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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Friday, October 26, 2012

A Gardenia for Lady Day: Cecile Mclorin Salvant Sage Hall 2 Thursday October 25

Cecile Mclorin Salvant (vocals); Enrico Tomasso (trumpet/cornet); Jean-Francois Bonnel  (ten/alt sax and clarinet);  Martin Litton (piano); Roly Veitch (guitar); Manu Hagmann (bass); Richard Pite (drums). (Review by Ann Alex).
What a good time was had by all!  Nearly every seat on all three levels of Hall 2 was occupied for this tribute to Billie Holiday, sung by Ms Mclorin Salvant, who was an attractive, elegant lady in red, with large-framed spectacles.  Her voice has many vocal colours, sweet and persuasive, pleadingly sad, then wonderfully dark and rich in the lower ranges.  The emphasis was on the songs that Billie sang in the 1930’s, a relatively happier time of her life.  Our singer brought her own style to the songs, with effective interpretations.  I felt that she could have had an alternative career as an actor.
And what of the musicians?  To say that they were well up to the job would be an understatement.  They were a great band in their own right, very entertaining and skilled, teaming well with the singer.  Outstanding solos from Bonnel, of whom one person said was the nearest thing to Lester Young he’d ever heard, and Tomasso on both trumpet and cornet, they looked as if they were really enjoying themselves – we certainly were!.
The Swiss bass player hummed along gently to his own bowing in a manner, one of my colleagues said, that was reminiscent of Slam Stewart.  Litton, a skilled pianist of many styles, Pite, a drummer who knew instinctively when to be discreet with cymbals and brushes and when to let rip for his solos. Towards the end of the concert he even juggled with the drumsticks.  I thought I’d had too much to drink, then realised it was really happening.  And of course, on guitar, our own Roly Veitch, who acquitted himself with honours, especially in the trio number featuring Cecile accompanied only by acoustic guitar and clarinet - I Can’t Believe That You’re in Love With Me. Roly's chordal solos, I'm told, brought to mind Carl Kress or Dick McDonough. Whatever, they sounded good to me!
In a performance which was rich in evocative songs it’s difficult to pick out specials, but the first song boded well for the rest of the gig - A Sailboat in the Moonlight and You. Lover Come Back to Me opened with just voice and bass, and I wondered how on earth the singer knew when to come in!  The trumpet on this was tremendous! There were 2 lighter songs, some would call them novelty songs, Twenty Four Hours a Day and Miss Brown to You.  I wish more singers would do these little gems, as they add lightness to the more serious material. On The Sentimental Side was played with the sax following the voice and some tender trumpet.  The second half opened well with a gutsy version of I Gotta Right to Sing the BluesIf Dreams Come True was dedicated to Lester Young, and “The nearest thing to Lester Young” certainly is a “presidential candidate”.  The gig rounded off with a lively Them There Eyes. A well deserved encore, On the Sunny Side of the Street, gave band and singer a last chance to let rip.
This was a great pre-party event before the main Whitley Bay Classic Jazz Party, which starts today (Friday October 26).  Fully booked now, sorry, people who missed getting tickets and, please note, already tickets are going fast for next year.  Feel sorry for me, I’m working this weekend.
Ann Alex

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