley and making beer, but from the barleycorn’s point of view), a no-holds-barred modern jazz arrangement with a distinctly drunken sound.  All Things Are Quite Silent is a song about the press gang, and the tragic theme deserved more than just luscious playing by the strings.  Early One Morning was a missed opportunity, which needed a more lively singing style.
As I said, this is a group of skilled musicians, who should maybe try more folk song arrangements, with some instrumental only tracks, and a selection of songs such as Border Ballads, which can be done well as Blues.  I know this works, because some musicians from the Newcastle Folk Degree did this in a Sage concert last year. 
The CD -  All Upon A Lovely Summer’s Day: Burton Bradstock - is released on October 29th on the F-IRE label, catalogue number F-IRECD 58.  There is a CD launch at the Pizza Express Jazz Club, Soho on 30th October.
Ann Alex (Russell is nowhere in my name!)

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