Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 25, 2012

CD REVIEW: All Upon A Lovely Summer’s Day: Burton Bradstock


Burton Bradstock aka Jimmy Cannon (vocals, arranger); Dorian Ford (piano); Iain Ballamy (saxophone); Julian Ferraretto (violin); Pete Berryman (guitar and co-arranger); Riaan Vosloo (bass); Tim Giles (drums); also various musicians playing strings
(Review by Ann Alex). 
This is an unusual CD of traditional folk songs played and sung in a jazz-like manner by very talented musicians who have excellent credentials and much experience.  My reaction, as a jazz-loving folkie, was mixed. 
I doubt if this would appeal to lovers of very traditional folk song, but jazz fans may like it better, as there is plenty of jazz involved.  As for folk, there are some very successful tracks, but some tracks veer too far towards classical music because the strings are overused, thus missing the gutsiness of real folk music.  The vocalist sings in a pleasantly slightly husky voice, which would have suited more gutsy, adventurous arrangements, moving away from the tune, maybe even with a bit of scat.  I think Iain Ballamy should have been used more – after all this instrument (saxophone) is starting to appear in folk clubs.
I did like The Foggy, Foggy Dew, one of the less complex arrangements, with a ragtime piano accompaniment and brushed drums percussion – very effective.  Then there was John Barleycorn (all about growing barley and making beer, but from the barleycorn’s point of view), a no-holds-barred modern jazz arrangement with a distinctly drunken sound.  All Things Are Quite Silent is a song about the press gang, and the tragic theme deserved more than just luscious playing by the strings.  Early One Morning was a missed opportunity, which needed a more lively singing style.
As I said, this is a group of skilled musicians, who should maybe try more folk song arrangements, with some instrumental only tracks, and a selection of songs such as Border Ballads, which can be done well as Blues.  I know this works, because some musicians from the Newcastle Folk Degree did this in a Sage concert last year. 
The CD -  All Upon A Lovely Summer’s Day: Burton Bradstock - is released on October 29th on the F-IRE label, catalogue number F-IRECD 58.  There is a CD launch at the Pizza Express Jazz Club, Soho on 30th October.
Ann Alex (Russell is nowhere in my name!)

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