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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 07, 2012

CD Review: Kaylé Brecher - Spirals and Lines.


Kaylé Brecher: vocals, percussion; Jimmy Parker: sousaphone; Stan Slotter: flugelhorn & trumpet; David Dzubinski: piano; Frank Butrey: electric and acoustic guitars; George Rabbai: trumpet; Tony DeSantis: trumpet; Fred Scott: trombone; Jarred Antonacci: bass trombone; George Barnett: french horn; Mike Jarosz: flugelhorn; Grant MacAvoy: drums; Erik Johnson; drums.
(Review by Lance)
Kaylé Brecher (a.k.a. Kay-La Brecker) is a new name to me - in fact two new names - but, as Brecher, an interesting one, not only for her evocative vocal style but also as a composer, arranger and, on a couple of tracks, percussionist. A native New Yorker who, as a very young teen began singing the blues in Greenwich Village clubs, Brecher played and paid her dues supporting artists such as Maynard Ferguson, Freddie Hubbard, Mel Lewis, Lee Konitz, Red Rodney and many other 'names'. 
Now based in Philadelphia, Kaylé has assembled some of that city's finest for a difficult to classify, but nevertheless enjoyable,  album. 
The line-up is along the lines of a contemporary New Orleans Marching Band with a Mingus, Ellington, Gil Evans feel to it and they handle the singer's arrangements effectively.
As well as her own compositions, there's an unusually laid back version of the old civil war song When Johnny Comes Marching Home, Yip Harburg's Crosby classic, Brother Can You Spare a Dime, Mingus' Noddin' Ya Head Blues and the Sinatra number, The House I Live In.
Although there are no reed instruments there are solo opportunities for guitar, trumpet and - a tower of strength throughout - sousaphonist Jimmy Parker.
As for the leader, her distinctive voice is the icing on a cake cooked from a very good recipe book.
Check it out.
Kaylé Brecher - Spirals and Lines; Penchant Four Records. Street date Oct. 30, 2012.
Lance.


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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance