For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
Total Pageviews
Bebop Spoken There
The Things They Say!
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.
Postage
From This Moment On ...
November
Mon 11: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 11: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 11: Graham Hardy’s Eclectic Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 12: Matthew Forster Quartet @ Newcastle House Hotel, Rothbury. 7:30pm.
Tue 12: Phil’s Elastic Band @ The Forum, Darlington. 7:30pm. Free, but ticketed, book online.
Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: corto.alto @ Hoochie Coochie, Newcastle. 7:45pm (doors 7:00pm). £14.00. + bf.
Thu 14: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 14: Faye MacCalman & John Pope @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 14: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Inc. Olly Styles (saxophone).
Thu 14: Happy Tuesdays @ Ye Olde Cross, Ryton. 7:30pm. Free.
Thu 14: John Stowell & Tom Remon @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Top class US/UK guitar duo!
Thu 14: King Bees @ The Cumberland Arms, Byker, Newcastle. 7:30pm. Superb Chicago blues band. Note, Struggle Buggy will no longer be appearing.
Thu 14: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Jeremy McMurray (keys); Kevin Eland (trumpet); Mark Toomey (alto sax); Adrian Beadnell (bass).
Fri 15: Nicola Farnon Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Tim Kliphuis Trio @ Morpeth Methodist Church, Morpeth NE61 1HU. 7:30pm. £18.00.; £3.00. student (over 18); Free 18 or under. A Morpeth Music Society event. Kliphuis (violin), Nigel Clark (guitar), Roy Percy (double bass).
Fri 15: Lindsay Hannon’s Blues Trio @ 1719, Hendon, Sunderland. 7:30pm. £12.00. + bf.
Fri 15: Groovetrain @ The Exchange 1856, North Shields. 7:00pm. £22.50. + bf. Groovetrain’s ‘Big Night Out’.
Sat 16: Liane Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:00am-5:00pm. £95.00. Day 1/2. SOLD OUT!
Sat 16: Abbie Finn Trio @ The Vault, Darlington. 7:00pm.
Sat 16: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 16: Brand New Heavies @ Boiler Shop, Newcastle. 7:00pm (doors). £75.00. + bf; £30.00. + bf.
Sun 17: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 17: Liane Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:00am-5:00pm. £95.00. Day 2/2. SOLD OUT!
Sun 17: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 17: Liane Carroll @ The Globe, Newcastle. 8:00pm. SOLD OUT!
Sun 17: Julian Lage @ The Glasshouse, Gateshead. 8:00pm. Lage, solo guitar.
Mon 18: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Reviewers wanted
Saturday, October 13, 2012
Sandi Russell @ The Lit & Phil. October 12
Blog Archive
-
▼
2012
(
1004
)
-
▼
October
(
86
)
- Request from Chris Hodgkins of Jazz Services.
- Watson Walker Edis @ The Cluny. October 30
- Moss Project: Short Stories @ Lit & Phil. October 29
- Gateshead International Jazz Festival 2012's Ayann...
- Mark Williams Trio @ The Bridge. October 28
- Whitley Bay Classic Jazz Party - Day 3, Sunday Oct...
- Maine Street Jazzmen Rule in Rochdale.
- The Very "Best" of Jazz Club
- "We'll Make Fun For You" - 2012 Whitley Bay Classi...
- 2012 Whitley Bay Classic Jazz Party - Day One Frid...
- A Gardenia for Lady Day: Cecile Mclorin Salvant Sa...
- Vieux Carré Jazzmen @ The Millstone, South Gosfort...
- John Law Trio @ King’s Hall, Newcastle. October 25
- Return to Shanghai!! Sunday, October 28, 6- 8:30 pm
- CD REVIEW: All Upon A Lovely Summer’s Day: Burton...
- Nationwide search for best unsigned Blues Musician...
- CD Review (link): Westbrook Trio - Three Into Wond...
- Barclaycard Mercury Prize ‘Album of the Year' TONI...
- Drugs
- Jazz Summit 2012
- The Future of Contemporary Jazz in the North East ...
- Bob Belden Unveils a Dark Narrative of Manhattan ...
- Graeme Wilson Quartet @ The Central Bar, Gateshead...
- Jazz Café Jam. Sunday October 21.
- CD Review:Julian Shore - Filaments.
- Philip Clouts Quartet @ New Hartley Memorial Hall....
- CONTEMPORARY JAZZ IN THE NORTH EAST: WHICH WAY FOR...
- CD Review: The Knoxville Jazz Orchestra - Christma...
- The Jazzman by Kevah Emami.
- CD Review: Skamel
- Blue Notes in Bristol
- I Used to be a .com but now I'm a .co.uk!
- Djangologie @ The Sage. October 18
- Skamel @ Hoochie Coochie
- Everybody say "Aaah!"
- CD Review: The Bad Plus - Made Possible.
- Ronnie Scott and All That Jazz
- Degree Welcome Gig @ The Sage Gateshead. October 16
- R.I.P. Eddie Harvey.
- CD Review: Accidental Tourists - The L.A. Sessions.
- CD Review: Justin Horn - Hornology.
- Graham Don Trio @ The Cherry Tree
- Sons of Kemet @ The Bridge Hotel. October 14
- Scotland’s National Jazz Orchestra salutes the Duke
- Northern Monkey Brass Band @ Hoochie Coochie
- Whitley Bay Classic Jazz Party - Village Inn, Shir...
- CD Review: Danny Green - A Thousand Ways Home.
- Sandi Russell @ The Lit & Phil. October 12
- CD Review- Introducing The Verve.
- You can’t play that music tonight, that music belo...
- Christoph Stiefel Inner Language Trio @ Lit & Phil...
- Jammin' @ Hoochie Coochie. Oct.11
- CD Review: Two for The Road Tianna Hall and The ...
- RIP Colin Farrow
- CD Review - Harry Allen & Scott Hamilton: 'Round M...
- Vieux Carré Jazzmen Thursday Update.
- Frank Vignola & Vinny Raniolo @ Customs House. Sou...
- CD Review Jacqui Sutton, Notes From The Frontier...
- Simon Woolf
- CD Review: David Sanborn "Then Again" - The Antho...
- John Tchicai dies
- Marsden (Yorkshire) Jazz Festival This Weekend.
- Spelk @ The Bridge Hotel. October 7.
- CD Review: Kaylé Brecher - Spirals and Lines.
- Ruth Lambert w. Paul Edis Trio @ Ashington Jazz Cl...
- Karen Harding @ Monument. October 6
- Bad Ass Brass Band @ Hoochie Coochie. Oct. 4.
- Trish Clowes’ Nonet @ The Sage. October 5
- Customs House Big Band w. Ruth Lambert @ Customs H...
- The Hawk plays Bop @ Blaydon Jazz Club. Oct.4.
- CD Review: Tom Gibbs - Fear of Flying.
- The Informer
- Seth MacFarlane - The Sadder But Wiser Girl
- Tommaso Starace Quartet Live Streaming at the Blue...
- Trish Cowes Nonet Preview
- RIP Big Jim Sullivan.
- Needs of the Jazz Community
- Christine Tobin plays Leonard Cohen in North Yorks...
- Redemption Jazz @ The Bridge Hotel. September 30
- RIP Eddie Bert
- A Public Meeting JAZZ IN THE NORTH EAST THE WAY FO...
- Dave Kerr suggests this is a book no jazz piani...
- Scarborough Jazz Festival September 30 - Evening
- Scarborough Jazz Festival September 30 - Afternoon.
- Scarborough Jazz Festival September 29 - Evening.
- Scarborough Jazz festival September 29 - Afternoon
-
▼
October
(
86
)
10 comments :
What an outstanding voice - Sandi Russell's performance was stunning!
Having heard of Ms. Russell's upcoming performance at the Lit and Phil I was very keen to attend and I was not disappointed. Whilst piano and bass provided sensitive accompaniment it was the richly controlled voice and the enlivening presence of Ms. Russell which dominated the evening.
I can't wait to hear her again - soon! It would be fantastic to hear her with a broader more flexible sound in support - then we might really get to hear her cut loose and display the full range of her prodigious vocal talents!
I agree with Sue's comments and am more than a little surprised (and disappointed)that the Lance Liddle review focused more on the efforts of the ACCOMPANIST, Paul Edis, rather than on the MAIN ATTRACTION, which was Sandi Russell. I have had the good fortunate to attend many of Sandi's concerts over the years. During that time, she has been accompanied by various artists BUT it is and always has been Sandi's voice that stands out, over and above whomever tinkles away in the background.
Actually the review was by Russell, one of our regular reviewers, not myself. However, although I wasn't there it sounded a fair review and to dismiss Paul Edis - one of our finest pianists and accompanists - as someone tinkling in the background does an injustice both to the pianist and to Sandi for whom he is currently her first call accompanist.
SANDI RUSSELL’s performance at the Lit & Phil on 12 October was astounding! No-one would have guessed it from the completely unbalanced review that appeared on this blog site the next day. It seems that, throughout a dramatic two-hour display of virtuoso vocal range and inventiveness, your reviewer only had ears for the piano accompanist and his bassist.
Perhaps the writer is ignorant of the great tradition of jazz divas which Sandi Russell represents? No less a musician than Humphrey Lyttelton placed her with Billie Holiday; she reminds Time Out of Carmen MacRae, and has been compared by Lance Liddell on this very blog site with Ella Fitzgerald and Sarah Vaughan.
Or maybe this reviewer is unfamiliar with the repertoire of jazz vocals so generously presented by Ms Russell on that exciting evening? Mention is made of her anecdote about Thelonius Monk, but not her superb rendering of ‘Ruby, My Dear’, or her brilliantly funky ‘In Walked Bud’, in which Sandi Russell’s pyrotechnic scatting makes up for the horns and other instruments not present.
Strange that, on a blog site called ‘Be Bop Spoken Here’, the reviewer had nothing to say about Sandi Russell’s wonderfully entertaining version of the Betty Carter song ‘Please Do Something’. Nothing either about the beautifully melodic standards she has made her own, such as ‘Forget Me’ and ‘The Nearness of You’, confirming John Fordham’s comment in the Guardian that ‘expat American Russell breathes new life into the most familiar materials’.
The capacity audience in the warm ambience of Newcastle’s historic venue certainly recognised that they were in the enchanting presence of a ‘unique vocalist’ (Jazz Improv, New York), offering ‘top notch jazz’ (The Musician, London). Their enthusiasm and prolonged applause – not least for Ms Russell’s stunning rendition of Abby Lincoln’s ‘Throw it Away’ – made up for the shortcomings of your reviewer.
If you missed this outstanding event and want to judge for yourself, go to SANDI RUSSELL’s website (www.sandirussell.co.uk) and come to her next Newcastle performance on Wednesday 21 November at the Mansion House, Fenwood Road, Jesmond, NE2 1TS (www.newcastlemansionhouse.co.uk).
Sir/Madam, live reviews can never be objective. Jazz in particular always has been and always will be a subjective area. That our reviewer chose to record his appreciation of the accompanists - as I'm sure Sandi herself did during the concert - in no way implies he didn't appreciate her efforts.
Both our reviewer and yourself refer to Sandi's up and coming gig at the Mansion House on November 21. Perhaps you would care to submit a review on that one?
Dear Lance,
Good to hear from you, but why doesn't Bill Russell speak for himself (and use his full name to avoid confusion)? He can of course say what he likes, but that won't make his reviews either fair, balanced, informed or even appropriate.
Bill's decision to ERASE the singer (i.e. the principal musician)from his account of this exceptional performance was outrageous, as other comments testify.
Think, for a moment, what such erasure means to an African American immersed in the culture and history of jazz, who is also an outstanding interpreter of it!
We like Paul Edis too, but he can be heard regularly in the North. Sandi Russell more often performs in London or New York with international musicians, so it's a rare delight to hear her in Newcastle.
It's kind of you to suggest that I review Sandi's upcoming performance on 21 November, but it would be much more appropriate for you to do so yourself!
Russell is our reviewer's first name and to the best of my knowledge has never been known as Bill. Come to that, why are you "anonymous" you sound as if you know me?
As regards reviewing, our reviewers have carte blanche to express their opinion as indeed do those who comment.
The injustice, sir, was to Sandi Russell with that 'non-review'. Obviously, after seeing the other comments below, I can assume that I am not the only one who felt that way. Oh and by the way, I, for one, only used anon because your blog rejected my name & email address. Sincerely, Antoinette Freeman
Having not been able to get to the Sandi Russell I was pleased to to read the brief review on BSH which seemed to give a positive sense of a very good gig and of the singer and the musicians. I look forward to seeing her next gig at the Mansion House. In the meantime, I have to say that the comments are providing some interesting, if slightly surreal, entertainment. Populated by as diverse a selection of characters to be found this side of Desolation Row, with an assortment of Russells, including Sandi, Russell and the mysterious 'Bill', Lance Liddle and his alter ego, Lance Liddell and the Machiavellian reviewer with his tendency towards post-structuralist Derridean reviews written 'under erasure'. Then there is the alternative Long John
Silver inspired jazz website 'Be Bop Spoken Here? Arrh, to be sure, Matey'. It's going to be a fascinating crowd at the Mansion House gig....
JC (nee Russell)
J.C - you are in the frame to review that gig!
Post a Comment